
3 edits/tracks straight from the basement… featuring ‘A Number Of Names’ by Skitso

Gene Hunt on Delroy Edwards imprint. Chi Town don drops 2 loaded jak bombs over L.A….it’s all over

Four sedated tunes from Beau Wanzer coming on Nation. Subtle and not so subtle frequencies drag aside gloomed out rhythms and beat less malfunctions.

Mysterious, dark & distorted heavy hitters on 7”. Definitely not for everyone. Limited press which won’t last. ”Shout out to Matilda & the Paris regiment.”

Like a noisy hound in your neighborhood – keeping you awake.. awesome stuff on this fresh U.S. house label! Jackin beat tracks and psychedelic discofied mixers from Robert Crash. Beatin’, jackin’ and rockin’ the house.

Raw intense techno tracks on the Head Front Panel label. Reminding a bit on the early relentless Jeff Mills productions and Terrence Dixon. Funky looped techno with bubbly and funky bassline sequences and effective percussion.

Those looking for concrete information about the music they’re listening to should probably steer clear of Tabernacle Records’ offshoot Head Front Panel. They’ve yet to announce the identity of any of the producers behind the series blend of slowed-down futurism, discordant electronics and feverish techno. This third installment in the series is similarly mysterious in origin, and once again features a range of intriguing cuts. Opener “Track 1” sounds like an explosion in a “Speak & Spell” factory – a veritable whirlwind of discordant beeps and throbbing techno rhythms – while “Track 2” offers a smoother and more hypnotic variation on a similar theme. Best of all, though, is the jaunty, late night bounce of slow techno excursion “Track 3”.

Irishman John Daly takes a rare break from his One Track label and delivers his magic to the Tanstaafl Planets imprint. Floating house and spacey techno on the b-side that seamlessly merge Daly and Tanstaafl’s aesthetics, while the A-side delivers a pulse-raising new fusion of jacking swing and dubby synths.

For their fourth transmission, Happy Skull presents a trio of dystopian fantasies from analogue maverick Marco Bernardi. Opener ‘Floating’ is a throbbing trip in to rattling techno territory complete with discordant chords and bubbling acid lines. ‘Broken Boiler’ offers a trademark Bernardi fusion of sweet, visceral melodies and raw machine drums. Rounding things off is ‘upside In’, a fearlessly wonky voyage in to freaky techno-funk.

The third release on Detroit Techno Archive. Detroit inspired techno at it’s best with powerful tricky grooves, warm and massive.

“Free USA” is the first full-length album by Protect-U, the Washington, DC-based duo of Aaron Leitko and Future Times Records co-founder Mike Petillo. On their two Future Times EPs – Double Rainbow and World Music – Leitko and Petillo poured layers of ambient drift onto nearly-steady house foundations, creating long and propulsive zone-outs. On Free USA, Protect-U doesn’t depart from this sound as much as they launch further and further out with it, specifically in the rhythm section, which pivots and lurches into unexpected places throughout the LP. Melodically, automation and humanity combine with dizzying, psychedelic grace, making the sound design sparkle with cool precision. From the bright, super-soaked opening track ”Needs” to the boxed-in drum clunk and iced-out coda of ”Down the Tubes,” Free USA showcases Protect-U’s constantly mutating strand of electronic music.

Sir Leon Greg (another incarnation of Perseus Traxx) jams out then reinforces some edits of forgotten classics with a raw & personal analogue treatment for a devastating full effect on the dance floor, that is a far cry from the proliferation of over-produced squeaky-clean software edits. These are basic, raw ideas thrown down quickly and capturing the energy on 1/4” tape.

7th project from Dj Aakmael. ‘Rise’ is a blissful, relaxed string based track with playful keys thats perfect for any chill lounge or dance floor. ‘Jazz Piece’ is a sampled piece of art, where Aak cuts and chops a vintage groove for the 2014 crowd with that old NJ deep house feel. ‘Untitled 105’ is a dope club thumper that takes you back to that headknod feeling. ‘Untitled 101’ with its thumping beat and dramatic horns & strings concludes a well-packaged project.

