Sepehr – Shaytoon [DE-277]

Dark Entries welcomes back San Francisco based DJ and producer Sepehr Alimagham for his debut album ‘Shaytoon’. Drenched in nostalgia from his upbringing, ‘Shaytoon’ pays homage to 1970s Iranian albums that were on rotation throughout his youth. Eight tracks of twisted acid, left-of center electro, sludgy psychedelia, and things-you-can-maybe-call-techno are a few of the sonic elements found within. Regular listeners will find Sepehr’s signature perspiratory dance-floor vibe, but some songs also showcase a low-slung, cerebral approach. Sepehr’s unique sonic palette carves an interesting space in the dance music world by harnessing the spirit of his cultural ancestors. The artwork pays tribute to ‘70s Iranian pop and funk albums with bold Farsi calligraphy and portraits by Sahra Jajarmikhayat. In relation to the music, the album cover creates a dichotomy much like Throbbing Gristle’s ’20 Funk Jazz Greats’.

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Sepehr – Shaytoon [DE-277]

Atoloi – Papier d’Armenie [AURALTD004]

Aura Dinamica continues its exploration into hypnotic, wide angle Techno with a dense eight track missive from Italian producer Matteo Ghiringhelli’s new project Atoloi. In equal parts subdued & transcendental, the album pairs intricate, polyrhythmic drum work with carefully executed and gently undulating atmospheric motifs to generate a moving and immersive listening experience.

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Atoloi – Papier d’Armenie [AURALTD004]

LF58 – Alterazione [AI-19]

Neel reveals debut collaborative album with Filippo Scorcucchi under their LF58 alias on Astral Industries. Alterazione presents a critical statement – distinguished by its technical execution and breathtaking artistry. The album itself is a cathedral of sound, each cavernous chamber an exploration of space and consciousness. Presented in four movements (one track per side), altogether they extend as a transportive experience of evolution for the listener. Iniziazione – a steady departure that unfurls like the opening of a portal; a process of molecular transfiguration commences. Panoramic landscapes begin to stretch wide, glistening with an exotic beauty, before the shamanic incantations of Rituale draws things deeper. Pulsating rotations push through the next phase of transformation, now drenched in hyperspace white-noise. The procedure continues through the quiet ethereal orbit of Metamorfosi, before finishing with the three-part Evocazione/Contatto/Risveglio; uplifting synth motifs drive forward with optimism, before fading back into the great expanse. Alterazione is both cerebral and meditative, and one cannot help but be pulled at the core by its potency.

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LF58 – Alterazione [AI-19]

Malcolm Strachan – About Time [HRLP004]

Scottish trumpeter Malcolm Strachan is a founder member of top UK funk/jazz-funk band The Haggis Horns as well as being one of the busiest session musicians in the UK today. After a professional career spanning 20 years, now he’s finally releasing his first solo album, aptly titled “About Time”, on Haggis Records and he’s going back to his original roots… Jazz. The album is a collection of original compositions, all written and arranged by Malcolm, which are firmly rooted in the classic acoustic modern jazz style typified by the great 60’s and 70’s recordings on the legendary Blue Note Records label. A nice variation of themes and tempos feature throughout the album. From full-on latin vibes to beautiful ballads, soul jazz grooves to cinematic soundtrack flavours, all woven together by a great group of experienced musicians.

vinyl / CD

Malcolm Strachan – About Time [HRLP004]

Mowgan featuring Solo Sanou – Soya [MOW002]

Mow Records unveils its second album. A further exploration of label head Mowgan’s penchant for house music and authentic African sounds, ‘Soya’ features percussion and vocals from Solo Sanou, an artist whose roots lie in Burkina Faso – though he’s based in Toulouse, where the album was recorded. Comprised seven Afro house cuts that utilise organic instrumentation and Solo’s raw, emotive voice, the album is the second installment in a series of five long-players recorded by Mowgan in the space of a year. This new LP goes deep into the heart of Africa’s rich musical culture, delivering contagious rhythms, rousing atmospherics and a pure, organic, unadulterated sound that has been cultivated through electrifying jam sessions at Mowgan’s studio.

