A long player of new music from DMX Krew on Hypercolour. ‘Glad To Be Sad’ presents the usual collection of first class electronic funk and modular melodies that DMX is known for, but covers a wide and colourful palette of rhythm and sound, abundant on the bass and with a heavy dose of futurism in its waves of glorious synth-work and deadly drum machine rhythms.
Shipwrec is 50 releases old. No mean feat and to celebrate the dutch label is returning to one of its stalwarts, Ed Upton aka DMX Krew. For this very special 12″ the veteran audio alchemist conjures up five tracks of machine music magic. Squirming, acid soaked electro forms and melts in “Bush Baby Bug Eyes” before the shapeshifting “EQShift Trak.” “Language Reponse” goes up a gear, rhythms zipping along on a highway of bright bars as synth lines beam warmth. The flip skids into the corners for the chiptune freshness of “Irrational Momentum” before the wave funk wizardry of the title piece. Ed Upton cracking open the champagne for this Shipwrec milestone and once again proving his undeniable prowess behind the machines.
23 years have passed since Edward Upton first donned the DMX Krew alias, but the prolific British producer shows no signs of slowing down. Astonishingly, Strange Directions is the electro stalwart’s 21st full-length excursion. Predictably, it’s rather good, with Upton delivering a set that effortlessly body-pops between vocoder-laced electro workouts, melodious IDM, bass-heavy intelligent techno, gnarled Drexciyan throbbers, Artificial Intelligence style home listening fare and even a dash of muscular, tongue-in-cheek Italo-disco (the deliciously sleazy “Soft Networks”). As usual, the distinctive, off-kilter swing of original analogue hardware is present throughout, as Upton showcases his full range of talents.
7777 presents its 13th release featuring DMX Krew and Yuri Suzuki. Side A brings you straight house attitude. B side strips it down and adds the acid. These songs are perfect for your record bag.
RSS
