After almost three years, we are back in Berlin. No plans this year, we just booked some flights and let Berlin do it’s magic.
Friday we will go to Tresor and meet our fellow Romanian DJ, who moved recently to Berlin, Aleksa Alaska. She is playing in the Globus Room with Patrick Russel, Ploy and No Moon. In the basement will be a bit hectic with Makaton, Manni Dee, Hurtado and SDX.
Starting Saturday night, in Berghain is the Phase Fatale ‘Scanning Backwards’ album release party with Phase Fatale of course and SΛRIN (live), Boris, Broken English Club, Reka, Silent Servant, Unhuman and Vulkanski.
Upstairs in Panorama Bar in the line-up are Lord Of The Isles (live), Âme, Cooper Saver, Lauer, Or:la, Orson Wells, alongside residents Paramida and Tama Sumo.
Banging electro hybrids by L. Sangre and Silent Servant with a new Orden Extática.
The album ‘Montagne Trasparenti’ by Alessandro Adriani, originally released in 2016 on Monofonus Press, is now repressed on Mannequin Records with a full new graphic design. This is the preview of the album, an EP featuring the track ‘Fuoco’ and a remix by none other than Silent Servant.
With just a few days from the current year left, I’ve compiled a list of 20 albums from 2018 that I enjoyed this year. Among these I have to highlight the much anticipated Mutant Beat Dance debut album, the first ever album from Gerard Hanson under the E.R.P. project, a new Gerald Donald project and a compilation of unreleased Heinrich Mueller remixes, a Silent Servant follow-up on Hospital Productions, a very interesting Fred Ventura compilation of unreleased house tracks, a new Lebanon Hanover, the beautiful debut album of Curses, the impressive Eindkrak album and the debut album of the Romanian producer Șerb.
The list is compiled in chronological order.
Eindkrak – Brullend Staal [Unknown Precept]
Now-legendary producer, DJ, and art director Juan Mendez arguably reset techno at least twice. Once with his surreal and Europe-by-way-of-LA ’80s surrealist apocalypse culture aesthetics for Sandwell District, and again–as Silent Servant–with his “Jealous God” imprint that captured the youth-driven mutation of crossover electronics and dark parties churning in the American underground, which followed directly in the wake of his game-changing modern classic, Negative Fascination. Mendez has evolved to more aggressive and stripped-down acid punk electro dance attacks on Silent Servant’s equally vital follow-up, Shadows of Death and Desire. While many would stall after the success of a now contemporary cult classic, Mendez took his time to deliver a more raw–yet refined–brutalism in his second album.
vinyl / CD