Patrick Cowley – Mechanical Fantasy Box [DE269LP]

Patrick Cowley was one of the most revolutionary and influential figures in the canon of electronic dance music. Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study electronic music at the City College of San Francisco. By the late ’70s, Patrick’s synthesizer techniques landed him a job composing and producing songs for disco diva Sylvester, including #1 hit “You Make Me Feel (Mighty Real)”. Cowley created his own brand of peak-time party music known as Hi-NRG, also dubbed “The San Francisco Sound.” By 1981 Patrick had released a string of his own dance 12″ singles, such as “Menergy” and “Megatron Man”. That year, he co-founded Megatone Records to release his debut album Megatron Man. Meanwhile, Patrick was hospitalized and diagnosed with an unknown illness, which would later be named AIDS. Recovering for a spell, in 1982 he composed two more #1 hits, “Do You Wanna Funk” for Sylvester, and “Right On Target” for Paul Parker, as well as a second solo album Mind Warp. His life was cut short on November 12, 1982, when he passed away two weeks after his 32nd birthday from AIDS-related illness.
Mechanical Fantasy Box is a new collection of 13 unreleased songs recorded between 1973-80 released in tandem with Cowley’s homoerotic journal of the same title. What you hold in your hand is a collection of Cowley’s work from the years preceding his meteoric rise as a pioneer of Hi-NRG dance music. This was before drum machines. Before programmable, polyphonic digital synthesis, this is experimental music in every sense. Sounds flows from funk to kraut to psychedelic ambient electronics inspired by Tomita and Kraftwerk. As David Diebold stated in Tribal Rites, “Patrick Cowley parted the veil and entered a dark world of forbidden forces, wondrous musical panoramas and bold, strident, hopeful possibilities. Patrick brought the future to us and laid it at our feet.”
Proceeds from Mechanical Fantasy Box will be donated to the San Francisco AIDS Foundation, who have been committed to ending the pandemic and human suffering caused by HIV since 1982.

vinyl / CD

Patrick Cowley – Mechanical Fantasy Box [DE269LP]

Templebeat – Interzone LP [AHLP001]

Glad to rescue this authentic lost treasure from music genre. Templebeat, Italian group now extinct which moved between EBM and Industrial. The formation created in 1990, is part of the self-named second generation of EBM groups. Originally published on cassette in 1992 by label also Italian, Energeia.

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Templebeat – Interzone LP [AHLP001]

Massimo Carozzi – Night Shift [YER036]

Massimo Carozzi is a sound recordist, sound designer and musician based in Bologna, Italy. Since 1994 he has looked into relations between sound and image, sound and script, sound and literature, sound and space. Massimo Carozzi has created sound design for theatre, documentaries, short films, installations. As a musician he collaborated both in studio and on stage with various musicians and sound artists such as Andrea Belfi, Stefano Pilia, Margareth Kammerer, Valerio Tricoli, Claudio Rocchetti, Luciano Maggiore, Sinistri, 3/4HadBeenEliminated, Starfuckers. In September 2000 he founded the group ZimmerFrei whose artistic practice ranges from video art to documentary films, sound and environmental installations, as well as photography, performances, workshops and public art projects

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Massimo Carozzi – Night Shift [YER036]

Peel Seamus – Susurro [138DSR]

Delsin founder Marsel van der Wielen revives his Peel Seamus alias for a debut album proper. The leading Dutch techno label began in 1996 with a cassette-only Peel Seamus release, Publik Draft, which Van der Wielen primarily distributed through early online channels of communication. There was a small flurry of 12″ releases from the project around the turn of the century, but for a long time Peel Seamus has been quiet. Now Van der Wielen has gathered together tracks from his archives, mostly written and recorded circa 2000, to present the Peel Seamus debut album proper, Susurro. Rooted in the classic Detroit and European techno that Delsin’s identity is forged on, it’s a deep, rich listen laden with heart and soul to match the mechanics of Van der Wielen’s chosen tools – a masterclass in expressive electronics and a fascinating insight into the musical DNA behind one of the world’s finest techno labels.