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Mowgan featuring Solo Sanou – Soya [MOW002]

Cucina Povera – Tyyni [LSSN067]

Tyyni is the third album by Finnish-born sound artist and musician Cucina Povera aka Maria Rossi. The second album recorded using a more studio-based scenario – as opposed to last year’s Zoom, a collection of in-situ, spontaneous recordings – Tyyni feels like a slowly unfurling mediation on the clash between nature and mechanical living, a rumination on the complexities of modern life that begin to unveil more about the inner landscape of the artist as it progresses. A Finnish word referring to still, serene weather, the title belies a new note of turmoil in Cucina Povera’s soundworld. Tyyni represents a more detailed focus on the sculpting of sounds that curl around Rossi’s hymnal vocal performances. It’s a more adventurous work than Rossi’s previous output that goes further into noise elements and vocal abstraction while maintaining the balance and ecclesiastical ecstasy of her debut Hilja.

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Cucina Povera – Tyyni [LSSN067]

Legowelt – Tips For Life [NW023] FREE DOWNLOAD

Recorded at the North Sea Institute for the Overmind in Scheveningen Holland.
“Yesterday I released a free/pay-what-you-want album on Bandcamp called TIPS FOR LIFE to hopefully brighten your days up a bit. Its Nightwind Records NW023 and its got 12 tracks on it ranging from Slowjam Memphis Rapbeats to Poldertechno and everything in between” – Legowelt

Legowelt – Tips For Life [NW023] FREE DOWNLOAD

Aural Indifference – The Sound of Indifference [MW071]

Minimal Wave presents The Sound of Indifference, a rare cassette released in 1981 by Aural Indifference. Aural Indifference was a post-punk studio collective from Sydney, Australia. The two principal members were Brian Spencer Hall (the M Squared in house producer) and Kevin Purdy. The cassette album, The Sound of Indifference, was released in 1981, featuring tracks such as “Theme”, “Park, and “Man Am I Progressive”. Their sound ranges from minimal synth, to post-punk to quirky guitar-driven electronic folk music, some of it resembling John Maus. “Theme” appeared as the closing track on The Minimal Wave Tapes: Volume Two compilation and “The Park” appeared on The Bedroom Tapes compilation.

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Aural Indifference – The Sound of Indifference [MW071]

Sleeparchive – Trust [TRESOR316]

Throughout his career, Roger Semsroth has followed a deep intuition for experimentation in sound, wrapping club music around eerie microtonal motifs and industrial sensibilities. This new work for Tresor takes a step forward, as the first true techno album from Sleeparchive, where his previous LPs have exhibited themselves more conceptually, or under di erent names and his Nord Vest label. Semsroth has been active in electronic music since the late 90s. He received initial attention first for his electro productions under the alias Skanfrom and the 80s minimal synth inspired Television Set. These projects echoed his love for these sounds, which the East Berliner had steadily immersed himself with after the end of the GDR. Upon hearing the bleeps of Mika Vainio and Plastikman, he began to engage with his strain of techno. Over the last decade, he has focused on his Sleeparchive alias, which dates back to 2004. Alongside close friend DJ Pete, he performs live techno as TR-101. His relationship with Tresor began in 2011, first releasing the Ronan Point EP and following up with the crucial A Man Dies In The Street series in 2013. With this new album, Sleeparchive’s impact on the techno sound is ever more relevant. Awaking in constant locomotion, locked-in, unrelenting and dry. Sleeparchive’s churning loops etch visions of tight minimalism at times densely frenetic and others serenely galactic. This predilection continues throughout the four sides on the album, eschewing conventional arrangement styles with gradual probabilistic change. Tracks such as ‘Needle’ and ‘Peccant’ o er up precise, sinewy techno. ‘Leave’ recalls the Detroit sound of Terrence Dixon, with its cascading synth tones and droning atmospheres. The album closes with a di erent version of ‘Trust’ to that found on last year’s Revised Recordings EP released on Tresor, with its now-familiar nerve-inducing pizzicato strings even more at the fore with its mechanic delivery.

