Prolific duo Years of Denial return to Veyl with another genre bending, dance floor ready EP titled Love Cuts. Acting as a transit between 2023’s Suicide Disco 2 and the forthcoming Suicide Disco 3, Love Cuts explores the various angles of love – ranging from the digital to the forbidden, toxic to erotic and beyond. A blend of death rock, future goth, EBM and rave, we once again find the project’s poetic, powerful lyrics fusing with motorized beats and 4×4 rhythms.
For those of you that missed the memo the first time, we have compiled a selection of deep cuts from the mysterious R-Zone archives. See it as an introduction or perhaps a retrospective, depending on how long you’ve been around. R-Zone seeks to recapture the spirit of the original raves where faces mattered less than music and marketing and the cult of personality were not yet a thing. A simpler time some might say, but we know better. For when the lights are dim and the smoke and strobe rule supreme you might still transcend your daily grind and slip into the comforting womb of the R-Zone.
Something different and special for Dungeon Module 008, Timothy J. Fairplay invites artists he admires both new and established for music on Working Overtime Volume One. The compilation begins with ‘Master Blaster’ by RZ-1 warrior and REALM resident Oyster, then Alex Israel keeps up the jackbeat intensity with ‘You Forgot The Briefcase’. Chupacabras is next with pressure building Thanet party electro jam ‘OFF Planet’. Hope Of The States frontman Sam Herlihy debuts his electronic project Total Mathematics with the cinematic ‘Warningcamp’ to close the side. ‘Set Phasers To Stun’ starts side B, analogue house by Computerdisco constructed in a workshop of vintage synths overlooking the Bristol Channel. Timothy first met Rebecca Goldberg playing at Tresor, ‘URNOTALONE’ is hypnotic Minimal Nation style Detroit techno featuring field recordings from her recent trip to Roswell. Alan Harman appears with ‘Blast Zone’ in his instantly recognisable and unparalleled cold wave style. Timothy J. Fairplay finishes the album with the lo-fi synth, melodica and Space Echo of ‘Night Warden Dub’.
Immortal Sin presents 4 nasty floor cuts from M Parent (Philadelphia), Koolaid Werewolves (San Francisco), Acid Al (Chicago) and I.B.M. (Chicago).
An electrified meeting of minds, Candy Girl is a lost 1975 session by jazz pianist Mal Waldron, recorded in Paris with core members of the mighty Lafayette Afro Rock Band, the American funk unit who had made France their home and whose deep grooves would later be mined by generations of hip-hop producers.
By the end of the 1970s Linval Thompson had cut out a successful dual career for himself as both singer and producer. Naturally he moved in the dub field as well, getting further use out of rhythms he used in his other works. Dub had begun strictly as an album format with limited pressing runs for scene insiders, but it had swiftly gained the interest of the rank and file reggae buffs. ‘Negrea Love Dub’, originally released in 1978, is a cornerstone in the reggae dub scene. The sound of the ten dubs featured here is hypnotic and its effects are euphoric to say the least.
Romanian producer and DJ Andrew Red Hand has carved a unique niche in the world of underground electronic music. His work stands as a tribute to the raw energy of Detroit techno and electro, yet it retains a deeply personal, emotional tone that gives it timeless depth. He returns to Time Passages with the four-track ‘This EP ‘For My Father’ EP, offering his most focused and expansive vision yet. Includes a remix from an icon of the scene, DJ Hell.
Forbidden Dance continues its story with Brazilian synth virtuoso Pedro Zopelar and his 4-track EP. Known for his genre-blending productions that traverse ambient, deep house and electro, Zopelar crafts tracks that are both pulsating and sensual. His latest work is a testament to his ability to merge the warmth of vintage rhythm machines with futuristic synth explorations, delivering a sound that’s both nostalgic and forward-thinking.
Japan’s electronic music scene has always stood out as uniquely distinctive. In the late 1970s and early 1980s, a wave of underground projects, bands, and independent labels – primarily based in Tokyo and Osaka – began crafting their own sound. Inspired by the post-punk, new wave, and experimental movements emerging from Europe and North America, these artists embraced a DIY ethic, using whatever technology they had access to in order to forge something entirely their own. This movement, often referred to as the “Nippon-wave” scene, remained largely hidden from the outside world. Many of its releases – on cassette tapes, flexi-discs, and privately pressed vinyl – never distributed beyond Japan’s borders, making them rare treasures for the few who managed to discover them. “Nihon No Wave” presents a selection of these long-overlooked recordings, making them accessible to listeners beyond Japan for the first time. This is Nihon No Wave part 2.