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Peel Seamus – Susurro [138DSR]

Vortice Mortale – Memento Mori [W07]

Half of the dark synthwave duo The Hunt, Herbert West aka Jerome Lesterps is a French electronic producer heavily influenced by 70’s and 80’s horror soundtracks. This artist tends to use vintage, analog and modular synths. Vortice Mortale is his new project in which he mixes space disco and dark synth music. It is clear as water that Herbert West loves Italian horror movies and French disco music of the past decade considering that this work “Memento Mori” is perhaps a perfect combination of powerful beats, enigmatic passages and wicked catchy melodies.

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Vortice Mortale – Memento Mori [W07]

Boytronic – The Robot Treatment [MM0007]

After a ten year hiatus, original Boytronic vocalist and songwriter Holger Wobker (ex – Kamerata/Beachead), returns with the former Boytronic frontman James Knights (Scarlet Soho/KNIGHT$) to release the brand new Boytronic album, The Robot Treatment.

vinyl / CD

Boytronic – The Robot Treatment [MM0007]

Animistic Beliefs – Mindset:Reset [SOM049]

“Surfing on the crest of a whirlwind year, Animistic Beliefs are releasing their 8- track debut album Mindset:Reset on the inimitable SolarOneMusic. The duo has utilized their bespoke setup and expansive list of influences to create a contemporary electro record”.

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Animistic Beliefs – Mindset:Reset [SOM049]

Autumns – Shortly After Nothing [DEATH007]

Death & Leisure announces the sophomore album from Autumns. 6 tracks of raw sneering electronics. Autumns is the solo project of Christian Donaghey, from Derry, Ireland, an outlet for electronic post-punk with a lethal pulse. Preceding releases for Clan Destine Records, iDEAL Recordings and DKA Records have seen the project engaged in a rough trade of transgressive noise, dysfunctional metal dance and DIY punk angst, yet each of these milestones has represented a different proposition. 2019 see’s Autumns’ experimentation in the studio go much deeper, with the release of his sophomore album ‘Shortly After Nothing’ on Oliver Ho’s (aka Broken English Club) innovative ‘Death & Leisure’ label.

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Autumns – Shortly After Nothing [DEATH007]

Stump Valley – Natural Race [DKMNTL072]

Stump Valley now pop up on Dekmantel. The committed Berlin based studio outfit head into new areas after their previous work on Uzuri, Off Minor, Dopeness Galore and No ‘Label ( that already had them jumping around styles and influences). The label say ”Stylistic, enigmatic, and effortless. Stump Valley’s Dekmantel debut EP is a smooth melange of glossy soul, jazz, and serene house. Produced by the mysterious, and ultimately under-the-radar duo, the extended EP breezes through tropes of balearic analogue, warm Chicago sounds, yet remaining ultimately Italian. The duo, originally from Turin, prove their skills as true alchemists, as their forge hypnotic house and tropical flare through their array of drum machines, synths, and informed artistry derived from their deep stockpile of assorted records. Debuting they may be, but the Italian duo are no strangers to Dekmantel, having played at Dekmantel Festival, Selectors, and Lente Kabinet. Having released groove tracks across a whole spectrum of labels, Stump Valley’s reputation even precedes them. Throughout the EP, their sound echoes that of Prins Thomas, Larry Heard, and other select funk-driven Italian live producers that are making waves in the current scene. It’s a sound that’s permanently upbeat, radiant, and filled with joy. Berlin based vocalist and Max Graef collaborator Wayne Snow collaborates on vocal opener ‘Natural Race’, creating a slow groove, and funk-driven tempo. The music then veers into equatorial territory, as the duos’ uses of classic 707 and LinnDrum sounds evoke a sense of sunset grooves; the sound of Theo Parrish slowly winding through an Adriatic cocktail party. Further on and ‘Proletarians In Space’ reflects the producers’ more Detroit-like influences, with oscillating machine music. ‘Zoo Planet X’ takes the sound further, with dubby pads, and old-school kicks and hats, that transport the Turin-based artists across the Atlantic with their out-of-time sonic aesthetic.”

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Stump Valley – Natural Race [DKMNTL072]

Stiletti-Ana – Ab Ovo [HNR018]

Producer, drummer and sound engineer in all forms Stiletti-Ana aka Ilari Larjosto is known for his wide output in the world of cosmic, techno, leftfield, disco and ambient music. Stiletti-Ana keeps the main focus rather on timeless quality releases than searching for the hype. His new solo album “Ab Ovo” is the first full length Stiletti-Ana LP and represents his discoveries in the world of heavenly cinematic arpeggios, conga driven ambient and physical 3D drone compositions.

