Boomstraat 1818 is a new techno label from Amsterdam. The label aims at releasing timeless Detroit techno music on vinyl and digital formats, from international artists and local talents. Outerbase ep is inspired by the 90’s Purpose Maker and M-Plant sound and delivers a club friendly 4-track various ep with esteemed artists like Stefan Vincent, Kuba Sojka and Taupe.
First solo Ep of the End Of Perception vinyl series comes from the Spanish techno sci-fi master ORBE which includes four original cuts. Deep, raw and hypnotic sounds are the main character of this endless journey.
The whole Shape of the Roots project by D_Roots in one go. On part1, 4 serious, energetic, sharp, melancholic electro tunes. Rock solid dance floor material from this super talented Italian producer. On part 2, 4 tracks focusing on the deeper side of his production skills for beautiful, driving Detroit electro/techno, the LP digital package comes with 2 bonus track.
Hilltown Disco celebrate 5 years with a star-studded compilation of artists that have featured and helped shape the label over the past half decade. On the A-side of the vinyl we find w1b0, Wibo Lammerts who sadly passed away during the production of the record, and Ole Mic Odd, who offer crunchy, dark electronics, perfectly sewn together, producing two future classics, with their bass-heavy electro. Flip to the B-side and the record ups tempo, with the first track from Larionov & St. Theodore that showcases their slick, punchy electro productions, followed by a spiraling, hypnotic, machine-funk weapon by PRZ. The record finishes with Robyrt Hecht’s stripped-back electro track with classic Hecht, signature, captivating vocals.
Plague Pits is a collective from Bern and Zurich, Switzerland. Inspired by the D.I.Y. electronic tape underground of yore, they play disco dirges for the Anthropocene – cold wave for a heating planet. “Punishment & Extinction” compiles some of the stand-out tracks from an array of self-released, cassette-only EPs Plague Pits have put out since late 2021.
The third release on the Ferry Lane label comes from Schulverweis, the German duo formed by Levente Pavelka and Johannes Haas (L.F.T.), presenting a new record revisiting the idiosyncratic Neue Deutsche Welle sounds. On the A-side, Mehr merges electro with wave while on the flip we have the snazzy garage punk of No Future.
Billy Bates & C.L.A.W.S. return to Squirrels On Film as Zonetech, presenting an EP of murky, slowbeat machine jams suitable for the dimly lit basement of your choice.
Mark Grusane’s latest offering, A House of My Own is a testament to his long-standing discipleship to the craft of producing hard-hitting house tracks with authenticity and depth.
BMM 50 kicks off with some tech-leaning grooves that swing back and forth underneath cosmic pad work. ‘Limited Time’ is a more percussive and laid-back vibe, with deep house chords and jazzy feelings. ‘Emergency Teck’ then comes in two further versions – one acid one, and one beat tool for layering up your sets. It makes for another timeless outing from this vital house voice.
Mental Disorder presents “Scoundrel”, a release consisting of 3 tracks, written and conceived by label founder Reeko and Surgeon. Anthony Child and Juan Rico bring to life the twenty-sixth in the mental disorder catalogue, giving a truly unexpected musical twist. Rogue rhythms at 175bpm bordering on drum n’ bass, gangster bass sequences with funk influences and eerie atmospheres, healing melodies and hypnotizing riffs that seem to come from vanished civilizations.
Chupacabras presents, on his label Draconian Steps, the final release of his alter ego Acid Freq. This includes 6 over driven analogue tracks to nowhere. These were the final recordings before leaving London for the Thanet Coast with the exception of the digital bonus “Thursday Night”. The recordings embrace feedback, distortion, overdrive and experimentation. Mindless repetition for mindless times.
Zodiak Commune Records presents a highly effective EP from SOUR, with 303’s lined-up to gently pierce eardrums around the globe. All tracks are driven by energetic drums with a steady but relentless groove.
”Metropolis Metropolis” album is an abbreviated version of the most recent electronic music soundtrack for Fritz Lang’s Metropolis (1927) by Jeff Mills. Unlike his first soundtrack version (released in 2011) where tracks addressed specific segments of the film in a track listing form, this version is more a symbiotic mix of compositions that proposes a nuanced representation of the plot and storyline. As an electronic symphonic music creation, Mills proposes a few interesting points in the schematics of this album. First, the positioning and role of the listener as the soundtrack is based on the environment of the scenes, rather than pure transcription and second, as a storyline that takes place in the year 2000, the choice of sound elements refer to some future commonality and foresight between the genres of Classical and Electronic music – between man and machine.