Debut album by Raffaele Attanasio on Non Series. All tracks over trump each other in the matter of energy, analog rawness and production skills.
album
Marcos Cabral – False Memories [LIES025]
A huge departure from his known works, Marcos Cabral appears on L.I.E.S. with his most dynamic and experimental work to date. Compiled from various cassette tape recordings spanning the years of 1998-2000, here we have the early experiments from an accomplished producer, which showcase the unharnessed energy of youth when it crashes head on with the technology of the day. The songs created by Cabral reflect his attempts of the music of the time falling somewhere in between techno, dub techno, IDM, and even noise. An engaging and timeless listen the whole way through.
“I recently found about three hours of my unreleased tracks from 1998-2000 on old cassette tapes. The collection that I set aside for LIES is pretty much all from 1998. During that time, I lived in upstate New York in a 3000 square foot loft with just one other friend. Both being DJ’s we would use our loft for fairly large parties… Cajmere from Chicago definitely being a highlight. I knew nothing about ‘making’ music at this time and was using this fairly primitive wav. looping program called Acid. I just started recording my crappy Roland MC-303 into my computer and would just mash loops together over and over. Listening to these tracks now, I have a really vague memory of making them, and feel that their naive nature and the happy accidents that happened here are pretty exciting to listen to.”
Erika – Hexagon Cloud [IT030]
While ‘Hexagon Cloud’ may be Erika’s debut solo release, this is by no means her introduction to the scene. For years Erika has been a member of Detroit’s Ectomorph and co-conspirator of Interdimensional Transmissions, but since these projects play shadowy games with identity and perception, she may just need that introduction. Composing without the aid of a computer, Erika’s system is centered around a rare highly flexible hardware sequencer. The ideas flowed quickly, and what began as an EP quickly blossomed into a double album with the aid of production from BMG. Science and music, dreams of space and microscopic organisms, mutation of plant life and the birth of stars, all come together effortlessly in her work to sound like post acid techno subterranean spelunking in a quest to return to the stars. Or at least to the northern “Hexagon Cloud” of Saturn.
Exium – A Sensible Alternative To Emotion [POLEGROUP016]
A sensible alternative to emotion is the second full length album by the spanish techno duo Exium. More than ten years in the bussiness confirm them as one the fundamental combos of european techno. We have the pleasure of presenting you this new step in sound design, ten tracks that show a new twist in their style, relaxing the frequencies and the tempos and departing from linear concepts, offering a well balanced tracklist with ambient or near IDM experiments, dreamy or even melodic techno and their traditional obscure feeling.
Dwig – Forget The Pink Elephant [GLGLP002]
Giegling homie Dwig presents his debut album and shows again his sampling art in all his facets. A very laid-back one.
Somaticae – Catharsis [26192]
In 2011, we begin to think about doing a record label. We had been following Somaticae for some time and at this moment he was playing some art and punk gigs with a furious live of electronic improv, on the edge between hypnosis and noise. But Somaticae had already moved forward, and in a matter of a few weeks, he was sending us what quickly and easily took shape as Catharsis, a ten track piece which is to be the first album release on In Paradisum.
Metasplice – Infratracts [DOSER017LP]
Rabih Beaini’s Morphine imprint has undergone something of a renaissance in the past year to become one of contemporary techno’s most vital labels thanks to the recent material from Hieroglyphic Being, Container, Upperground Orchestra and Philadelphia duo Metasplice, whose two EPs for the label have provided some of the most alien sounding techno to emerge in recent years. Their debut album Infratracts appeared this week with no prior fanfare; it’s as exciting a journey into the duo’s uniquely desolate sound world as you could imagine; combining skull-shattering rhythms with brain-warping textures, the whole things recalls a seasick version of Container’s noise techno being transmitted via SETI’s long-range radio telescope. Essential wares for lovers of adventurous electronics…
Rabih Beaini – Albidaya [END07]
Exploratory Lebanese imprint Annihaya presents a stunning debut album opus by Rabih Beaini aka Morphosis under his birth name. As Rabih was born in Lebanon it is fitting he shares ‘Albidaya’ – meaning “The Beginning” in Arabic – with a label from his home country, who provide acute context for its mixture of electronics, psych rock, folk and jazz. Impressively it was mostly recorded over the course of one day in 2012, wrangling myriad rhythms, tones and shapes from Rabih’s famous collection of vintage analog synthesizers and sequencers meshed with Eko Tiger Duo organ and guitar, and some assistance from Tommaso Cappellato on drums and Piero Bittolo Bon on woodwind and electronics (with additional credits to both Mike Huckaby and Donato Dozzy), and post-production done in Berlin and Rome.