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Stiletti-Ana – Ab Ovo [HNR018]

Afrodeutsche – Break Before Make [SKALP035]

Afrodeutsche’s debut album ‘Break before Make’ comes on Skam label. Her polyrhythmic compositions integrate a wide array of musical genres, including Afrofuturistic electro and techno, classical solo piano and Detroit legacy house; all memorable journeys into deep, abstracted sound.

vinyl / CD

Afrodeutsche – Break Before Make [SKALP035]

Newworldaquarium – The Dead Bears [APE-LP02]

As Jochem Peteri returns his attention to the jewels buried in his back catalogue, including last year’s reissue of the 154 LP Strike, it’s a relief to know this understated rough diamond is getting the appropriate reissue treatment.

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Newworldaquarium – The Dead Bears [APE-LP02]

De Ambassade – Duistre Kamers [KH025]

Something was brooding in the furthest outskirts of Amsterdam. The isolated concrete suburbs of the western part of the city constituted the ideal dwelling place for the writing of De Ambassade’s debut album Duistre Kamers. Pascal Pinkert, accompanied by bass player Timothy Francis, searched for new horizons and managed to find them on this next chapter in the evolution of De Ambassade. Icy electronics display a love for NDW, ragas and raves. Beneath the surface lies a deeper Dutch language narrative celebrating free speech and thought, starkly in opposition with a world where alienation and solitude create ever more distance between all beings. After releasing two, by now classic 7” ep’s, a long player will shine brightly. The album release will feature a long awaited live performance with additional band member Mian.

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De Ambassade – Duistre Kamers [KH025]

AIR LQD – Repeat Itself [PRECEPT017]

Long overdue, here comes AIR LQD’s first full-length player, “Repeat Itself”, making up for the direct follow-up of his acclaimed vinyl debut released on the label in 2016. Mixing science fiction, social criticism and punk ethics in the most cryptic fashion, the latest entry in the discography of the taciturn Belgian groove-maker sees him pushing further his electronic experimentation. Delving into the meanders of the human consciousness through hazy and abrasive rituals, brainpowered by robotics, artificial intelligence and urban metamorphism. The weird looping echo of a man-machine drifting through a vortex of feral scratches and overworked machinery. Slowly moving towards the event horizon of a supermassive black hole, leading to unexpected aural aberrations full of hidden, past and new meanings. Giving a last disillusioned glance at our human condition facing technological progress and the toxicity of the outside world.

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AIR LQD – Repeat Itself [PRECEPT017]

Kris Baha – Palais [CDALP003]

‘Palais’ is a 12 track multi-faceted exploration of Kris Baha’s musical sensitivity. The one man band’s namesake LP title, ‘Palais’ is based around the concepts of alienation, detachment, melancholia and lust. All songs written, performed, recorded and mixed by Kris between 2015 – 2018 in Berlin, laced in his signature industrial sound. ‘Palais’ encompasses a range of shades from dance-floor works ‘ Living Nothingness’, ‘Brink Reality (Part 2)’ & ‘Non For The Sane’ to experimental cinematic undertones ‘You Told Yourself This Would Get Worse’. Also embodied are modern classics like the machine funk metallics of ‘Steel Sands’ and ‘Defied’, a year 2042 cyber punk hit. There’s even a dark room inspired theme for the black leather lovers. From his own batch of psychedelia to post-punk and electronic romanticism this album is full of surprises and we at Cocktail d’Amore Music are absolutely proud to present this outstanding work.

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Kris Baha – Palais [CDALP003]

Jeremiah R – Tales from the Dark Reef [DW002]

Long before the electro revival sent producers scurrying into the studio to create their own Drexciya-inspired jams, Jeremiah R was ploughing his own intergalactic furrow for labels including Tabernacle, BAKK and Voodoo Gold. As this fine mini-album shows, he remains one of the most consistent electro producers in the business. The genius of “Tales From The Dark Reef” lies in the long-serving producer’s ability to craft shimmering, sci-fi focused electronic music that takes the aesthetic appeal of the best electro records – the intergalactic aural textures, sci-fi intent, skittish rhythms and futuristic synthesizer sounds – and applies them to a variety of Detroit and Chicago-influenced grooves and soundscapes.

