The man like Lerosa returns to Lunar Disko Records with more electronic synth goodness for the masses. The multiform of sounds from Lerosa is presented on this 6 track EP, which ranges from dark and moody electro soundscapes to electro bangers for the floor!
Lerosa adds to his esteemed discography with an EP composed entirely during the summer of 2020. Several of his musical influences – I.M.S., Lee ‘Scratch’ Perry, James Stinson – can be heard across these four diverse tracks, as he jumps nimbly from italo to dub to house to electro. As always with Lerosa, though, the sound that emerges is distinctively his own, the result of daily cat-assisted studio time at his home in Dublin. Lerosa has a flexibility in his sound which can reach from immersive techno pastures (as on his album for Acid Test) via exquisite deep house on to true-school electro and Italo.
Ten years ago, Acid Test began with a simple concept – each track the label released would make use of the Roland TB-303. Like a producer purposefully paring down their studio setup, or the continuous imperative within underground electronic music to reduce, this concept engendered creativity with the introduction of what seemed to be an aesthetic limit. However, the decade that followed, which now culminates in the triple-LP compilation Ten Years Of Acid Test, proves acid is limitless. That the Berlin-via-LA label would expand upon the classical conception of acid house and techno is no surprise considering the cast of characters that have come in fold over the past decade. Ten Years Of Acid Test gathers key material from the label’s extended family of acid acolytes. There’s that Vienna-via-LA maestro of sad, elegant acid Tin Man (Johannes Auvinen), whose “Afters Acid” is both a highlight within his prolific catalogue and a distillation of his symphonic approach to the 303. Detroit giants Erika and Marcellus Pittman, both of whom have released remixes on Acid Test, present their respective and singular Bass Line visions. Erika, the Interdimensional Transmissions lynchpin, crafts a dark, delicate take on broken techno on “Violet Fungus” while Pittman continues his cubist house explorations on “Unknown Species,” both tracks straying from typical acid lines in favor of the intricate textures achievable on the 303. This variation in approach applies to tempo as well. Irish-based master Lerosa, as well as Delsin affiliate VC-118A, delve into downtempo atmospherics. Meanwhile, Japanese deep techno virtuoso Wata Igarashi, SUED co-founder SW. (a regular on Acid Test’s leftfield sub-label Avenue 66) and Patricia (one-half of Acid Test act Ociya) use acid as a creative jumping-off point for complex melodic concepts. Wata layers an orchestra of synth-bliss drone overtop a squelchy bassline on “Ephemeral.” SW.’s “ChaIAnJAzzz” cycles through an array of dusted chords eventually landing in skewed, fuzzy rave nostalgia, anthemic chords held aloft by a wicked UK-flavour bass line. Patricia’s “Higher Still” explores dreamy, IDM-flavoured acid, cinematic synthlines counterbalanced by propulsive, squelching acid. Acid Test devotees will be thrilled at the return of various luminaries from the catalogue, including Achterbahn D’Amour, Skudge, AAAA, John Tejada and Donato Dozzy, whose memorable remix of Tin Man’s “Nonneo” from Acid Test 01 served as a kind of proof of concept for the label. There’s new blood too. San Francisco up-and-comer Sepehr makes his label debut with the excellent “Persian Acid Prince,” as does Andreas Tilliander’s beloved hardware techno project, TM404. Ten Years Of Acid Test is a valuable portrait of a group of artists linked by a dedication to innovation within acid, in line with the genre’s storied roots. Over ten years, Acid Test has gracefully made a case for the 303’s past, present and future, the story of acid continuing to unfurl in unpredictable, addictive patterns.
Lerosa returns to Lunar Disko with another excellent EP, taking us on another jaunt through the interstellar synth world of Leo Rosa. A 5 track EP which also features another distinguished remix from fellow Roman, Marco Passarani.
Diamonds In the Night is back with its second volume featuring Lerosa from Ireland, Vyvyan from the UK, Eliott Litrowski from Denmark / France and Iamnotarobot from Spain.
Leopoldo Rosa AKA Lerosa has been fighting against lazy categorization for years, offering up tracks that go way beyond the deep house sound he cultivated in the early years of his career. Those who still think he makes records like that should definitely check “Bucket Of Eggs”, his long-awaited second album, because it’s far more thrillingly wayward, off-kilter and alien-sounding than anything he’s released before. It’s rooted in house music – and twisted acid house, in particular – but also doffs a cap towards Rephlex style mutant electronica, turn-of-the-90s Bleep and Bass (the superbly weighty and spacey “Sheffield”), skewed electro (“Subterfuge”) and even deep space electronica (killer closing cut “Don’t Worry”). In a word: essential.
Lerosa’s 25th solo EP will be released on German label Eudemonia. Known for his deep-house sound, the Dublin based Italian producer showcases a different palette for this release. The four tracks gravitate somewhere between Electro, Italo, Synthwave and imaginary film themes. “Glider”, a fast electro track, opens the EP combining acid drops and dystopian sci-fi elements. “The Minister’ is much slower and serves as an emotional homage to those gone too soon. “Plateau Rosa” connects Italo and Detroit delivering a rolling bassline and glassy synth clouds for the delight of the afterhour-dancefloor. And if Lerosa had scored the soundtrack of a Michael Mann film in the 80’s, “Theme of Perception” would have been right at home, a fitting end for this EP.
