Turquoise Summers – Shades [BT1011]

Turquoise Summers returns with a new slab of So Cal Fonk for the Omega Supreme label. A Touch Of Turquoise , last year’s debut LP from Summers, was a superb induction into the world of twilight funk the musician inhabits and there’s plenty more speakerboxx vibes on display with this six track Shades EP. From the very moment the stripped back snap and heavy synth funk of opening cut “The Way You Make Me Feel” veers into focus, the man like Turquoise is on top form, sailing through tempos and moods – think introspective and party starting with “Divinity(Crystalized)” a true highlight. A must for those that live for the funk.

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Turquoise Summers – Shades [BT1011]

Ø [Phase] – Emergence EP [TOKEN042]

Speaker-rattling Techno sound designs. Straight-up haunting, hypnotic club tracks constructed with a real attention to detail and powerful thrust. Ø (Phase) releases his first new material after the critically acclaimed ‘Frames Of Reference’ album last year.

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Ø [Phase] – Emergence EP [TOKEN042]

Francois X – Suspended In A Stasis Field [DM3D008]

The long awaited debut EP of Francois X on DEMENT3D. Much like hundreds of techno records that we love, Francois subtly weaves a canvas of very personal links between sound treatments and life events, time decay and society, spatialization and science-fiction, rumble and voodoo tribe rituals, and delivers some very powerful moments of raw and gritty music.

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Francois X – Suspended In A Stasis Field [DM3D008]

Transformation – Sketch I [LIES-BLK005]

Deutsche trio killing it on a new LIES BLK. Sandro Stebnitz, Manito Rotschild, and Dieter Flegel met in the late-nineties in Oldenburg Germany while working on the loading dock of the Leifheit Housewares shipping division. Through their monotonous days of shrink wrapping ovens and loading palettes of stainless steel cookware onto tractor trailers, the trio would often relay tall tales to each other simply to pass the time. One such delusional fantasy was that the trio would one day ditch their warehouse jobs and start a band not unlike their mutual hero, Gary Numan. Their fantasy became somewhat of a reality when Dieter gained access to various pieces of musical equipment when his uncle Hans came upon a sudden and untimely death. Unphased by this tragic event, Dieter rallied up his small group and hit the garage, practicing and recording every evening in hopes of making it, just like Gary did. Here we have on record, the only document of their time in the makeshift studio, a 15 minute electronic jam simply titled “Sketch 1”.

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Transformation – Sketch I [LIES-BLK005]

Person of Interest – LIES 020.5 [LIES020.5]

Person of Interest, highly sought after and could be lurking in the shady corners under Brooklyn’s JMZ line. On his L.I.E.S. debut we get soupy remnants of what could be called garage house, pieces of high octane techno, and one slow burning grisled tooth number to close this three track EP out. A strong showing and undoubtedly one to keep your eyes on.

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Person of Interest – LIES 020.5 [LIES020.5]

Mark Forshaw – Tools Of The Unexpected [MATH075]

For their latest trip into the analogue unknown, Jamal Moss’s Mathematics imprint has turned to John Heckle cohort and occasional Tabernacle type Mark Forshaw. The producer duly delivers an impressively varied and superbly imagined quartet of cuts, heavy on snappy analogue percussion, stargazing synths and icy, out-there atmospherics. There’s some deep but driving underwater techno in the shape of the claustrophobic “Sessions”, a clanking exercise in drum machine love (the intense but woozy “Tolls of the Unexpected”), a deeper, slower tempo trip into melodic analogue deep house territory (“Analog Kicks”), and a acid-flecked jack-track with distinct Detroit techno overtones (“Neptanus”).

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Mark Forshaw – Tools Of The Unexpected [MATH075]

Motor City Drum Ensemble – Raw Cuts (Remixes) [MCDE1211]

MOTOR CITY DRUM ENSEMBLE - Raw Cuts (remixes)

Given the “contemporary classic” status of Danilo Plessow’s Raw Cuts series – arguably a string of 12″ singles that helped redefine deep house for a new generation – the announcement of a surprise remix 12″ is enough to make even the most level-headed DJs go weak at the knees. Pleasingly, said remixers more than live up to the hype. Marcellus Pittman’s version – smooth and deep, but with enough raw disco cut-ups and wonky Detroit swing to impress those who like it raw – is particularly good, though Mike Huckaby’s locked-in deep house groover is not far behind. There’s also a superb version from Recloose, whose crackly, shuffling beats, sweeping pads and soulful vocal samples recall his earliest productions for Planet E.

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Motor City Drum Ensemble – Raw Cuts (Remixes) [MCDE1211]

Patrice Scott – Euphonium EP [SIS023]

Providing a glimpse of great things to come, Patrice Scott offers up the Euphonium EP – a sampler for his highly anticipated full-length album entitled Euphonium, due in Fall 2014. All untitled, each track is a reward unto itself. Patrice’s hypnotic, evolving patterns and textures dance amidst the recesses of your mind, inspiring both movement and introspection. Enjoy the signature sounds and keep your ears to the ground.

