Introducing Josh Caffe’s second single on Phantasy, ‘Do You Wanna Take Me Home?’ is a sensual yet gritty return, a keen document of just one of the many stories of desire always occurring in the shadows, just beyond the strobes. Produced in collaboration with Quinn Whalley, one half of Paranoid London, ‘Do You Wanna Take Me Home?’ also features a headsy interpretation from Steffi & Virginia, marking their first ever collaborative remix.
Klakson celebrates its 20th birthday with a strong triple 12 inch various artists package. Number 2 of this series with tracks by Sepehr, Hadone, Steffi & Stingray and Watching Airplanes.
Dark Entries unveils the debut of Berlin-based, Dutch-born Steffi new project Crushed Soul, a moniker she had used only once in 2013 for an Ostgut Ton compilation track. ‘The Family of Waves EP’ represents both familiar and novel pastures for Steffi. While her love of electro and classic Detroit techno have been oft-evident, here we witness the darker shades of new wave and industrial creep to the forefront. This turn for the twisted feels not just natural, but predestined, an inevitable succumbing to morbid forces.
Ben Sims delivers Sampler 2, another four incredibly artists taken from his Tribology compilation. From the 808 driven hypnotics of Berghain’s Steffi through to ROD’s strident ‘Embase’ via Jeroen Search’s masterful, bleeping ‘Ostinato Pattern’ and Sims’ own punchy edit of unreleased Robert Hood cut ‘Gun Talk’ this is an unmissable 12″. A total of 5 samplers will drop as part of the Ben Sims pres Tribology mix compilation project.
The Air Texture Series asks two Producers/ Performers to select a double CD worth of unreleased music. The only guidance is the music should not be main floor bangers, other than that we get out of the way, allowing them autonomy over their selection. This time Steffi and Martyn were asked to step up. Exciting, since as residents at Berghain/Panorama Bar – two of the most important dancefloors in the world… how would two such respected artists approach our experimental ethos.
Minimalist, swinging, fast paced DJ tool Techno exclusives from DVS1’s ‘Fabric Mix’.
On ‘World Of The Waking State’ Steffi stretches her wings, having created the album in a period when she found herself free from the past and more comfortable in her own skin. The shift in her mindset led to a new freedom of exploration in her creativity, enabling her to write more experimentally and logically resulting in this new album. Gone are the classic drum sounds and conspicuous melodies of her previous works. Instead, Steffi’s productions unify disparate molecular details to forge a greater whole, reflecting a serious commitment to abstract electronic composition that manifests itself here as a totally inimitable collection of tracks. World Of The Waking State is a confident and mature work of complex rhythms and refined melodies. The overall effect is as subtle, unique and thought provoking as the artist herself.
Number 2 of this 4 piece exclusive 12-inch series! All tracks are specially produced for Steffi’s Fabric 94 mix CD!
Given that there have been 93 previous editions of Fabric’s long-running mix series, you’d think DJs would struggle to find a new angle. Steffi, though, has had no such problems. The Berlin-based Dutchwoman has flipped the script by commissioning all 16 tracks especially for the mix. It’s a neat trick and works well, with the result being a typically impressively put-together stroll through a myriad of techno, house, IDM and electro-related sounds. There are two exclusive Steffi collaborations (one with Martyn as Doms and Deykers, the other with Shed), alongside seriously good cuts from pals Dexter (solo and alongside Virginia), Late Night Approach, Answer Code Request, Privacy and UAS.
The original Klakson funkateers Steffi and Dexter return to true form with three punchy techno/electro cuts. “Zatlap” on the A Side is a lush nighttime driving track with an urgent bassline powering all through the song while spaced out strings develop. The B-side’s “Kopstoot” is a pure funk workout in the Detroit tradition while “De Fles” builds a stack of airy pads on top of a playful question and answer bass riff to maximum effectiveness.
