
Raw and 90’s influenced effective house tracks on this Wilson sublabel from London. Including cool acid cut on the b2.

Raw and 90’s influenced effective house tracks on this Wilson sublabel from London. Including cool acid cut on the b2.

Contort Yourself returns with “Events at the Fatal Party” which comes over more as a description than a title, brimming with a bubbling sense of tension and fear. Hamburg duo Fallbeil kick things off in impressive style with a crunchy acid monster which twists and turns followed by two killer proto-techno cuts from legendary French industrial band Die Form from their 1985 tape Hurt. Here we find ourselves in a unsettling scenario with metallic voices scowling over clanging machines and guitar feedback in an unhinged way. The mysterious Slugbug starts the flip with “Goback”, a creeping acidic beast moving unstoppably forward as a reverberating voice ripples throughout. Any calm is then shattered by IBM a.k.a. Jamal Moss whose remix of Die Form hammers home a tough seven minutes of mangled synths, bubbling acid and thundering drums.

Marvin & Guy with 3 tracks that push boundaries between disco culture & techno spirit. Ranges from hypnotic warm analog bass to pumping Italo-disco to obscure trip built around psychedelic synths & rolling bass topped w/spooky vocal samples.

Jean-Louis Huhta aka Dungeon Acid with a new release on Borft. 4 Dark acid stompers by this percussionist & electronic music veteran.

LAB.OUR 05 showcases tracks by 4 different artists, displaying a diverse spectrum of deep sounds. Lab.our Music co-owner J-UL’s first ever release, Tempest, is a moody, beat driven track with layered synths. Maxwell Church returns to the label with Elastic Ban, a rolling rhythmic journey with tense strings. Newcomer, and Toronto native, Xavier Gonzalez drops Praise, a dancefloor burner with a barrage of beats and energetic vocal snippits. Last but not least, veteran Chicago Skyway brings us Vase Mix 3, an atmospheric and melodic jackin’ track.

Barcelonian underground BLD hits us with a new EP straight to the Club. Two versions of the monstrously acid and beautiful dub building track Crawling on the A side and the epic break beat Twisted on the flip side.

Inaugural release on the new imprint Gnosis comes from Myriadd. This four track EP remoulds the template of vintage Chicago house, acid and deep house into his vision of modern house music.

Ron Wilson’s 777 label delivering a strong EP with 3 spaced out techno tracks with layers of deep strings and warm bass lines. A fierce jacking rhythm with a rolling bassline and a contrasting atmosheric synth on top.

On his second installment for Holger, Philipp Weber further expands the sounds and themes introduced on his debut Eins on Holger. Combining influences from early krautrock and minimal music to contemporary dance sounds.

Sophisticated deep and athmospheric techno by Les Enfants Terribles. An extra fine release number one to start this fresh venture by Dutch dj/producer JP Enfant. These terrible kids all ready made name in their local scene and are now ready to step over the border.

The first release on Kristina Records, featuring four tracks by Frawl aka Cian Frawley. Nice deep, meancholic house tracks with fragile melodies and a lovely flow.

The Corner presents Beau Wanzer and Shawn O’Sullivan with their Civil Duty self titled hard hitting album, not for the faint at heart.

Weekend Circuit releases its first V/A series, Ground-Fault-Interrupt. Spread over 2 parts, the record’s eight tracks further showcase what the label has been become known for, a highly-focussed, well-contemplated brand with music to match. The second part includes tracks by Sleeparchive, Alderaan, P.E.A.R.L. and Coldgeist.

Laid down with authority by L/F/D/M are four no nonsense cuts blasting fresh air into that perennially en vogue phenomenon known as acid house. Opener ”Spare Ribs, No Napkin” is meaty and greasy with abandon, as rude and distorted as it is irresistibly syncopated. ”Cutting Fingers” contrasts with a slow burn with a deep kick anchoring shifting rhythms and unsettlingly hypnotic riffs. Flip this treasure over and get pummeled by the rolling stomp of ”Heavy Clouds with its massive 808s and just-off-the-nose acid cycles. Closing things out is the bright paranoid jack of ippos In Slumber” with its muted chords adding freaky color to steady and heady 707/303 workout that charms and overpowers with an electric stink that lingers long after the needle has reached the lead-out groove.

Few would argue there isn’t an old school spirit hovering around Glaswegian label Tabernacle.The next Tabernacle release includes are two original improvisations taken from a Hieroglyphic Being Live recording, and two versions from John Heckle, one which samples the live recording and one inspired by it.

Frak must be amongst the most consistent artists in techno. Realismo delivers three winding, twisting analogue techo tracks, kicking off with ten-minutes of mid tempo, acid-flecked, heads-down freakery, the brilliantly icy, but also strangely intense “Nerve Netting”. “Progressive Lattitude” is a little fuzzier and more distorted, but explores similar sonic territory. Things get more hectic on closer “Major Attack”, which is a typically wild interpretation of acid house with additional razor-sharp electronics.