Lord only knows why this Genesis to so long to generate. As heard in various Mixes and Podcasts from way back when. Highly anticipated by some we would say, this DNA Bomb from Xosar, laying out the templates for epigones and sycophants alike. Perhaps not the most soft petalled paths to travel, but in order to find redemption one must be willing to sacrifice!
Photic Fields’ next release comes from another (Italy born) Irishman, Lerosa. He’s always exploring the edges of house, techno and electro to create something new. With this record he also explores the emotive side of things, in a rough edged and analogue way. The record starts off with ‘some things endure’, an introspective piece with a deep and dark synth pad. ‘Nebula Raider’ breaks open the record with its euphoric feel and acid hints. On the b-side you’ll find two joyful cuts: the uplifting ‘dream of flight’, and the closing track of the record, ‘postmodern’, with its playful keys and emotive synth tones.
The Truth (feat Marshall Jefferson)’, one of the standout tracks from Matt Tolfrey’s debut LP, ‘Word of Mouth’, sees a full single release with additional remixes from Gerd’s Geeeman project and John Charnis.
Lux Rec presents the second appearance of Echo 106 on the label. The two brothers descended into Infernal Regions to witness torturing flames, black magic woods, seas of damned souls and ice cold bodies. So brave, although not without any fear, they went close enough to sense such pains themselves. Carving five songs that depict their gloomy journey to an extent that, as the last song says, all is heard indeed.
Hakim Murphy has not been shy about sharing his vision with the world, & here he brings some classic home grown Chicago flavor.
Cyber Dance Records return with a full-length double-vinyl album from Manchester’s Kid Machine (aka Mark Wilkinson) following a string of instantly sold-out EPs for Viewlexx, Red Laser and Flight Recorder. A long-time collaborator of world-famous Italo Disco DJ Flemming Dalum, it’s no surprise that many of the tracks have that hallmark space sound reminiscent of the likes of Cyber People and Koto, but Mark stamps his own distinct identity on the genre by slowing down the BPM’s and incorporating many other influences throughout so that this is no retro affair but a distinctly fresh and modern take on the genre. No mere collection of dance tracks, this is a proper album in the truest sense of the word. From the dark and powerful strains of the opening ‘This Is My Universe’ to the rousing emotional closing track ‘Golden Triangle’ Mark takes us on an epic synthesised journey that is as comfortable on the home stereo or night-drives in the car as it is on the dancefloor. Effortlessly incorporating elements and themes ranging from the cosmic (‘Forever In The Stars’, ‘Leaving Space’, ‘Astromance’, ‘Starbreaker’, ‘Galaxia’) to the militant (‘We Are At War’) to subconscious fear (‘Nightmares’), everything flows with an ease far beyond the short time that he’s been releasing music so far and revealing why his rise has been such a lightning phenomenon.
Here’s the pitch: ask six of Chicago’s finest exponents of bumping house and pitched down disco cuts to contribute some of their finest works, blend them all together and present in the appropriate space either side of two 12″ slabs. What’s the end product? The rather hot looking Chicago Service from the Amsterdam label Lumberjacks in Hell which features a merry cast of the city’s finest in Gene Hunt, Rahaan, Jamie 3:26, Cratebug, Hugo H and Boogie Nite across two hot plates.
More tracks selected by the Running Back head honcho, Gerd Janson, for our continuing Music For Autobahns series. This 12″ includes tracks previously only on the CD release plus some exclusives…varied and roadworthy electronics that can also be used in cycle lanes and footpaths.
New single from the upcoming new Bottin album. Taking a detour from his italo and space disco trademark sound, this one is full spectrum laser house is sure to captivate a wide range of disco and not disco heads. And of course it’s ablaze with Bottin’s sizzling synth paraphernalia. Flipside features a lucious dub mix by In Flagranti.
Starting from tomorrow we will be in Kraków (Poland) for Unsound, one of Europe’s most interesting music and contemporary arts festivals.
Δ November 9th, 2013, Hipodrome 4 Years Anniversary, Bohemian Flow Pub (Sibiu, Romania)
It’s that time of the year when celebrations are coming around and this year we have one more reason to celebrate. In November 2008, being in a trip to Amsterdam, I’ve attended a party at the famous club Studio 80. There, in the small & dark backroom of the club, I was absolutely mesmerized by the eclectic session of a young DJ that crafted together techno, electro, Chicago and italo. Now, exactly 5 years from then and 3 years of trying to book this man, finally we made it!
Continue reading “Hipodrome 4 Years Anniversary with Delta Funktionen”
Mannequin are pleased to present a crown jewel from the early 80s Italian Minimal Synth scene. The Monuments came into being in January 1981 in Turin when Mauro Tavella (keyboards, programming) and Andrea Costa (keyboards, voice) pooled their artistic experiences. From the outset they produced exclusively synthesised music, following the natural evolution in electronic music from the early days with monophonic synthesisers to the latest virtual sounds generated with the aid of computers.
Widely regarded for their efforts to promote the minimal synth scene in home town Rome, the Mannequin label have always proved themselves capable of looking much farther afield with equally good results. Mannequin return to the States here, but swap coasts landing in NYC to present this excellent release from Brooklyn troupe Dust. Described by the label as “a contemporary ouroboros of acid house, combat techno, and late italo”, Dust are a Bushwick-based music collective whose numbers include avant garde Korean noise goddess Green Jellyfish, psych musician/model Angela Chambers, dungeon wizard/tech genius audio engineer Michael Sherburn and DIY nightlife entrepreneur /DJ John Barclay. So far so Brooklyn you might say, but there’s evidently something special about Dust on the basis of all four tracks on the Onset of Decimation 12?, with final track “I’m Melting” particularly memorable; it feels like the work of Legowelt and Xosar shaken free of any tape dust by the sheer force of the reverberating acid lines that propel matters forward.
Simian Mobile disco are back with more of the world s only techno tasting menu, serving up a a brand new platter for your delectation: Tong Zi Dan are the Chinese delicacy usually translated as virgin boy eggs. Like the tea stained eggs you ll find in your ramen, these are eggs cracked part way through the boiling process, to let the flavours of the liquid seep through.
