Protocolo SysEx returns to Distrito 91 with “Singularity” EP, the second chapter of the trilogy started with “Geometría Virtual”. Seven tracks exploring the point where artificial intelligence crosses the threshold into superintelligence. All signals encoded and programmed by Fabio Vinuesa at D91 HQ Madrid, 2026.
Compilation of lost Dutch synthesizer and wave music from 1982 to 1987. All collected and compiled by Rutger Nijkamp, who inherited many tapes from his musician-mother Veronique (Verque on the compilation). This led to the collection of more cassettes, found in second hand shops and through connections from his mother.
Glaring’s release is a glorious feast of emotions. A journey into the deep, a fast rise above the sky, then back down again into the gloom. It’s incredible how many places she can guide you to. A mesmerising voyage through life, death, and everything in between. See the world through her eyes, let her machines obliterate you.
Erik Eviston is a music producer from the southwest of Ireland, based in Berlin. His work combines electronics with voice, guitar and sounds drawn from the physical world, treating found objects and instruments alike as sources of rhythm, texture and atmosphere. His coding background extends his exploration of sound into the unseen systems that shape it. Here he comes with an industrial EBM EP for Detriti.
Hive Mind worked with the iconic Oran based label and production house Édition Ahlem to bring this compilation of modern Gasba music. Across western Algeria, the gasba, a reed flute central to Bedouin folk traditions and ceremonial music, continues to appear in new forms. Once associated primarily with saint festivals and trance rituals, its distinctive hypnotic sound now sits alongside the drum machines, synths and electronic textures of contemporary raï. The recordings collected here come from Oran, the port city of Western Algeria widely regarded as the birthplace of raï. Before raï became an international pop phenomenon, its foundations were rooted in older Bedouin musical traditions from the surrounding countryside: gasba flute melodies, guellal drum rhythms, improvised folk poetry and songs performed at weddings, zerdas and informal gatherings. Many of the musical and emotional qualities later associated with raï, repetition, directness, ecstatic intensity and the use of everyday language, emerged from these rural forms.
Three decades into their extraordinary journey, the legendary Istanbul-based collective BaBa ZuLa return with XXX – a hypnotic, uncompromising and undeniably vital statement of artistic freedom. Weaving together shapeshifting rhythms, hypnotic saz-driven atmospherics, and deep sonic rituals, the new album celebrates a band that has spent the past thirty years continuously redefining the possibilities of Turkish psychedelic music.
Tommy McCook leads the swingeing horns, galloping east of the River Nile. Sounds like Dennis Emmanuel Brown, wailing six feet under. A jaw-dropping, no-prisoners Tubbys dub.
The Fifth Batch in this series: Rough Disco Edits. After years of lighting up dance floors around Europe and beyond, Afrobot it’s finally opening the vault. Dozens of unreleased edits – tested in sweaty rooms, peak-time moments, and long nights between 2009 and 2020 – are coming out at last. This new compilation series will travel through Africa, Disco, New Wave, Pop, Bollywood and electronic mutations. Raw cuts. Heavy grooves. Dance-floor weapons.
Strong Techno & Electro compilation feat. DJ SCSI, Bohm, Wildplanet and D-UFO. Electronic Civilisation part. 1 is represented from the cities of Detroit, Utrecht, Stockholm and Barcelona.
Cosmic Tribe presents the third edition of the Artist Series featuring C.C.O. (Contra Communem Opinionem), the project of Swiss artist Florian Büchel. The original material selected here explores a more direct and linear side of his music, combining atmospheric structures, subtle acid elements and elegant melodic progression. The remixes come from Raakel Bloody Raakel and Romphea.
Minimal Wave announces the second volume in their cassette compilation series, From Minimal Wave With Love. 45 minutes of rare material spanning minimal synth, cold wave, synth-pop, and experimental electronics. Featuring Jyl, Martin Dupont, Oppenheimer Analysis, Crash Course In Science, Ruins, Moderne, Vicious Pink, Twilight Ritual, Tomo Akikawabaya, In Aeternam Vale, and In Trance 95.
Type-303 makes his first appearance on Cold Blow with ‘Enigmatic Dreams’, a six-track 12″ that balances acid with the softer, more melodic end of early-’90s Italian house. ‘Enigmatic Dreams’ doesn’t sit still for long, offering acid one minute, Balearic drift the next, then straight into something that could’ve come off an early-90s house white label. The big story here is ‘Atlantic Dreams,’ a collaboration with Dr. Rhythm aka Mark Woollard, whose old material got a second life through a previous reissue. Turns out Woollard kept composing for music libraries long after those original records, and buried in that archive was something with the exact same warmth. Type-303 picked it up and ran with it, turning a decades-old idea into something new. The rest of the record features ‘Paradise’ and ‘Morning (Ambient Mix)’, which both drift toward that dreamy, sun-bleached Italian sound that’s perfect this time of year.
With Flow Tide, Artefakt returns to their trusted Delsin homebase and continues where they left off with their last Brain Dripper EP from 2022; a flawless fusion of melancholic electronica and impeccable techno grooves. The A-Side emphasizes organic and mysterious atmospheres, strengthened by the rippling rhythms of the sea. The B-Side picks up the pace and presents two excellent, reverberating techno trips. It’s a well-rounded package from Artefakt, as we know it, comprising many moods and sounds, molding them into its own unique universe. Flow Tide also also marks a significant change in their long-standing recording career. Having produced and performed as a duo since 2012, this is the first EP produced solely by Nick Lapien, marking a new chapter for the project as he continues Artefakt’s live performances as a solo artist.