Tere comes pommes002 reviving the worst or the best 90ies club music had to offer. The A-Side belongs to Daniel Nentwig aka one half of The Working Elite, one third of the now defunct Extraproduktionen and Whitest Boy Alives Keyboard-Wizard. Hes wearing his brandnew D Lonely Al sweater and presents “We can have it all”, a well hung slice of sparkeling proto house. Next up is the debut release of Cologne based Skateboard Pro Jeremy Reinhard aka Jeremaier. “Goldnugget” is something like the alternative college radio version of Show Me Love by Robin S. The EP closes with a Lauer remix.

Beautiful electronix on the latest installment from the label’s mystery man takes us out of the jungle and into the mountains, where syncopated analog rhythms dance beside electric melodies surrounding a caravan of textures and reflection. Including a collaboration with Osunlade.

One of Larry Heard’s most under-rated albums finally remastered and available as full vinyl release for the first time! Known for his classic early house releases Larry Heard’s productions always hinted at deepest outer space, but his 1996 Alien album was his first actual science-fiction record. It’s almost as polished as the most mainstream dance production, but just as sublime as any Detroit producer. Heard’s house roots often show themselves, while the chords and shimmering production make this an album almost on par with Heard’s mid-’80s peak. The project was a recording & sound-development experiment that was mostly constructed around a Korg O1/W workstation keyboard that was left at Larry’s studio to check out by Victor melodious myles Houston along with some of the staples of his studio, including the Roland d550 and Oberheim Matrix 1000. Mr Fingers magic touch can be heard all over the album, and this showcases the incredible musical talents of the man, who’s name by now cant be left out from any hall of fame when you’re talking music innovators from the last century.

The LIES bossman delivers the third chapter in his ongoing series of electronic concoctions for Vatican Shadow’s ever-brooding Hospital Productions. Whereas Spit was an LP which wasn’t sure whether it stood in the techno realm or the noise pool, Periscope Blues is firmly grounded in Morelli’s most experimental frame of mind. It feels like a continuation of one concept over 30 minutes, a testament to his obvious passion for beatless, chest-pounding hardware experimentation. Comprised of eight tracks, Periscope Blues is the culmination of a mission gone wrong. Music for the stranded, the lost, those backed into a corner with nowhere to go, or maybe a reflection of sad individuals panicking on a tropical vacation gone awry. Somber yet very tense drifting off radar machine electronics that feel like a blistering sun beating down on decaying beach remains as time crawls on. That or the equivalent to working the grill summers at Jones Beach and stealing from the register just to get a little more.

Løt.te is Mehmet Irdel, a Turkish-born artist who has been a friend of The Bunker for a long time. He’s currently based in Brooklyn, where he co-runs Rote Productions, a company that releases music, graphic works, video compositions, and photography, and takes a strong stance against the concept of intellectual property. Irdel’s early work consisted of soundscapes, noise, and power electronics. Now, he’s trying his hand at techno, with incredible results. “Pressure Chant” has immense energy and a Surgeon-like shuffle. “Private Transgressions” juxtaposes a dark, cinematic mood with a dubby bass line and synth stabs.

Jungle by Night drop a brand new album, ‘The Hunt’. Jungle by Night consists of nine young lads from Amsterdam who use their musical upbringing, taste, backgrounds and unstoppable eagerness to produce a unique blend of musical styles… The nine souls in Jungle by Night were acquainted through school, street and family bonds. A couple of years ago, the group seemed to be infected with a love for raw Africa oriented funk and retreated into the rehearsal studio. Jungle by Night does not set any musical boundaries, the possibilities are infinite. The band members have individual interest and tastes in music. One likes psychedelic rock, others listen to hip hop and all lot of jazz, yet others get their kicks from reggae, latin and rock. All influences dwell down to the musical palette of Jungle by Night. “It doesn’t matter what you do, as long as you do it with passion and soul,” thus Jungle by Night.
Jungle by Night is: Pieter van Exter – tenor sax, Ko Zandvliet – trombone, Bo Floor – trompet, Jac van Exter – guitar, Pyke Pasman – keyboards, Peter Peskens – bass, Sonny Groeneveld – drums, Tienson Smeets – Djembe, Gino Groeneveld –congas