Romanian producer and DJ Andrew Red Hand has carved a unique niche in the world of underground electronic music. His work stands as a tribute to the raw energy of Detroit techno and electro, yet it retains a deeply personal, emotional tone that gives it timeless depth. He returns to Time Passages with the four-track ‘This EP ‘For My Father’ EP, offering his most focused and expansive vision yet. Includes a remix from an icon of the scene, DJ Hell.
Time Passages celebrates their ten years of existence with a stellar line up of artists; this is the full LP to complement a shorter EP. The mood on this one is decidedly hellish yet, of course, for that very reason, tempting to cop; this being the characteristic of the flagrant provenance of DJ and producer Binh, whose brand of sinister minimal techno and electro always turns up scorched, hardened into granite, by the embered airs of hardcore. The Berlin outfit welcome The Model and DJ Hell on the A1 side, with the first opening up his own private bacchanal into the hungry streets with ‘Eat More House’ – a motto we can really chew on – while Hell’s ‘Alienation’ plays on similar themes, with a central acid riff and sniper clap pattern. Barnt and Bezier steer and slow the B-side to a canter, the latter especially on the low-slung, ominously new beat-inspired ‘Roter Faden’, while the likes of Z@p and DC Salas go on to encrust the ensuing sides with a haunted clog of synthpop and new wave judder-offs.
The 3rd installment from Native Mexican producer Leo Leal’s “Melodies from the Sky” EP on Binh’s imprint Time Passages. Smooth retro progressive trancey house tracks.
Native Mexican Leo Leal returns on Binh’s imprint Time Passages with a new 12” EP “Antimateria”.
Native Mexican Leo Leal debuting an 8 LP tracker on Binh’s imprint Time Passages, exploring a dark fractal sound.
Innershades returns to Time Passages. He hits the ground running with “It’s Time”, a warehouse-ready throb-job full of new beat riffs and creepy electronics, before offering up another funky Euro techno cut that sounds like it could have been played at an after-party in 1990 (“Forum”). Elsewhere, “Euphoria In Ginza” is a deliciously chiming and melodious breakbeat-house workout, while “No Romantic” is another retro-futurist romp full of squelchy synth bass and rushing, turn-of-the-90s style nostalgic riffs.
Innershades with his signature mixture of electro, house and techno hybrids on Time Passages.
The Hipodrome Of Music 