Gunnar Haslam – Mimesiak [LIES026]
Ron Morelli has also become a specialist in finding unknown producer and releasing it to the world with only little informations. The newest addition follow the same rule and comes from “an unknown NYC producer” named Gunnar Haslam with a Double LP called Mimesiak.
Jimpster – Porchlight & Rocking Chairs [FRLP032]
One of the UK’s most established and consistent deep house producers, Jimpster, drops his eagerly anticipated Porchlight And Rocking Chairs LP on Freerange Records. His first studio album in six years sees him continue where he left off on the 2006 masterpiece Amour by taking the blueprint of House music and infusing it with an attention to detail and musicality often lacking in much of today’s more disposable dance music. As Jimpster himself admits, much of the inspiration for Porchlight And Rocking Chairs came from the countless hours spent exhausted or hungover in airport lounges on the way back from gigs. It’s during this early morning never never land that he would seek solace in his ipod or start creating tracks on his laptop. Anything too challenging or abstract would be an irritation. Anything too ambient could sedate to the point of missing flights. So normally it would be the kind of lo-slung, emotive, deep shit with enough groove to get into but also just the right amount of warmth and soul to keep spirits lifted in those tiring, and often solitary hours.
Mobach – Cold Rain [SD030]
Mobach drops his lush melodic debut album ”Cold Rain” on Syncom Data Records. Four years after his ”Metrobots” twelve inch Mobach delves deeper into his unique hybrid form of techno, house, electro, dub and downbeat experimental electronics. Ten tracks full of infectious melodies, clever beats and weird soundscaping that creates this typical Mobach audiosyncratic world, probably best reflected in the beautiful artwork, also from the hand of the artist.
Alessandro Parisi – Hic Sunt Leones [MROME024]
Hic Sunt Leones is a story about secret ancient technologies coming from pre-human civilization. Sacred steam-cyber punk electronix to describe mystic visions about laser marble, positron iron and extra-dimensional explorers too far from our technology-teenage era. Hindi’s Vimana, Israel’s Ark of the covenant, are just footsteps of what we inherit from our creators. The unknown camouflaged into the holy, the inexplicable into the dangerous: this is the aim of the keepers of our evolution It’s time to explore scary lands and finally tame the lions. MinimalRome is back with this great 8 tracks CD album.
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Especially Good – Foundation [EST83-02]
“Foundation” is the new EP fromlis’ Especially Good, the most exciting band from Detroit in recent memory. The eight track EP showcases the trios dynamic energy of Julio Dominguez’s vocals, Joe F synthesizers and drum programing and Paul Kiry’s bass – culminating in songs that are equally raw, brutal and honest. The sound of E.G. exists in a space of its own, but one can hear influences of Throbbing Gristle, Factory Records and Detroit Techno in the rhythms and sonic textures throughout “Foundation”. Recorded and mixed in Detroit by Sam Consiglio and Adam Lee Miller (of Adult). Released on Est. 83′ Records, a sub-label of FIT SOUND.
Andre Szigethy – Andre Szigethy LP [333.001]
The official re-release of the most sought after and expansive German minimal synth, dark wave, electro album! Originally released in Germany, 1983 on Leo Music.
Daniele Baldelli – Let’s Get Lost Vol.21 [LGL021]
Let’s Get Lost label’s 21st offering welcomes Italo Disco innovator Daniele Baldelli into the fold with an eight track, double 12″ cosmic transmission. Naturally given the length, Baldelli canvasses an array of styles, like the post punk and jazz fusion of “Dark Sax”, the pulsating future disco of “Teens & Teens” or the Studio 54 referencing “Portorico”. Baldelli also dips into some more down-tempo, ambient and darker italo stylings with “Tunnel”, while taking a Latin approach with “Conflitto Mexicano”.
