The French G-Prod brothers debut on Fluid Electronics with the lavish, Detroit-flavoured “One Trice” EP. True to the Motown house scene’s idiosyncratic engineering of raw throb and velvet touch, this four-track slab pays tribute to that classic sound which still infuses far and wide in today’s musical landscape. On the menu, two original hot cakes from the Gaugain siblings complemented by a pair of remixes courtesy of Irish vibist Derek Carr and UK-based deep grooves manipulator, John Shima.
Childhood Intelligence 15th release presents ‘The Return Of Intelligence’ by UK duo ‘Interlect 3000’. Far ahead of its time, the two artists composed these futuristic timeless pieces, unknowingly, for generations to come. The album pays homage to the early days, fusing aspects of Techno, Trance, House, Electro, Ambient. Truly a hypnotic journey from beginning till end, live recorded & dedicated to the journey itself. Traxx which were written and recorded at Spare Room Studios, Essex and Phantasm Studios, London, between 1992 -1996 have now been rediscovered and released in 2022. Interlect 3000 as the architects of their own world are driven by passion and dedication for electronic music. A testament of skill and imagination only known to masters of their art.
Boris Bunnik with a Vernon Felicity debut album. “Days Of Leisure” is a very well produced warm and analogue sounding house album. Think Metro Area vs. Larry Heard and you are almost there.. This is the sound of the summer and a future classic in the making.
Introducing Josh Caffe’s second single on Phantasy, ‘Do You Wanna Take Me Home?’ is a sensual yet gritty return, a keen document of just one of the many stories of desire always occurring in the shadows, just beyond the strobes. Produced in collaboration with Quinn Whalley, one half of Paranoid London, ‘Do You Wanna Take Me Home?’ also features a headsy interpretation from Steffi & Virginia, marking their first ever collaborative remix.
Big week for Manchester’s Red Laser, with label chief Il Bosco serving up the label’s first installment of Peraceamid. Terry Perace gets into some Typhoon club style tribal on “Trip Pop 2020”, followed by his Inslaved mix of Kid Machine’s “SDM” getting some vintage Italo vibes in effect. Over on the flip, you’ll be ushered aboard the acid express on the strobed-out groove of Marcus Paulson’s “Wrecked In Utrecht” followed by the classic Chicago house throwback vibes of Ste Spandex’s “Examples Of You”.
Manchester’s Red Laser Records returns with a four track various artists EP curated by label chief Il Bosco. 12 features Mark Wilkinson aka Kid Machine returns to the label with the neon-lit ’80s mood of “Only Machines Allowed” going for that Axel Foley vibe, followed by Count Van Delicious doing his best impression of the Centre Neptune man on “I Wonder How Flemming Dalum Is Doing?”. Over on the flip, things get pretty Balearic on Ste Spandex’s “Edit 2” (2021 Re-Pop) and Ernesto Harmon gets stuck into some electro beat synthpop on the infectious “Search For”.
Hassan Ideddir’s 1989 single “Atfalouna” sees an expanded repress courtesy of Dark Entries. Born to Berber parents in Morocco, Ideddir began making music at the age of 10 after being discovered singing in the stairwell by his school’s headmaster. Encouraged by his peers, he began playing concerts, and his status grew. In 1987, he played a string of sold-out concerts in Casablanca, Rabat, and Marrakesh, in support of a children’s charity. The success of these concerts secured him a record deal, and he went to Paris to record his debut single “Atfalouna” in 1988. Released in 1989 on WEA, “Atfalouna” is a dense slab of multi-genre pop. An opening wash of digital synths and reverberant vocals quickly falls away to a cascade of orchestra hits and pulsing electronic drums; the monotone chant-rap of a female chorus collides with Ideddir’s soaring melismatic vocals, pleading against the injustice and hunger in the world. While Hip-Hop and New Beat borrowed tropes from Arabic music, “Atfalouna” inverts the gesture, resituating orchestra hits and sampling techniques within a Moroccan music framework. A shorter instrumental version follows, which preserves the female vocals. Also included are two tracks not on the original 12”. “Ibina” is a moody, downtempo instrumental that sounds like a cult Italo B-side. The record closes with “Ydouchababe”, an electro number driven by funky guitars, electronic claps, huge horn riff. Here, Ideddir sings of a youth festival honoring Hassan II, former king of Morocco.
Brokntoys presents “The Fifth Quarter”, a digital compilation featuring music from Livid Husk, Timothy J Fairplay, MetaComplex, Lloyd Stellar, The Spy, Errorbeauty, Morken, user404 and Ex.Hale. All proceeds from the release will go to Haringey Welcome, a local campaign group to help migrants and refugees.
Larry McCormick’s Exzakt brings back that sleazy electro as well as unreleased material. Bringing back classics such as Speaker Breaka and Citi Of Bass, and a new remix by Jensen Interceptor. Putting Monotone Records back on the map.
NYC based Ulysses is a master at his craft when it comes to abstract and experimental electro sounds. ‘The Most Successful Algorithm’ showcases just that as he goes through many flavors of his mindset when it comes to making long lasting and thoughtful electronic music. On the remix of ‘Noodles’ is NYC electro and techno legend John Selway.