After two big EP’s, DJ/producer powerhouses Steffi and Martyn team up once again for their debut LP on 3024! Punchy, straight forward house and techno with a broken twist and beautiful layers of melodies and sound, dedicated to those who feel.
Cute Heels is the solo project of Victor Lenis, a contemporary artist living in Barcelona, Spain. He grew up in Bogotá, Columbia during the 1990s, surrounded by the radial punk scene. “Third Skin” is a 4-track EP that connects the dots between Detroit techno, early Chicago house and Belgium electronic body music. Inspired by equal parts Liaisons Dangereuses, Drexciya and Black Devil Disco Club. On the A-side are two fresh compositions recorded in 2015. “Third Skin” kicks things in a metallic EBM funk with a pounding bottom end. “Lipstick Information” takes the listener on a dark, psychedelic and twisted journey through thrillingly intense arpeggiations. On the flip we present two remixes. The first is from Steffi and the second remix comes from Michel Amato aka The Hacker.
Dutch power duo Doms & Deykers a.k.a Steffi (Steffie Doms) and Martyn (Martijn Deykers) step up to the plate with a brand new action packed offering. Following up their “Fonts for the People EP” and their track “Whirling” on Ostgut Ton’s Zehn LP, the two take their continuous collaboration to a new level. The three tracks on “Dedicated to those who feel” see Steffi and Martyn recognizing their respective strengths, combining their 90s heritage with a vision of the future, modern techno soul with all its flaws and bright euphoric moments. “Dedicated to those who feel” serves as the introduction to a full length Doms & Deykers LP, scheduled for later this year.
Blue Hour’s self-titled outlet launches a new remix series. Answer Code Request applies the driving hybrid techno-bass approach that has made him one of Berghain’s brightest stars to Blue Hour 002 title cut Axis Motive; Paris-based Tresor resident Marcelus offers an ethereal take that focuses on Blue Hour 003’s Reference 97’s more hypnotic elements; and Ostgut Ton’s Steffi is perfectly matched to the third EP’s Moments, employing her signature sound that similarly offers a timeless anthemic quality to the original…
Its been zehn years, ninety-two 12”; EPs, twenty albums, fourteen DJ mixes, seven Unterton releases, two compilations, one 7 single and one cassette. Within this time, Ostgut Ton has grown as a label not only in terms of catalogue numbers and musical variety, but also in terms of experience, professionality and as a musical haven for Berghains and Panorama Bars residents.
The return of the Third Side trio to Berlin’s foundational Restoration imprint. The Analogue Cops, Lucretio and Marieu, are back on their old moniker with Panorama Bar resident Steffi, with their loose, dusty house-techno hybrids after over a year of hiatus. “Bearing All Gifts” opens the EP with a penetrating techno pulse surrounded by the group’s familiar bundle of circling industrial electronics; the B-side goes more hypnotic thanks to the excellent groove of “Opening The Jar”, and “Elpis” makes for a fine closing tune thanks to its subtle swirls of 303, mid-tempo kicks and intricate bundles of hardware noise.
Steffi revisits her Power Of Anonymity album with three completely new versions of ”JBW25” by Further Reductions and Answer Code Request. Brooklyn-based duo Further Reductions left a big impression on Steffi with their 2014 Woodwork LP on Cititrax. Now Shawn O’Sullivan and Katie Rose turned ”JBW25” upside down and inside out. The original version’s hypnotic synth bleeps are still there, but rhythm-wise Further Reductions live up to their name: Their version is a stone-cold and arhythmic interpretation of ”JBW25” with additional vocals, pushed to the absolute fringes of dancefloor compatibility. Berghain resident Answer Code Request contributes two versions to this release: While his ”Vision” adds a tough drum beat, percussion and a stronger focus on the Ambient textures of the original, his ”Revision” is more break-heavy, melodic and dreamy while setting a darker tone and mood overall. With the original version and its Techno and Electro drive this 12” comes full circle a good fit for record bags travelling to various party settings and moods.