
On the third installment of Sand, label boss Nima Khak is back with his characteristic dance floor oriented analogue leaning techno.

On the third installment of Sand, label boss Nima Khak is back with his characteristic dance floor oriented analogue leaning techno.

Trax Research extracts a major find from Gene Hunt’s lost tapes. Don’t sleep on this limited, hand stamped one-sider!

‘Where Are We Heading’ EP is a sequel to the stunning entry by Tapirus aka Charlton Ravenberg, and offers greater room for the artist to roam, breathe, flex and grow. The title track ‘Where Are We Heading’ questions the forward march by mankind with a Mr. Fingers touch providing pause in between the war. Offering up his interpretation on B2 is Credit 00, adding battle call drums and a kind of majesty, he rallies new life to the mix, pointing a way forward in this crazy collective experience we call life.

Previously released on cassette, here is a new mastered 12″ vinyl with dreamy raw house jams by Leipzig based Achilles.All tracks were recorded with a Fostex 380S Tape Recorder without doing any kind of overdubbing or shit like that just using a couple of cheap drum machines and synthesizers.Old skool 90s inspired analog underground House.

Leipzig’s Perm delivers a fine quality Techno EP on shtum with a nice versatile selection ranging from harder and jacking to deep and atmospheric. Deep Acid driven Techno tracks that will stand out in big dark basements.

Killer Gene Hunt double pack from 1995, with 9 killer tracks spread across 2 discs. Heavy duty jackers. Released in conjunction with Trax and MAAD records.

The mysterious Art Crime is back with a new EP on Creme Organisation. It is a four track affair that continues to showcase the producer’s knack for ravey, texturally rich house and techno sounds with a rather haunting edge. ‘Anxiety is Always Here’ is a high tempo stomper with spooky pads and jangling, energetic melodies that reverberate in a dark night sky. ‘The Owner’ is rooted on firm kicks and has dark, lo fi atmospheres percolating all around as paranoid stabs and gothic keys rain down from above. ‘Renessense’ is then a rather more stripped back and groovy, deeper cut with slithering and icy hi hat patterns and sombre bass notes. Still, it retains a trance inducing sense of freakiness before closer ‘Intention’ close out the EP in lithe, soulful and hi tek techno fashion.

Danny Moore aka Pvre Matrix is from a generation of young techno producers out of Brooklyn who come at the music without preconcieved notions or boundaries in their approach to production and playing live. Impeccabily produced without losing its sense of urgency or brutality and clocking in at breakneck speed, Pvre Matrix is out for blood, and his three track debuts prove as such.

Scenery Records presents the first release on a new sub label “Scenery White”, featuring 2 tracks a piece from ASOK & Neville Watson.

Cologne Underground Records, a Label runs by Elec PT.1, proudly presents V/A – Let It Be (Acid).
International Acid Affairs. No smooth ChikkieChikkie. Straight in your Mind. And your Azz.

The Bunker New York presents a surprise EP from veteran techno producer Mark Verbos – a man whose discography stretches back over 20 years – fits that remit. Flitting between acid-laden psychedelic intensity (“Just A Little Late”), high-octane loop jams (“In The Back Room”) and sweaty, all-out assaults on the senses (the metallic madness that is “Start Up Drive”), it portrays Verbos as a masterful producer of no-holds-barred dancefloor techno. Interestingly, he diverts a little from the script on the EP’s final moment, “Walk The Distance”, combining sparse dub techno rhythms and ghostly electronics.

Back in 2011, Chicago’s Beau Wanzer reshaped the angry body-music of the now-defunct Houston duo Tense with an 8 minute claustrophobic TR-909 workout. The track never saw the light of day on vinyl… until now.

Midwich Productions presents James Marlon Magas’ Heads Plus. For the past several years, Magas has been concentrating on instrumental production, eschewing vocal histrionics of previous work, in favor of moodier, more open-ended composition. This focus has resulted in the bombastic and hallucinatory Heads Plus, an all-instrumental wallop that fuses howling ARP Odyssey, capricious Juno funk and fuzzed Rhodes anchored to the ever-present throb of the Roland TR-808 drum machine. Freed from vocal constraints, Heads Plus conjures a cinematic ambience where light and dark wrangle for dominance in a dystopian post-techno near-future.

The second release of the year for Brokntoys finds the label returning to Sweden’s Ronnie ‘Rutherford’ Johansson. ‘Singularis’ represents one of the rare occasions the Gothenburg-based artist has released outside of Luke Eargoggle’s Stilleben label, and features some proper icy electro productions as well as more abstract fare.