Abstract electronic pieces on Phobos,the debut LP from Neel, well-known as the sonic mind behind the Voices from the Lake project, together with his fellow Italian DJ, friend, and cosmic joker Donato Dozzy. Neel is a young mastering engineer with golden ears, and through Voices from the Lake, he and Dozzy have brought a level of immaculate sound production to techno.
The second 12″ single from Echospace in 2014, engineered and mixed down from 1/4″ analog tape and mastered by the talented fellas at Alchemy Mastering in London; focusing and enriching every finite detail. “Fading Lights,”, a vortex of analog warmth provides a provocative synergy pushing the boundaries between synthetic and organic movement, a sonic illusion. These enthralling hypnotic moments lead us into the seduction of groove with, “Magenta” a lesson in space and bass. The art of restraint is clearly on display as one feels as they are floating in zero gravity for an extended 14 minute journey which leaves you feeling as though only a moment has gone by, sonic submersion of the highest order. This is music to drift out, to float in, to dream thru, to love to, the magic is in the mystics.
The Greg Foat Group are currently the resident band at the Playboy Club, located in Mayfair, London. Earlier this year a couple of nights were recorded for Jazzman, and the results are here for all to enjoy. Recorded live and direct onto 1” analogue tape the album captures the energy and atmosphere of the group at their regular gig. Awash with library-esque soundtrack-themed jazz grooves with a modal edge, jazz has never been so much fun! This is the 3rd album by the Greg Foat Group on Jazzman, and is the first album to be recorded live at the Playboy Club for over 40 years.
The group is composed of the key members of the Finnish funk powerhouse The Soul Investigators, who have previously backed worldwide success stories for artists such as Nicole Willis and the vocal duo Myron & E. This is an instrumental pressing of the “Lost Soul” album, which High Society Brothers did with New Orleans Soul Legend Willie West.
Born and raised in Louisiana, Willie West made his first recording already in the year 1959. While being backed by The Meters, he also had one release on Warner Brothers in the mid 1970’s, plus numerous singles produced by Allen Toussaint. Even though he was noticed locally and in the circles of soul music aficionados with minor hits such as ”Did You Have Fun” in 1960, Willie never managed to break to national success. During the past years, he has lived in Minnesota and kept himself busy in music. Lost Soul might be just the thing that finally gives him wider recognition. Lost Soul continues on the moody path laid by the 7” single recordings West has done with The High Society Brothers band from the year 2009. The group is composed of the key members of the Finnish funk powerhouse The Soul Investigators, who have previously backed worldwide success stories for artists such as Nicole Willis and the vocal duo Myron & E.
First release of a previously unknown album from the personal archives of ”clarinet bird” Rolf Khn, recorded 1962 in Hamburg. Outstanding modern jazz and hard bop session featuring Klaus Doldinger (ts), Ingfried Hoffmann (org/ p), Cees See (d) and Herman Schoonderwalt (b), with plenty of tunes made famous by Horace Silver (”Sister Sadie”), Charlie Parker (”Au Privave”), Miles Davis (”Solar”) or Thelonious Monk (”Bemsha Swing”) – all arranged by Khn. Comes as limited vinyl LP commemorating the 85th birthday of Rolf Khn, carefully mastered in 2014, with unreleased photos and new sleeve notes written by Khn’s biographer Maxi Sickert.
This is the live recording of Intergalactic Gary playing at the Hipodrome 5 Years Anniversary party, in the main room at Club Control, Bucharest, last month. It was a crazy night in one of Bucharest’s most effervescent clubs. You can hear this also on the recording, 2-3 glitches when people were literally jumping and pushing the DJ table and skipping the record or touching the recorder 🙂
Continue reading “Hipodrome Podcast 017 – Intergalactic Gary”
On his new release, Gavin Russom explores the possibilities of layering his homemade analog processors, trying to create an evolving and changing repetition. Pulsing and deep, this limited edition 12” will hypnotize you into a cosmic lull. Although not founded in religious beliefs, still excellent for starting off your Friday afternoon prayer.