Since 2014 the Innate blog has been delivering high quality “slow journalism”, serving up articles that shine a light on artists that have otherwise gone under the radar. Four years on, the Innate team has decided to launch their own label with the same stated aims, namely to showcase deep electronic music with warmth and soul, produced by unheralded heroes old and new. The label’s first release – a four-track, multi-artist missive – offers a neat summary of what listeners can expect to hear in the months and years ahead. Tracks by Gilbert, Mark Hand, Lerosa and Innate founder Owain K.
For the first release on SAFTX , Lerosa hands out a taster of the labels new series ambitions. Vivrant house music is most definitely the back bone of Playa De La Guancha as a whole. The opening is packed with a strapping rhythm section and a vocal cut that is reminiscent of the Trax Records classic House Nation. Julius Steinhoff (of Smallpeople fame) gives Soul Tracing a modern sounding treatment that completely shifts the feel of the original and turns it into an adventurous piece of contemporary electronics.
Four slow-burning bombs that perfectly encapsulate how far that Slow Motion, slo-mo sound can be stretched. Featuring artists old as Alien Alien (Rodion & Hugo Sanchez) and Lerosa and new as Stoned Immaculate (Leo Mas & Fabrice) and Kassiel, Slow Motion drop the energy down a notch or two but not the emotion. Just as suitable for an early morning run as they are for a Balearic sunset, this four tracker has got essential written all over it.
Idle Hands presents the first 12″ of 2017 from Lerosa, a four-tracker beamed across the Irish Sea to Bristol. The ‘Subcouture’ EP sees the esteemed producer operating at the intersection of dubby electro and deep house, taking in the sub-heavy frequencies Bristol is known for, whilst retaining an agile and sleek simplicity. ‘Maryelen’ is a tight, yet pastoral electro track where dreamy pads contrast against tough, cutting drum programming. ‘Line Bass’ is a tumbling and bouncy number, that doffs its cap to reggae disco and features vibrant synths peppering the mix. ‘Scruffy’ takes on a slower and more playful mood, featuring light licks of acid and off kilter keys. ‘Subcouture’ is a subtle dubbed out house cut with a hint of shuffle.
Italy-born, Dublin-based producer Leopoldo Rosa aka Lerosa returns with his second EP in 2016 and continues a string of excellent releases for Croatian label Barba. “Your Soul” comes as the 9th release of Barba, and is very much in the area of previous ones – heady, mental and diverse. Lerosa effortlessly manoeuvres between genres on this 4-tracker, while at the same time keeping the overall sound and vibe consistent. 303-reminiscent synth serves as an underlying leitmotif which appears in every track, but in a different manner. Blood is an obvious A1, direct and trippy techno with a misty mood. With Duelist Lerosa wears his electro suit, while maintaining the atmosphere sketched out by the first track. Ghost sits right in between the first two, with its 1/2 tempo serving justice to the track’s feeling of neither resting nor moving. B2, Your Soul, is a house track with an elegant Lerosa twist on the classic Chicago vibe.
This benefit compilation for Andreas Gehm is being split into 5 parts. You can buy each part for 7 Euro or the full combo package (with all 5 parts – 129 tracks in total) just for 14 Euro (10.64 GBP, $15.56 USD, $20.27 CDN, $21.66 AUD); you can pay more if you want;
All donations go directly to Andreas Gehm to assist with financial stresses due to ongoing health issues (the “Buy” button sends your contribution to Andreas’ PayPal account).
Comp For Andreas Gehm features unreleased and exclusive material.
Lerosa makes his debut release on Slow Motion with ‘Il Nostro Tempo’. Lerosa has crafted four tracks of wistful, propulsive dance music. The trance inducing chug of ‘Il Nostro Tempo’ and the bittersweet synths of ‘La Monarca’ take up side-a, a pair of contemporary club cuts oozing with emotional melodies and stripped back rhythms. On side-b the the skittish rhythms and wobbly arpeggiator of ‘Ninfa’ take you through to the early hours. ‘Pompeo’, perhaps the most emotional of four nostalgically sad club jams works just as effectively tugging your heartstrings on the headphones early in the morning as it does in a smoky club late at night.
Next on Raw Tools is Irish producer and Signal Code label owner, Costelloe, delivering two tracks much in the manner of his previous works, both of them at the fine line between techno and house music. While the title track, “Infiniti” is definitely a dance floor track, with its rave pads and solid bassline, “Pheta X” shows a more darker side of Costelloe’s music. Both of these cuts get special treatment from two of the most prolific and respected producers out there, Lerosa and DJ Overdose, rounding off the EP with two amazing, yet diverse remixes.
Vakum with this third instalment, featuring the undeniable talents of none other than The Shake Up Connection, Scott Ferguson, Homeboy and Lerosa.
Lerosa takes his unique approach on house even further. Private View is exactly what its title promises: an exclusive visit into a enigmatic and fascinating world of groove and sound. It’s full of puzzling places and mysterious events. Delicate arrangements and artful sound combinations amount to a unique record without turning to caprice or flourish. Simplicity that makes sense.