The 2022 edition of the Ombra Festival will start tomorrow in Barcelona, with a location change. The festival program was suppose to take place for the last time at UTOPÍA 126, but the new owners of the location canceled in September Ombra’s reservation. Probably this beautiful industrial relic will make space for something more modern and cost efficient construction.
The 2022 edition of the Ombra festival will take place from November 24 to 27 in Barcelona. Ombra is a project born from the hand of agency Ombra Agency and label Oraculo Records with the aim of creating a meeting place for lovers of analogue and avant-garde sounds that do not fit in the current cultural offer.
Early 2020, while the Covid-19 crisis was taking over the world, I-Robots was introduced to Electronic Emergencies. Calling it a magical parallel world, I-Robots immediately fell in love with the retro electro and disco noir feel of the label from Rotterdam. It was a nice surprise to discover that the guys of Electronic Emergencies have been fans of I-Robots since the early days. I-Robots and Electronic Emergencies have found each other in their eclectic taste in electronic music. While their friendship evolved, they started discussing ideas on how to collaborate. As a first step in this collaboration, I-Robots has curated this digital compilation of 14 of his favourite Electronic Emergencies tracks. These reflect the deep melodic eighties atmosphere of the label and the elaborate and sophisticated taste of I-Robots.
Electronic Emergencies is thrilled to work together with brand new New York label Sangron Records on the 10-track compilation album ‘Sangron Volume 1’. Compiled by Skeleton Head’s Leo Torres, the compilation draws from the U.S. underground with songs from minimal synth pioneers Crash Course in Science and Mark Lane, alongside contributions from Skeleton Head, Revival Times, M/A/N/O/S, Ortrotasce, Minima Moralia, Silent Em, Horoscope and Paper Music. Moody, dancefloor-friendly and rebellious, this is “music for dissidents”.
Crash Course In Science are a post punk band that formed in 1979 in Philadelphia. “Jump Over Barrels” was recorded at the Third Story Studio in Philadelphia in 1981, one year after “Signals From Pier Thirteen”. The song remained unmixed and unreleased at that time for a proposed album titled “Near Marineland”. Lyrically the song tackles overcoming obstacles, self imposed or otherwise, with vocal interplay between Michael and Mallory. On the A Side is the original mix and a demo mix from 1981. Then on the flip is a brand new remix by prolific Ann Arbor producer Charles Manier, a pseudonym of Tadd Mullinix, who toughens up the track. Also included is an unreleased demo version of the song from 1980, accentuating the raw and skeletal nature of the track.
Crash Course in Science are a post punk band that formed in 1979 in Philadelphia.The band members, Dale Feliciello, Mallory Yago and Michael Zodorozny, met while attending art school. They began to experiment with crude electronics and off-beat writing. CCIS avoids conventional instrumentation by using toy instruments and kitchen appliances to augment the distorted guitar, drums and synthesized beats. Their first single, Cakes in the Home was released in 1979 and their 4-song 12” EP ”Signals From Pier Thirteen” in 1981. Pier 13 was an abandoned coal-loading pier along the Delaware River near where CCIS rehearsed. The band went there often and was inspired by the huge silent machinery, shapes, shadows, ghosts and debris. The songs ‘Cardboard Lamb’ and ‘Flying Turns’ quickly became club favorites during the early 80’s. This EP’s raw, percussive sound influenced both techno and industrial music in later years. CCIS feel a strong connection to Throbbing Gristle, although they consider themselves as working in a parallel universe rather than being influenced by them. Crash Course in Science go above and beyond what is considered ‘New Wave’ in attitude and sound.