Umwelt with a release on Shipwrec. This new EP deals mainly in moody electro that is tinged with nice acid lines, which slowly becomes a trait of this great label. ‘Somatogravic Illusion’ goes first and is a synapse-twitching bit of bulky electro with tough kicks, groaning synths and starry melodies. ‘Subterranean Bases’ is a little more stripped back, with sheet metal snares blowing in the wind and background pads adding a sense of drama. ‘A Tale Of Disruptive Science’ gets all liquid and frenzied like a prime era Drexciyan cut, with lashings of acid flashing about in the deep chambers of the track, ‘Realm Of Chaos’ explores slow, dragging ambiance that is pregnant with sense of end of the world doom and finally ‘Terraformation’ picks up the ante with pixelated melodies, urgent drums and lots of slapping percussion and gurgling acid 303s that really make you want to move.
2nd in the lost tapes series from a true boss in German Electronics,Move D. All taped between 1992 and 1996 at at KM20, Heidelberg. This second round of archival material proves to be just as rewarding as last year’s inaugural entry, with lead track “Willenlos” a killer 12 minute journey into classic deep dub techno. Flip it and you’ll find a young Moufang dabbling in some trippy downbeat manoeuvres with “Evil Track” whilst “Inside the Dollhouse” fizzes with alien percussive qualities.
Cultivated Electronics presents the first in new series of collaboration EP’s which see’s CE label head Sync 24 joining forces with other artists. The first instalment is with the the dark Electro purveyor The Exaltics. Together they serve up 4 moody yet diverse Electro tracks synonymous with the style you would expect from both of these producers.
Hashman Deejay’s Future Times debut, Tangerine, was something of an overlooked gem – an exotic, melodious gem that pinned Tangerine Dream style electronics to a restless techno groove. This surprise debut album has a similarly dreamy feel, even if the techno side of his output has been tamed a little. Instead, we get a range of eyes-wide-shut compositions that variously touch on Mood Hut style deep house (“Mercury”), ultra-deep electronica (the odd beats, spacey noises and relentless chords of “Mozaic”), swinging, Max D style drum workouts (the rich bass, dubbed-out synths and loose house grooves of “184”), trip-hop style downtempo beats “Statues PF”), and thrillingly loose, new age house anthems (“Xssential-3”).
Greek producer laces up 4 tracks that combine textures, pads, rhythms, & arrangements that to feel deep within your belly button. The term House has undergone many changes, but always music that resonates with a listener’s soul.
The Lunes De Fiel compilation kicks-off with an extended uptempo trapped-in-a-maze hysteria; set in a psychedelic 90’s Norwegian remake of Potemkin in the harbor of Bergen. In the woods of woody Lithuania it continues with a road movie starring a young smugglers couple and arguably the most legendary love scene in film history. The story ends at night with a director’s cut of a downhill Indiana Jones on LSD fighting hungry alligators at the riverside of the Elbe valley. A definite must have on the new Bitter Moon imprint.
Potion is a new Deep House label from Berlin pair Prosumer and Murat Tepeli which naturally promises much on the basis of their collective production experiences and discographies. Presented as a platform for music from both it’s founders as well as some of their closest contemporaries, the debut drop of Potion comes from Tepeli and features a trio of acid-inspired cuts. Opener “P.S.A (Play Stop Acid) is the killer, with loose percussion, Syclops style bass and rough 303 lines riding a rock-solid, jackin’ groove. “Just A Modulation” is decidedly deeper and slower, with dub techno textures joining spacey acid lines. Finally, “A Wave Is A Wave” pits pots-and-pans percussions against rave-inspired electronics in devastation fashion.
Jerome Derradji is gaining something of a reputation as one of Chicago’s premier house archivists, having previously released compilations celebrating some of the Windy City’s most influential – but previously overlooked – labels. Here he’s teamed up with KStarke Records boss Kevin Starke to deliver a two-track set largely made up of material found on tapes that were once traded between Frankie Knuckles, Ron Hardy and other legendary Chicago DJs. Confusingly much of the material credited to Jackmaster Hater is of unknown origin, while there plenty of other unearthed gems with little or no information. Thankfully, the material – largely mid-to-late ’80s jack and early acid, with a sprinkling of deep house and Italo-influenced fare – is uniformly excellent, making it a “must buy” for anyone with a passion for early house music.