Japan’s electronic music scene has always stood out as uniquely distinctive. In the late 1970s and early 1980s, a wave of underground projects, bands, and independent labels – primarily based in Tokyo and Osaka – began crafting their own sound. Inspired by the post-punk, new wave, and experimental movements emerging from Europe and North America, these artists embraced a DIY ethic, using whatever technology they had access to in order to forge something entirely their own. This movement, often referred to as the “Nippon-wave” scene, remained largely hidden from the outside world. Many of its releases – on cassette tapes, flexi-discs, and privately pressed vinyl – never distributed beyond Japan’s borders, making them rare treasures for the few who managed to discover them. “Nihon No Wave” presents a selection of these long-overlooked recordings, making them accessible to listeners beyond Japan for the first time. This is Nihon No Wave part 1.
Fanzine Records present its 22nd release: “Heavy Mental”, the highly anticipated new work from the master of dark electro, Dark Vektor. Get ready for a sonic journey that fuses the raw intensity of electro with the depth of an introspective mental trip.
Minimum Syndicat presents the second chapter of the limited ”Mutant Signal” serie. A collection of sci-fi electro, cinematic industrial dance and cyberfunk tunes exploring a future that never happened.
“Speech synthesis, also known as text-to-speech, is the process of converting written text into spoken words using computer algorithms. The goal of speech synthesis is to create a synthetic voice that sounds as natural and human-like as possible, with the ability to convey emotions, tone and intonation.”
Mind bending UK influenced Rave meets Electro EP by Scottish producer Crossover Network who makes his second appearance on the Dutch label, Rotterdam Electronix. This time it’s full of splattering synth lines, ravey chords and arpeggio leads. One for the Grimey and sweaty nights.
French house maestro Franck Roger returns with the latest chapter in his Earthrumental Music series.A standout 4-track EP designed for deep, late-night dancefloor sessions. A masterclass in groove and atmosphere, this is essential listening for discerning house heads.
Rick Wade on Norm Talley’s Upstairs Asylum are words that will excite any true school house heads. Wade is a production machine who turns out always no-frills, trusty and tracky grooves of the sort that are always essential for building a vibe in a set, and Talley’s a fellow Detroit head who has long been helping to shape the house sound. ‘So Juicy’ begins with a flourish, lavish strings and chunky drums that slide along nicely. ‘Midnight Hustler’ sinks into a slightly more steamy and deep sound with hints of 60s US soul and funky licks, ‘Turn Out’ is a more traditional deep house roller with a comic vibe and ‘Lonely Symphony’ brings some cinematic string drama to a breezy blend of house beats.
Factory Floor return to Phantasy with a new single, ‘Tell Me’. As propulsive and direct as anything the cult UK electronic group has ever released, ‘Tell Me’ continues to perfect the dynamic in the band’s current lineup of Gabe Gurnsey, Nik Colk Void, and Joe Ward, with additional drum tracking by Stephen Morris of New Order. Situated between the sonic promise of enduring indie culture, yet naturally imbued with the band’s relentless forward-thinking ethos. Throughout, Colk Void’s inquisitive vocal guides the listener through an elastic square-wave bass groove that forms the rhythmic backbone to Tell Me, before Gurnsey and Ward’s frenetic drumming breakdown rains with pure abandon, exemplifying the band’s personal alchemy between genre, scenes, human, and machine.
Shadows Hold is a Dark Wave/Post Punk solo project based out of Los Angeles, USA. Emerging from the underground music scene, Shadows Hold creates a blend of Darkwave, Post-Punk, and EBM throughout his tracks characterized by ethereal vocals, atmospheric sounds, and strong leads. After several independent releases, Shadows Hold returns with ‘Nexum‘, a 3-track EP that expands on the project’s distinct sound. The music uses reverb and mood to give shape to feelings that are hard to put into words.
Estonian meteoric label Sad Fun lets loose “Sauna Belt” 12 inch by Roma Vjazemski. Vjazemski brings along four tracks from his recent limited cassette “Handlebar” for Berceuse Heroique & adds an extraterritorial remix by Philipp Otterbach. Loose oddball electronica by the Tallinn based astronomy enthusiast.
The Hipodrome Of Music 