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Patrice Scott – Euphonium EP [SIS023]

Lastmood & D-Ribeiro – Modern Balance [FS021]

D-Ribeiro on Finale Sessions with a split release between him and Lastmood. A side is a heavy bass kick techno stomper, where the flip side by D-Ribeiro comes up with a fine tune with a lighter more melodic almost euphoric feel.

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Lastmood & D-Ribeiro – Modern Balance [FS021]

Lady Blacktronika – It’s A Blacktronika World [LAX136]

Excellent classic US deep house tracks that will create instant atmosphere. Lady Blacktronika has been serving some of the best deep house and slo-mo beatdown to come from the US since her Sound Black labels inception in 2010.

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Lady Blacktronika – It’s A Blacktronika World [LAX136]

Gesloten Cirkel – Submit X [M-X]

Returning to Viewlexx sub-label Murder Capital, Gesloten Cirkel is ready to serve up a full-length album, Submit X. Russian mystery man Gesloten Cirkel has caused quite a stir with his releases on this label as well as Moustache Techno Series and Berceuse Heroique – it is often weird, twisted music that fuses acid and techno and electro into brave new forms. This new album continues in that tradition across ten new cuts. Right from the off Gesloten Circkel spits out the jams – opener ‘Zombiemachine Acid’ is built on a corrugated bed of beats, has slapping percussion and a sharp acid line. After the same track without the acid line comes ‘Submit X’ with its into fractured, loopy sounds and layered up vocal snippets. For unsettling, dark and droning ambient check ‘Stakapella’, or the same sketch with a distant electro beat on ‘Stakan’. ‘Chatters’ is then a grimy post punk electronic track with whirring melodies, malfunctioning synths and plenty of dirt in its make-up and the latter part of the album touches on more paranoid electro, nagging and unsettling techno and whip-snapping acid tracks. Truly unique, esoteric and idiosyncratic, this album is as unpredictable as you would expect from someone like the enigmatic Gesloten Cirkel.

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Gesloten Cirkel – Submit X [M-X]

Tesla286 – Zukunft [AYCB027]

The Zukunft (future) is over. The machine-dreams has been dreamed, the future shock has lost its terror. Compared to the complexity and contrariness of our technologically advanced presence, the utopias and dystopias of the last century has become a vague description of the here and now. Total monitoring? Check. Cyberspace? Check. A man on the moon? Check! We tried to achieve the future so fast, that our thinking could hardly keep up with it. Newer than now? Difficult to imagine. Also and especially not when it comes to electronic music. The new arises from the old, a well-established method since the brainchild of sampling, gets a whole new quality in an interconnected world. The linearity of time crumbles away in our unlimited digital archives, in which styles and cultures, movement and countermovement are collocated, ever-present in unison. It is sufficient to regroup the set pieces from the past and the present over and over again to connote the new, the forward direction.

Tesla286 just does not do that. The well-known stranger, whom self-mystification just fits the mould every bit as his synonym, stops the clocks and takes a look back. He simulates a past where the future still had a future. The 11 exact electro-replicas of the current album move within the realms of a tight historical framework, somewhere between Asimov, Dopplereffekt and mid-nineties Detroit.

With ‘Umlaufbahn’ we will be absorbed in the magnetic atmosphere of a planet. ‘Tesla’s Oscillator’ clearly cites Herbie Hancock’s ‘ Rockit’ from 1984 and is reminiscent of the futurism of Detroit-electro-wave from a beat of another decade. The title track ‘Zukunft’ presses every button in the science fiction narratives between Star Wars and the subaquatic warriors of the Drexciya universe. The cold machine rhythm of the hypnotic tracks lead us back again and again to the fears of a generation, which mistrusts and simultaneously promotes technical progress. Not before ‘Meteorite over Pankow’ strikes a more optimistic tone, which originates from overlooking the imminent extinction of the human race (or at least of Berlin).

Tesla286 has created a fan-fiction version of a long-gone era with ‘Zukunft’, which reflects our own nostalgic look on the once-upon-a-time-future. We pinpoint that our discomfort over the consequences of the technical progress didn’t really change over the last few decades. There is almost a comforting hint to the power of fear over the new, a stabilising human coefficient, which makes this album so newsworthy.

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Tesla286 – Zukunft [AYCB027]

In Sync – Storm – Evolution I [TRAJECTORY1010]

Last Known Trajectory proudly presents reinterpretations of In Sync’s undisputed UK techno classic, namely ‘Storm’, alongside new versions of accompanying tracks, ‘Warm’ and ‘Subway Route’. Split over two separately available twelve inch EPs. Here, lovingly reinvented by E.R.P. (aka Gerard Hanson), Maarten van der Vleuten (Evo-Lute Muzik) and Ramjac (of Irdial vintage).

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In Sync – Storm – Evolution I [TRAJECTORY1010]