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Sleeparchive – Trust [TRESOR316]

D.K. – The Goddess Is Dancing [GMV05]

Pivotal Parisian producer Dang-Khoa Chau aka D.K. pays sublime tribute to ancient Vietnamese spirit possession ritual, Hau Dong, on a fresh first vinyl edition of his 2019 cassette for Good Morning Tapes. ‘Goddess Is Dancing’ is a 40 minute trip that revolves around a handful of pieces of lilting, thmelodic percussion and aqueous atmosphere expressing D.K.’s imaginary interpretation of music used in Vietnamese ritual music. It unfolds as a ceremony in five parts honouring the mystical goddesses of Forest, Water and Heaven, with music both relaxing and energising in a way that’s intended to aid dancers’ transmogrification from human vessels into spirited beings.

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D.K. – The Goddess Is Dancing [GMV05]

Versalife – Manifold [VIS320]

Following two well received releases on 20/20 Vision – ‘Machine Life’ & ‘Asimov’s Code’ Versalife returns to the label with his latest album ‘Manifold’ serving up futuristic electro with signature emotive synth work to trigger the imagination. The Dutch producer Boris Bunnik aka Conforce continues his dystopian journey with auditory echoes of a cosmic abyss. Peppered with moody tones, deep bass lines and robotic funk, ‘Manifold’ navigates the future landscape in true Versalife fashion.

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Versalife – Manifold [VIS320]

Raviv Gazit – Ze [FTNLP008]

Fortuna Records return with an exceptional reissue of a mid-80s early electronica LP by keyboardist Raviv Gazit. The album was composed entirely on the Synclavier synthesizer in the basement of the Tel-Aviv University in 1985. Gazit was ahead of his time composing cold yet blissful electronic music for film and theatre which he later released as an album. An unexpected yet extremely welcome addition to Fortuna’s killer catalog.

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Raviv Gazit – Ze [FTNLP008]

The Chi Factory – Travel in Peace [AI-18]

Following the death of his one-time Chi Factory partner J. Derwort in February 2019, Hanyo van Oosterom went back to Patmos, the magical island where they once recorded their most famous works, armed with some of the artefacts and hand-built instruments they’d collected together. While there, he made the field recordings and musical sketches that form the backbone of “Travel In Peace”, Oosterorm’s emotional final album as Chi Factory. Poignant, atmospheric, melancholic, dreamy and otherworldly with a genuine sense of time and place (you can almost smell the surrounding flora and fauna), the album’s two lengthy tracks – collages of interlinked sketches and recurring musical motifs – are fittingly fantastic. As curtain calls go, we can think of few better.

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The Chi Factory – Travel in Peace [AI-18]

Organisation – Tone Float [ISPLP2201]

Pre Kraftwerk, Florian Schneider and Ralf Hütter formed Organisation in 1968. Their music was a mixture of sounds, feedback and rhythm, with the line up being Fred Monicks on drums, Butch Hauf on bass, Basil Hammoudi on percussion, Florian Schneider on flute and violin and Ralf Hütter on organ. The original sales were poor but nowadays it is highly sought after, also because Ralf Hütter and Florian Schneider later continued as Kraftwerk, and became one of the most important electronic music formations ever.

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Organisation – Tone Float [ISPLP2201]

NiKiT – Radar [EE030RTM]

‘Radar’ by Parisian DJ and producer NiKiT is Electronic Emergencies’ first release in 2020. Two years after his debut, NiKiT has once again delivered a stunning mini-album. His idiosyncratic and particular style within the realm of techno flirts with electro, and sometimes even has a dubby touch. Compared to his debut ‘Arcanes’, NiKiT’s sound has expanded and is more spacey, while staying powerful and very danceable.

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NiKiT – Radar [EE030RTM]

Fotoplastikon – Kontury [ENDILLP01]

Poland, early 80’s. Lieutenant Miosz Szwajcer is assigned to the young student’s murder case. Struggling with his personal life and unclear releationship with recently murdered young woman, he tirelessly chases the psychopathic killer. Things are darker than they seem. Strange things soon begin to occur. He must decipher the reality from his delusions, phantoms and supernatural phenomenons. Pieces of the puzzle indicate that the new violent crime is being planned. The race against time is on. Original score from obscure Polish movie ‘Kontury’ (1984), directed by Lucjan Kut. Remastered from the original tapes.

