The multi-media project Kraftwerk was started in Düsseldorf, Germany 1970 by Ralf Hütter and Florian Schneider. They set up their electronic Kling Klang Studio where they conceived and produced all Kraftwerk albums. Kraftwerk created the soundtrack for the digital age of the 21st century. Their compositions, using innovative techniques, electronic sounds and synthetic voices combined with computerised rhythms, had a major musical influence on Electro, Hip Hop, Techno and Synth-Pop.
The multi-media project Kraftwerk was started in Düsseldorf, Germany 1970 by Ralf Hütter and Florian Schneider. They set up their electronic Kling Klang Studio where they conceived and produced all Kraftwerk albums. Kraftwerk created the soundtrack for the digital age of the 21st century. Their compositions, using innovative techniques, electronic sounds and synthetic voices combined with computerised rhythms, had a major musical influence on Electro, Hip Hop, Techno and Synth-Pop.
The multi-media project Kraftwerk was started in Düsseldorf, Germany 1970 by Ralf Hütter and Florian Schneider. They set up their electronic Kling Klang Studio where they conceived and produced all Kraftwerk albums. Kraftwerk created the soundtrack for the digital age of the 21st century. Their compositions, using innovative techniques, electronic sounds and synthetic voices combined with computerised rhythms, had a major musical influence on Electro, Hip Hop, Techno and Synth-Pop.
The multi-media project Kraftwerk was started in Düsseldorf, Germany 1970 by Ralf Hütter and Florian Schneider. They set up their electronic Kling Klang Studio where they conceived and produced all Kraftwerk albums. Kraftwerk created the soundtrack for the digital age of the 21st century. Their compositions, using innovative techniques, electronic sounds and synthetic voices combined with computerised rhythms, had a major musical influence on Electro, Hip Hop, Techno and Synth-Pop.
Technobeton debuts on Italo Moderni with three powerful original tracks to smash the dance floors. Including a remix by Franz Scala. Hypnotic electro Italo bass lines to keep the floor packed and sexy female vocals with melodies that fly in all directions illuminating the sky. Two more remixes from Antoni Maiovvi and Donald Dust are available on bandcamp.
Awesome Orientalists From Europa is an edits project dedicated to awesome music and new politics. Inspired by record labels and DJs that specialise in reissuing ‘world’ music, A.O.F.E. turns the tables on the perception of exoticism by rediscovering obscure and forgotten western dance floor tracks. The music published in the project fantasises about the foreign, tribal and oriental, but was in its whole created in the west, for the west. The third release on the project features three edits by Aaron Maple.
All profits from this release are donated to NGOs that fight Islamophobia, antisemitism and racism in Europe.
An Italo rarity from the 1984 now available again including remixes by Flemming Dalum and Victor Ark.
An Italo Disco rarity from the year 1983 now finally available again as 12“ Maxi Single. Side A contains the original versions. The B side features two new and exclusive remixes by Flemming Dalum and Hysteric.
After a pandemic induced gap since the last release, Artificial Horizon makes our first foray into the digital realm with tracks from Sophie Du Palais, Mavridis, Petros Spatharos, Kafkactrl, AIR LQD, Future Relics and Roberto Auser. As a temporary antidote to this ever more cryptic world, the ‘Wrongful Convictions’ V/A brings together artists from all corners of Europe who share an affinity for the spectral side of the sonic plains.
Second part of The Slaves Of Darkness, mix of styles from DJ W.E.B., FRNK, Gee M, Sorog, Phase O’Matic and Odic Force.
Leipzig’s Interviews returns to Bitterfeld for his second EP of power electro, techno and EBM plus another new wave anthem on the B2.
In their first appearance collabing on the label, Jeroen Search & Gotshell delivering a 5 tracker EP of classic, raw, and purist non-stop 909 madness techno jams on BAO76.
Trauma Collective returns with four cuts of decidedly hypnotic and abstract techno from ever-prolific ASC. Rounding out the last decade with a string of stand-out releases on his own imprint, Auxiliary, the San Diego producer brings his cerebral sonic aesthetic to the fledgling Madrid label. “Loop Research” showcases a singular artist unbound by tempo and at the top of their game.
Surgeon is back in the Zenker Brothers Operating Room slicing up four deep and moody techno cuts with the surgical precision he is known for.
James Pennington is the Detroit techno talent who records as the Suburban Knight and has done since the middle of the eighties. He’s got plenty of mini-classics to his name such as ‘The Groove’ and ‘Art of Stalking’ and now he is back with what amounts to his first solo record in over a decade having previously worked with Inner City and Underground Resistance. Here he offers scintillatingly soulful techno on ‘Inner City’, which comes with a deeper and more quickened 207737 edit. Reverse the record and you’ll find ‘Species’, an intergalactic techno trip on bumping beats. ‘Intel Bombs’ (feat Ray 7) closes out with intense drum work and turbocharged stabs.
From the same minds behind the 808 Box and Electric Eclectics projects released on Fundamental Records, the time is now for Electro Transmissions, the new project from Electro Records. ET 001 is a various artists release, what they call the Abduction Krew, with tracks by Electro Nation, Zeta Reticula, Mas 2008, Sound Synthesis and T/Error.
‘Dreams of empty spaces’ is the second release from Electro Label Suborder. With that new EP, French based producer NGA doesn’t bother about flourish and goes straight to the point. Expect nothing but 3 dancefloor killers. Every track is a pure piece of Minimalistic Electro which will perfectly fit in every high skilled DJ set. Whatever the side you choose to play, you can count on that mix of metallic basslines, 808 drums and hypnotizing keyboards, to activate clubbers body mechanics.
Atlanta artist 30303 debuts on Vault Wax with five cosmic, space-influenced live acid jams. The far-out journey begins with ethereal, spaced-out breaks and trips into darker, grittier techno turns.
Another exploratory and bulletproof data delivery by Das Ding, returning for his second record in the Mechatronica White series following ”I Am Not A Robot” from last year – this time assisted by Heap’s radiant interpretation on the flip.