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Jeremiah R – Tales from the Dark Reef [DW002]

The Nat Birchall Quartet – The Storyteller: A Musical Tribute to Yusef Lateef [JMANLP115]

With 20 years passing since his first foray into recorded jazz, Nat Birchall now ranks as one of the premier saxophonists of his generation. With several highly acclaimed albums in the locker, he now returns with his most ambitious project yet – a tribute to the legend that is Yusef Lateef. ”When Jazzman Gerald first mentioned to me the idea of doing an album as a tribute to the jazz giant Dr Yusef A. Lateef, my first thought was ”Where on earth do I start?” Lateef was such a colossus of music, and his scope so broad, that I couldn’t hope to begin to cover his musical universe. He was a master of the tenor saxophone, a master of the flute, a master ballad player, a master blues player. Not to mention his skills as a composer and arranger and of course his exploration and use of musical methodology and instruments from all over the world.” ”I’ve always been a great admirer of Lateef, and the challenge was intriguing, so I decided to give it go. We interpreted some of his own compositions (Brother John, Morning & Ching Miau) as well as some compositions by others that he made his own by careful arrangement and interpretation (Love Theme from Spartacus, Ringo Oiwake). I also wrote some original songs that, while certainly not written in his style, might be said to fall into his very broad approach to music making.” ”I also wanted to utilise as many different instruments as possible, something I hadn’t explored too much until this album. So it was a nice opportunity to finally get around to playing some of the many small instruments I’ve collected over the years; the Turkish zurna, the mbira from Zimbabwe, the balaphon from Mali and the arghul from Egypt. We have also tried to use varied time signatures in the music, so we have songs in 3/4, 5/4 and 7/4 time, as well as the standard 4/4.” ”Ultimately the best music tells a story to the listener and takes them to places they might not have imagined themselves. Yusef Lateef certainly did that, and as such was a master storyteller.” Nat Birchall

vinyl / CD

The Nat Birchall Quartet – The Storyteller: A Musical Tribute to Yusef Lateef [JMANLP115]

Free Range – King Of Snake [OE01]

Uniting under the moniker of Free Range, prolific US underground producer Matt Weiner (2MR, Night People) and Lithuanian experimentalist Ernestas Sadau (Pinkman, Digital Tsunami), provide Osàre’s first release with ‘King of Snakes’. A lovingly sludgy collaboration, the record mixes DIY electronics, droning atmospheric and space-inflected new wave influences, underscored by a surrealist edge glimpsed in track titles such as ‘Relax, It’s Just Eggs’ and ‘Washing Machine Speaking’. Osàre is the new label from Elena Colombi and this is the debut release.

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Free Range – King Of Snake [OE01]

Paranoid London – PL [PDONLP002]

When it comes to jackin’ Chicago style acid house revivalism, few can hold a candle to Paranoid London. As this long-awaited second album proves, the duo is the undisputed masters of sweaty, TB-303 driven jack-tracks and – as recent single ”(Vi-Vi) Vicious Games” and LP opener ”Starting Fights” prove – classic-sounding vocal cuts that recall the glory years of Fingers, Inc in the mid-to-late 1980s. Interestingly, ”PL” boasts far more collaborations than we’ve seen from Paranoid London before, including a string of ragged club cuts blessed with evocative spoken word vocals, a thrusting acid throb-job with lead vocals by Simon Topping and a suitably twisted, machine-driven hook up with Arthur Baker and Alan Vega (the raw and weighty ”Angel Of Hell”).

vinyl / CD

Paranoid London – PL [PDONLP002]

Lerosa – Bucket Of Eggs [ATLP10]

Leopoldo Rosa AKA Lerosa has been fighting against lazy categorization for years, offering up tracks that go way beyond the deep house sound he cultivated in the early years of his career. Those who still think he makes records like that should definitely check “Bucket Of Eggs”, his long-awaited second album, because it’s far more thrillingly wayward, off-kilter and alien-sounding than anything he’s released before. It’s rooted in house music – and twisted acid house, in particular – but also doffs a cap towards Rephlex style mutant electronica, turn-of-the-90s Bleep and Bass (the superbly weighty and spacey “Sheffield”), skewed electro (“Subterfuge”) and even deep space electronica (killer closing cut “Don’t Worry”). In a word: essential.

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Lerosa – Bucket Of Eggs [ATLP10]