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Fotoplastikon – Kontury [ENDILLP01]

Carl Finlow – Apparatus [VIS317]

Carl Finlow returns with a double vinyl 8 track album on 20/20 Vision. ‘Apparatus’ is a forward thinking album that reflects Finlow’s return to live touring with many tracks hitting harder and darker, pushing his electro sound into new directions and soundscapes. The album means business from the start, kicking off with the title track, ‘Apparatus’, a no-nonsense assault on the system with fast tight drum programming, heavily vocoded vocals and powerful synths. The pace continues on the record with ‘Bind’ and ‘Carbon Deposits’, Structure’ but there are also pure electro cuts like ‘Differential’ and moody grooves in ‘Ampere’ and ‘Viroids’.

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Carl Finlow – Apparatus [VIS317]

Victor Cavini – Japan [BEWITH076LP]

The first Be With foray into the archives of revered German library institution Selected Sound is the super in-demand Japan from Victor Cavini, originally released in 1983. Rare and sought-after for many years now, this is one of those cult library LPs that never turn up. With Daibutsu the giant Buddha of Kamakura’s presence gracing the hefty front cover, this is a record bursting with dope samples for adventurous producers: it’s koto-funk madness. Victor Cavini was the library music pseudonym of prolific German composer and musician Gerhard Trede. He was known for exploring instruments and styles from around the world (he played over 50 different instruments himself) and Japan is his collection of 14 musical sketches painted with traditional Japanese wind and string instruments. These are the sounds of traditional Japanese folk music re-interpreted through Western ears, with the occasional contemporary twist. Contemporary for 1983, of course.

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Victor Cavini – Japan [BEWITH076LP]

The Heliocentrics – Infinity Of Now [MMS037LP]

The UK’s cosmic, psychedelic-funk ensemble issue their first album on maverick producer Madlib’s label, Madlib Invazion. The Heliocentrics’ albums are all confounding pieces of work. Drawing equally from the funk universe of James Brown, the disorienting asymmetry of Sun Ra, the cinematic scope of Ennio Morricone, the sublime fusion of David Axelrod, Pierre Henry’s turned-on musique concrète, and Can’s beat-heavy Krautrock, they have – regardless of the label on which they’ve released their music – pointed the way towards a brand new kind of psychedelia, one that could only come from a band of accomplished musicians who were also obsessive music fans. Drummer Malcolm Catto and bassist Jake Ferguson are the Heliocentrics’ masterminds and producers, and they are obsessive weirdos in today’s musical climate, searching, progressive humans who are often out-of-time with current trends. They have been playing together for nearly two decades and their collective drive is to find an individual voice. The Heliocentrics search for it in an alternate galaxy where the orbits of funk, jazz, psychedelic, electronic, avant-garde and “ethnic” music all revolve around “The One.” With Madilb’s label Madlib Invazion for Infinity of Now, the Heliocentrics have returned to develop their epic vision of psychedelic funk, while exploring the possibilities created by their myriad influences, Latin, African, and more.

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The Heliocentrics – Infinity Of Now [MMS037LP]

Delroy Edwards – Slap Happy LP [LIES150]

Delroy Edwards keeps the old school fire burning, returning to L.I.E.S. with a new 8 track lp titled “Slap Happy”. Once again this is back to basics, no punches pulled Chicago House worship, hitting all ends of the dance specturm. Sparse beat tracks, 80s synth stabs, 727 latin percussion…the elements are all there and put together in perfect form…many try but few can execute the vintage sound like this. What may even be Edward’s most mature release, it comes in a time when the roots of dance music have been forgotten to the grotesque trends of the day. This is a reminder of why we were drawn to this music in the first place and what it can sound like.

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Delroy Edwards – Slap Happy LP [LIES150]