On his new album for Artificial Dance, Tsampikos Fronas aka June takes a departure from his dance orientated earlier work. Recorded between 2018 and 2020, Window of Time sees the Berlin-based producer explore sparser arrangements than his previous releases. The record unravels like a dystopian cyberpunk novel, something akin to William Gibson’s Neuromancer. Both the title track and ‘Stratagem / Predator’ create an increasing tension that builds through repetitive sequences. The arpeggiated synths on ‘Year 2092’ evoke images of sprawling metropolitan city scapes, while the claustrophobic mood of ‘The Master of Electricity’, the first track written for the album, wouldn’t go amiss on a soundtrack to a sci-fi thriller like Blade Runner. Created using modular synthesizers, analog sequencers and analog polyphonic synths, Window of Time eschews melody in favour of cold, pulsating rhythms. Combined with haunting choral toplines and minimalistic flourishes, such as those on album closer ‘Elegy’, June invites the listener on a free dive into their subconscious; to navigate boundless, unexplored territories.
Acid Ernst is the alias of Konstantin Unwohl. He’s reviving the MRT series with four tracks of different qualities. The A side is pushing in every direction, relentless rhythms, depressed melodies coming in waves and sombre lyrics. As to bring sadness and frustration in an otherwise angry techno room. The B side is rather sombre, with a masterpiece that goes by the name Ehering and a dark number called Deine Stiche taten Weh. The perfect starting point to close the MRT chapter, the first of 4 releases that will conclude this adventure.
Oráculo Records presents “This Modern Slave” by Lola Kumtus from Finland. This is extracted from 2017 “The Leftovers Tape” and 2016 “Mirror Use” cassette recorded in Helsinki.
4 years compilation with selected tracks of Industrial and EBM vibes. All benefits for this compilation will donated directly to Red Cross to the humanitarian aid. Tracks by: Tasime da Hidonash, Inconscio Viola ,Celldöd, Morah , Ćyan ID, Savage Ground, Lex-Or, Zona Utopica Garantita, Damaged Clock ,Uranio Empobrecido & Samuel Godion .
Electro Records have put together seven unique albums for their Sci-Fi Electro Series. Each release takes inspiration from a classic sci-fi film of the 20th century, 2001: A Space Odyssey, THX 1138, Blade Runner, The Thing, Akira, Terminator and Tron, produced by Scape One, Sound Synthesis, Kan3da, Nebenprodukt, N-Ter, Transpac and Alek Stark. Each artist has created a 15 minute track for each side of the record, taking you from pure electro tracks to very experimental compositions, sounds and atmospheres. Each side is divided in ”movements” in a continuous morphing process without any pause between different tracks.
Avoidant Records returns with a 4 tracks vinyl samples from their ‘Dark Planet’ compilation released last year, featuring tracks by DJ Godfather, The Exaltics, Flug and Blaktony.
Overthink Records is back with his 5th release presenting a new artist called Carriego, setting up a four track EP, including a differents styles like House, Techno, Electro and New beat, dancefloor beats for the club or the afters.
Italian producer Joseph Tagliabue is back with a full-length album on Glasgow’s Invisible, Inc. With “Un’ Altra Forma Di Vibrazioni” Tagliabue continues to expand on the cosmic foundations laid by such pioneering experimental forefathers as Franco Battiato and his ground-breaking abstract ambient work of the ’70s and Klaus Schultze whose legendary Innovative Communications label birthed the “Berlin school” sound at the start of the ’80s, then tracing a path toward later luminaries like Boards of Canada and Plaid. There’s a personal, emotive and ethereal quality also present here conjuring feelings of 4AD’s glory years and the likes of This Mortal Coil and Dead Can Dance. However, backwards-looking music this is not. It’s fair to say the Milan-based producer is developing his very own distinct sound as he matures from one release to the next and regardless of his wide range of influences, it’s Tagliabue’s firm grasp of sound design and audio engineering that takes this album far beyond the realm of just “electronica” or “psychedelia” and plants it firmly into a distinctly forward-looking contemporary space of its very own that’s as much music for the heart as it is music for the head.
SSIEGE have struck our non-linear world with Meteora. Its elusiveness might be its biggest strength. Indicating a genre is a lost cause. Any description locating it safely inside well-defined boundaries falls flat. Neither analogue or digital, neither old or contemporary, these 5 tracks evoke an androgynous world that is at once open and veiled. A place where presence and absence and weightlessness and gravity are simultaneous. Bathing in colorful light, this record is like a slightly melancholic dream able to usher in a new day or soundtrack the last rays of sunlight
On Electro Records’ ”Sci Fi Electro” series, each artist has created a 15 minute track for each side of the record, taking you from pure electro tracks to very experimental compositions, sounds and atmospheres. Each side is divided in ”movements” in a continuous morphing process without any pause between different tracks. The series is a collection of seven releases inspired by the following films created in the 20th century: THX 1138, 2001 A Space Odyssey, Blade Runner, The Thing, Akira, Terminator and Tron. Cool colored vinyl pressing with silkscreened sleeves.
The Hipodrome Of Music 