
First Longplayer on Knowone with dub techno, downbeat, ambient tracks, each track got one side to tell his own story. Six tracks with more than 70 min playtime.

First Longplayer on Knowone with dub techno, downbeat, ambient tracks, each track got one side to tell his own story. Six tracks with more than 70 min playtime.

Breathy, atmospheric and yet dynamic electronics on this debut LP byDesolate aka Sven Weisemann , celebrating Fauxpas Musik’s first anniversary. The dark but dynamic sounds of Burial and the spherical spacey atmosphere of Boards of Canada seem to be basic inspiration for Desolate. The album includes nine tracks in total ranging from deeper to more ambient compositions and as a bonus you get a CD version thrown in with two bonus tracks!

The next full length from Delsin, entitled “What Have We Learned” from the Lebanese-born producer Morphosis aka Ra.H aka Rabih Beaini, is co-released on his own Morphine Records, as well as by close associate M>O>S. Influences range from Krautrock via New Wave but, importantly, all are digested by Morphosis before being re-imagined as something wholly fresh and original which, in turn, stands up well to both dancefloor deployment and intense home listening.

Jay Haze gives new album away for free and asks that if you download it, to listen to it all the way through at least once.
“Love = Evolution” is rumored to be Haze’s last artist album. It features a number of collaborations and as well as the expected soulful and techy house sounds, there are numerous diversions into dub and more laid back listening experiences.

Aril Brikha will release “Deeparture In Time – Revisited” in celebration of the 10 year anniversary of his 1999/2000 released Album on Transmat. This also kicks off his own label “Art Of Vengeance”. Next to the remastered originals of “Deeparture In Time”, the release features a 2nd CD with 10 previously unreleased tracks that were created between 1995 and 1999. All of them take us on a time travel to the 90ies, with a sound still prevalent in modern productions, as pure as can be. This one’s for the lovers of the early Detroit Techno with that unique Aril Brikha twist, and all those who’d like to discover it: One Chord To Rule Them All.

“The Incredible Adventures of Captain P” is Fred Peterkin’s third album to date, following two full-lengths under his pseudonym Black Jazz Consortium. Though loyal to his hypnotic deep house signature sound, this album breaks the mold a bit, throwing in ambient, left-field and even some hip-hop style beats.

From the Bauhaus-influenced record cover, to the dead thuds that pound every corner of “The Soft Moon”, there is something imposing and stark about Luis Vasquez’s debut record. It casts a bleak shadow, like a graying tower block. The record heavily recalls the industrial and goth 1980s, eras of music bathed in blackness, yet beneath the squall and the otherwise monolithic sound poke out some impressive moments of clarity.

Fresh, exciting synthpop album from Finland’s Jaakko Eino Kalevi. “Modern Life” is a tradition-conscious and rather minimalist disco, definitely dance music. The album includes a couple of killer hitting, but otherwise the atmosphere is dreamlike and peaceful.

“Resurrection” is the follow up to the reissue of Virgo (Four)’s S/T album, which was released by Rush Hour in 2010. This album is a collection of unreleased tracks that were produced over a 6 year period between 1984 and 1990 in various home studios around Chicago. These tracks were selected from 100’s of 4-track tapes that had been untouched and unreleased all these years due to local record business politics and disinterest. These demo recordings have been restored and mastered for release. The CD release holds 15 tracks, while the limited edition vinyl box set contains another 15 tracks, totaling a cool 30 tracks.
“Resurrection” really shows the rich, diverse and unique quality of Virgo Four, which leaves you wondering what impact they would have made on the (Chicago) house scene if they would have gotten released back in the day.

An album by F.l.o. is now out. As usually, CD are available for those who love physical format. Free and payed downloads are available as well. It’s an deep techno album, with a touch of oldschool.

Framework – as you’d expect of a man who performs genuinely live for hours, often only ever calling on his own tweaked, edited and skewed productions – is an uncompromising album made up of pure techno tracks of the sort you’d expect to hear on the dancefloors of places like Berghain or Tresor. They go from pulsing and classic sounding to skipping and glitchy, through greyed-out and sandy via swinging and syncopated but always with a sense of restraint and control whether they are abstract, apocalyptic, atmospheric or whatever else. Drawing from a dusty, dirty toolbox of sounds, the echo-y, cavernous chambers and dusky warehouse aesthetics of Dehnert’s moody music betrays the purity and simplicity of his arrangements. Although his records are undeniably functional, at the same time, they are neither nondescript nor forgettable: somehow, through masterful sound designs and an accomplished knack for blending real tension and atmosphere with his obvious Basic Channel and Berghain influences, Mike Dehnert manages to lock you into whatever mood takes his fancy with apparent ease.

With her debut artist album, “Yours & Mine”, we discover an even further developed producer in Steffi. Steffi shares with us her personal journey. A long period of intense experimentation and self-discovery led to this sensitive, instinctive and extremely insightful long-player. Carefully mixing old and new, warm analog synth and drum textures flow in unison with modern studio finesse over nine tracks, each telling its own story.

A full length LP by Ruins, an Italian electro-wave duo. Ruins formed in Mestre in 1978 with the intention of experimenting with electronic devices and mixed media. They mainly created music out of self-expression without any intention of joining the mainstream. Ruins it’s where Italo meets Minimal Wave.

”Cloaks of Perception” sees the light of day on Belgium’s Other Heights label. Excellent low-fi atmospheric soundscapes and dubby techno cuts as you might expect.

Detroit beat down & Chicago oldschool house inspired house cuts. Eight tracks and four locked grooves of raw and diverse House music from the inimitable STL. Constantly changing the game, he nods to KMS style rave with the nasty synth licks of ‘Dark Energy’, while ‘Like This’ nods to earliest Chicago House with wickedly ’80s sounding stabs followed by two minutes of rave-starting air raid sirens. Getting trickier, ‘Don’t Follow Me’ is a pure and deadly piece of drum programing magic.

Free album for download on TFE Records. Warm deep duby sounds from Das Kraftfuttermischwerk.

International techno collective and record label Sandwell District release their debut studio album. Feed-Forward, features previously unreleased techno cuts by the three central Sandwell artists – Dave Sumner as Function, Karl O’Connor as Regis and Juan Mendez as Silent Servant, with additional input from Female. A trademark, highly effective array of big industrial beats, off-kilter riffs and icy strings can be expected.

Debut album from Sean Hernandez aka Chicago Skyway that brings top quality production from start to finish. 8 tracks that range from the hard hitting acid house to raw basement cuts to the ultra deep beats.

Alton Miller’s brand new album. Feats 8 cuts from the CD including Ever Wonder feat Abacus, Beautiful, the title track feat Amp Fiddler and more. Guests including Lotus, Angel-A, Abacus, Osunlade, Atjazz and more.

Magic Wire present the second release on the label from co-founder Lone. ‘Emerald Fantasy Tracks’ is an eight track mini album spread across two 12″s, housed in a full color gate fold sleeve.