“Ten years have gone by since I began this project called Sequencias. When I started it, all I had in mind was that I wanted to put out the best music that was available to me and that I’ll follow wherever it’ll take me. I’m very grateful to all the people that have been part of this journey and have trusted me with their art, without them there was no way this could have happened. Also, to everyone behind the scenes that have made it all possible, thank you. With this selection of tracks, I intend to give the catalog a breath of fresh air. All of them were previously released on vinyl-only between 2011-2021 so now you can enjoy them digitally as well. All the tracks in the compilation got remastered and the ones that were not included will remain only on vinyl.” JM De Frias.
Old friends Katie Rose and Shawn O’Sullivan, aka Further Reductions, collaborate again with the label. This time the Brooklyn NY two-piece brings a more lo-fi, moody, and outstretched collection of tracks to the table. Each track an instance of their ongoing exploration of new sounds, the defining characteristic of their work. This material evokes the spirit of mellow 90s, acid-era, Psychic TV-ish, lucid dreaminess. Soothing, monotonous, yet disrupted by a feast of kicks reminiscent of Gary Numan drum parties. Summer darkness.
Mannequin boss Alessandro Adriani returns with his second full-length, ‘Morphic Dreams’, this time on Stroboscopic Artefacts. Throughout eleven cuts painstakingly executed but lacking not an iota of the fresh, spontaneous oomph that made his sound stand out of the crowd of techno producers to have emerged over the past decade, Adriani lays the foundations to a suspended sound imaginarium, governed by its own rules and principles of gravity. Revolving around the notions of sublimation and quest for inner balance, ‘Morphic Dreams’ is comprised of four distinct sequences, conceived and designed as reflections of four mental states, each of them linked to the four alchemical elements – i.e. Water, Earth, Air and Fire.
Mannequin’s 100th – a compilation looking forward featuring an international and serious cast. The modern synthwave scene would be significantly poorer without the keen ear and tireless efforts of the Mannequin label run by Alessandro Adriani. Mannequin continues to go on exploratory missions to find the best and most relevant aspects of genres like acid, industrial, EBM, post-punk, coldwave and still more. Which brings us to Mannequin’s newest project and 100th release overall: the Waves of the Future double LP compilation, which itself is not a conventional retrospective collection. Case in point – none of the artists appearing on this collection have put out their own releases on Mannequin yet, despite acting as Mannequin’s unofficial ambassadors (via DJ sets and other means). This makes the set even more compelling rather than less so, since it shows how Mannequin fits into a larger picture that includes other scene leaders and label owners including Beau Wanzer, Willie Burns, Silent Servant and Ron Morelli.
New York City based Further Reductions is the live project from husband and wife Shawn (aka Vapauteen, 400ppm, Let Er Est) and Katie O’Sullivan (aka Rose E Kross, ppG). Back in 2014 they released their gorgeous debut album on Cititrax records. The album was an adventurous trip, where they pushed forward a unique sound. After all those years there will be a follow up to this EP on Knekelhuis. Expect a fusion of different sounds, grimy and pretty at the same time.
The modern synthwave scene would be significantly poorer without the keen ear and tireless efforts of the Mannequin label run by Alessandro Adriani. Adriani says it best when claiming that “there is no such thing as ‘old’ or ‘new’ music…only the music of now”. With this cogent statement of intent, Mannequin continues to go on exploratory missions to find the best and most relevant aspects of genres like acid, industrial, EBM, post-punk, coldwave and still more.
Mannequin announces its 10 year anniversary with a compilation of tracks from the labels closest friends for its 100th release, called Waves Of The Future.
New York native Shawn O’Sullivan returns to Avian as 400PPM with debut LP, ‘Fit for Purpose’. As an artist, O’Sullivan has long since explored the juncture between hard-hitting, functional dance floor material and more lofty, conceptual work. From a purely structural standpoint, the artist’s return to Avian bears all the hallmarks of previous output under the alias, utilising the same palette found on early EP’s for Guy Brewer’s label. Stripped back and driven, the music marries caustic drum-machine polyrhythms with warping, pitch bent leads and characteristically atmospheric use of reverb. It’s a decidedly dance floor offering, but the music comes refracted through O’Sullivan’s own lens, with plenty of elegant references to a career spent exploring much of the Techno genre’s periphery, from Noise to New Wave. Crushed vox bubble up from beneath wrought-iron percussion and the artist takes time to step away from high energy 4×4 workouts to explore more complex rhythmic structures and harsh, low tempo grooves. While O’Sullivan’s music as 400PPM might eschew the colour and vibrance of some of the unabashed hedonists that made up the Club Kids scene – who reinvented the DIY spirit of punk rock and incorporated Sci-Fi and the circus, there is on the one hand an undeniable sense of both the rising hysteria that comes with the pervasive and unbridled drug use for which the group were as infamous as their outfits and rejection of then societal norms, and on the other, a further anxiety regarding the notion of machine-made music in a contemporary society swiftly approaching a new and daunting technological age.
Dust On Common’ from Led Er Est (Sam De La osa, Shawn O’Sullivan and Owen Hutchinson) was originally released in 2009 by the seminal Brooklyn based record label Wierd Records. The band’s first full-length release showed the three piece clearly breaking out of the minimal synth underground they have been a vitally integral part of since its inception in Brooklyn to create an undeniably contemporary set of highly crafted and restrained, icily psychedelic pop songs.
The Corner presents Beau Wanzer and Shawn O’Sullivan with their Civil Duty self titled hard hitting album, not for the faint at heart.
Cititrax presents the full length LP by Brooklyn duo Further Reductions. Shawn OSullivan (Vapauteen) and Katie Rose formed Further Reductions in 2008 as an outlet for their shared passion of electronic dance music. O’Sullivan, known for his recent techno releases as Vapauteen on L.I.E.S., 400PPM on Avian and Civil Duty (with Beau Wanzer of Streetwalker) on The Corner has been quite active lately blurring the lines between techno and noise music. With Further Reductions, O’Sullivans rhythmic sensibility is fused with Roses pop leanings to create super lush and atmospheric tracks that work both on and off the dance floor. Informed by the sounds of classic techno and early house, they subtly substitute the structure of functional club music with a more primal absorption based in their unique collaboration. Seductive vocals coupled with organically evolving sequences create a complex narrative that penetrates the subconscious in a way that conventional club music rarely threatens to.
For the 10th release Sequencias presents a various artists release with works by Metropolis , Shawn O’Sullivan, Echo 106.
Three tracks of paranoid Industrial techno coming straight from the guts of New York City! All songs therein have been recorded live in one take, with no editing. Here is urgent and immediate music which claws at the eyes of society and reflects the fucked up world we live ineveryday.
Shawn O’Sullivan brings us the latest release on WT. Classic early IDM meets rawer 90’s analogue techno with a little bit of acid and industrial sprinkled in. Shawn takes synths, drummachines, a sequencer and some effects and records one take on a stereo track.