Gramme – Gramme LP [GRAMMELP]
Gramme is the musically pioneering band that went missing in action sometime around 2000. Originally signed to Trevor Jackson’s Output label, the band emerged in the mid-nineties with a sound so out of step with the cultural milieu they found themselves swimming against the tide. Originally a five piece, the band formed around a shared love of the emotional melancholy now synonymous with Factory artists such as Joy Division, Section 25 and A Certain Ratio. Gramme were attracted by Manchester’s psycho disco of the early 80’s and NY’s subterranean proto punk-funk on 99 Records and bands like Liquid Liquid and ESG. The die was cast when, following a particularly intense Camden gig in 1996, the legendary DJ Nathan Gregory said the immortal words “ I love your band, but I dunno whether to dance or pogo?!”. The individuality of Gramme around ‘97 remains their lasting signature. Gramme 2012, now a streamlined four piece but equally as passionate and excited by the possibilities of their own music making. With three new 4 track E.P.s already on the shelves this year, reportedly selling out before the dust had time to settle. The next step is a 12 track long player scheduled for release in February on Tim ‘Love’ Lee’s Tummy Touch Records. The album represents about two and a half years of sporadic but intense writing, jamming, recording and editing and at least three complete fresh starts. The aim was finally to create something immediate and in the present but something that would also stand the test of time. It needed to work in the club, the car and the kitchen simultaneously.
Neville Watson – Songs To Elevate Pure Hearts [CRLP010]
English producer and DJ Neville Watson will release his debut album on Dutch label Crème Organization in May 2013. Entitled Songs To Elevate Pure Hearts, it sees Watson explore similar ground to that of the EPs he has released on labels like Teng and Clone Jack For Daze dating back a whole decade. Watson, who also set up Windsor’s much loved Mighty Atom record store and label, has become synonymous with re-interpreting classic Chicago house sounds in his own heavily analogue way. His productions often deal in an authentic rawness and roughness, whilst as a live specialist he has been much in demand in recent times thanks to boundary nudging outings at clubs around Europe with Bulgarian partner in Crime, KiNK. The album offers eleven tracks, kicking off with the serene ‘Dark Star’ before immediately getting fractious with the twisted lines and crisp percussion of the title track. Though containing plenty of material for the dancefloor, so too is this a carefully programmed trip that takes you up as well as down, with the likes of ‘The Girl From Kowloon Tong’ exploring beat-less, melodically intoxicating territory between harder hitting joints like the widescreen, dubby techno of ‘Against The Tide’ and controlled, machine frenzy of ‘Everything I Know About House (I Learnt On Facebook)’. Tracks like ‘Axiomatic’ prove Watson as adept at crafting occult moods and unusual feelings as he is the more physical beats and classicist stylings of the ode to real house music that is ‘Son of House’. Taking you up, down, backwards and forwards through time and space, ‘Songs To Elevate Pure Hearts’ does exactly what the title suggests, no matter how pure your heart.
Traversable Wormhole – Traversable Wormhole Vol 6-10 [CLRCD012]
Traversable Wormhole returns to CLR after a huge success in the techno scene with the digital releases and remixes of volumes 1 – 5. The present offering on CLR contains all songs from volumes 6 – 10, originally released on 12“ vinyl only.
Cosmin TRG – Gordian [50WEAPONLP013]
The new album marks something of a new direction for Cosmin, however – it’s a much more intricate affair that deals in plenty of fuzzy texture, percussive energy and his trademark skimming bottom ends, but looks outside the techno world for its influences. “Gordian is as much a document of my past year as it is the beginning of a conversation. The title references an ancient myth, but describes the very contemporary, impossible task of discerning between real and replicated, authentic and contrived. Coping with facts, objects and bodies, the necessity of ‘making it’, fear of failure, fear of ‘not being happy’ are today’s topics, and Gordian is my attempt at an exploration of those issues.” (Cosmin TRG)
The Exaltics – Das Heise Experiment [AACIDLP002]
The Exaltics have been rippin’-up the acid vibes for some time now, gathering momentum from the efforts and hard work of imprints such as Solar One Music, Transient Force, Last Known Trajectory, Bunker and Panzerkreuz and of course more recently Crème Organization, Trust and our friends at Abstract Acid. As such, the time has come for a full-length acid project, entitled ‘Das Heise Experiment’ which originates from The Exaltics’ desire to take things a notch deeper, while pushing the acid a step into more menacing and quite devilish territory. For those that appreciate such dastardly dark styles, well, you will not be disappointed with this album. Coarse acid coupled with sublime soundscapes and ubiquitously haunting melodies make for the perfect combination.
The Hipodrome Of Music 