
Original material, all tracks produced and mixed by Anatolian Weapons, March 2005.

Original material, all tracks produced and mixed by Anatolian Weapons, March 2005.

Cititrax presents ‘Scooterboys From The Pool’, the debut LP from Another Body Found, the latest project from A//, best known for his pioneering work as Le Syndicat Électronique. Emerging from the depths of the French underground, ABF fuses dark electro, industrial, minimal synth, and wave into a sound that is both stark and visceral. With a focus on raw energy and haunting atmospheres, the project strips electronic music down to its essence – mechanical, hypnotic, and unrelentingly evocative. Blending commanding rhythms with melancholic undertones, ‘Scooterboys From The Pool’ is a descent into shadowy textures and dystopian landscapes, where driving basslines meet icy, mechanical beats in a pulsing haze of underground spirit.

Swiss coldwave DIY collective Plague Pits deliver their third full-length ‘Escalator to the Abattoir’ on Young & Cold Records. “One skill that you master while working at an abattoir is disassociation. You learn to become numb to death and to suffering. Instead of thinking about cows as entire beings, you separate them into their saleable, edible body parts. It doesn’t just make the job easier – it’s necessary for survival.”

“Guanto nero” is the long-awaited new album by Ascending, including six great new Synthpop songs.

With ‘Beau Discours’, Orphia dives deeper into the shadows, crafting a sound where cold wave and electro collide in a saturated whirlwind. Darker, more organic, this six-track EP marks a major shift in his approach, designed as much for introspection as for the club. Far from a mere stylistic exercise, Orphia records on tape, pushes saturation to the limit, and lets the raw material breathe, capturing rough, grainy textures. The vocals, buried under distortion, remain minimal and sharp. Balancing tension and nostalgia, Beau Discours captures a sense of urgency, reflecting a chaotic era where analog and digital intertwine in a relentless dance. Dancing on ruins, embracing sonic violence, channeling rage into razor-sharp beats—that’s what Beau Discours is about. A record that seeks not clarity, but impact – between synthetic coldness and dancefloor fever.

The return of Roy Of The Ravers is always a moment for Emotional Response. Alongside, the infinitely heralded debut that was the 2 Late 4 Love EP in 2016 and the later Emotinium ’23 remixes, there has been the While Line Sunrise series examining the ambient, experimental electronics meets braindance techno releases that showcased lost archives from the late 90s to today, here reaching the 3rd installment with 2 EPs of more machine-driven acid funk. Following the grand expanse of double LP White Line Sunrise II and its subsequent double pack follow up White Line Sunrise II.I (Le Roy Soliel), III (3) aims predominantly for the dance floor.

In honour of fifty years in the performing arts—dating back to the founding of the legendary band The Pyramids in 1972—Idris Ackamoor proudly presents “Artistic Being” for Record Store Day 2025. This special recording features celebrated San Francisco actor, activist, and author Danny Glover, alongside renowned stage actress Rhodessa Jones.

Egyptian composer YUNIS’ Ninety Nine Eyes is a work that exists outside time—equally at home in the temples of antiquity and the neon-lit voids of speculative futures. This double-sided LP (Part I and Part II, 15:14 / 16:03) merges ceremonial percussion, interstellar synthwaves, and wordless incantations into a 31-minute ritual for the infinite. Born from a three-year metamorphosis between studio and stage, and rooted in a Takhmira (a Zar ritual poem), Ninety Nine Eyes channels the archetypal quest—a search for the “land where light is seated.” Its soundscapes evoke the grandeur of forgotten civilizations and the hum of celestial machinery: droning mizmar lines and drowning tombak and duff rhythms dissolve into maximalist synth storms; choirs of phantom voices rise like starlight through the static of ages. Structured like a Sufi Hadra, the LP’s undulating peaks pull at old ways of communing with the divine—Part I builds tension, a breath before the storm, while Part II erupts into unfettered synth-drenched trance, gates flung open—only the listener can close the circle through their own interpretation.

Reaching deeper into poetic vocals and textured sound, Jentlemen invites you into a rich, intimate darkness with their second album, Primitive Objects. Drawing from a background in poetry and influenced by Detroit and Den Haag techno/electro, Primitive Objects is a brain dance for those desiring something between dark ambient and techno-adjacent. Spoken word vocals float on top of deconstructed percussion and delicate melodies, and ask to be savored at the speed of a monologue while in deep space hypersleep. Lyrics hone in on personal experiences with impermanence, change, and the spiritual, calling on listeners to increase their capacity not only for grief, but also for stories of how to be remembered and how to remember. An apocalyptic journey, Primitive Objects offers hope that what we lose will compost into something beautiful. Two remixes from M Parent and Scotia bring Primitive Objects from brain dance to body dance—first, with a guttural and slithery acid experimentation of “Starting Over,” then ending with a cocktail of expansive femme acid and elegant vocals.

Since emerging from Thessaloniki’s underbelly in the mid-2010s, Endlec has carved out a reputation for punishing, no-frills techno rooted in the discipline of the 90s. Self-released on his Renegade Methodz imprint, this debut album spans a full decade of experience, pulling together tracks made between late 2023 and October 2024.

‘Four Seasons in Kyoto’ marks the final chapter of The Kyoto Connection’s Ambient Japanese trilogy, following Postcards (2018) and The Flower, The Bird and The Mountain (2022). Like its predecessors, this album pays homage to the pioneering ambient and environmental music movements of 1980s and 1990s Japan. The album unfolds as the imagined soundtrack to life in a quiet rural village, where nature and tradition shape the rhythm of everyday existence. Across 15 evocative compositions, The Kyoto Connection captures the essence of Japan’s ever-changing seasons, weaving together delicate melodies and immersive soundscapes. With contributions from friends and fans in Japan, Four Seasons in Kyoto is both a tribute and a transportive listening experience from producer Facundo Arena, the composer and producer behind The Kyoto Connection.

Cult icon Bill Converse trots back to Dark Entries with ‘Trust’. Converse has honed his craft since the early days of the Midwest rave scene, absorbing lessons from luminaries like Claude Young and Traxx. His skill as a producer has been cemented with releases on labels like Dark Entries, Fit Sound, and Obsolete Futures, and his prowess as a DJ has been witnessed on floors worldwide. In recent years, Converse has also pushed audiences to their lysergic limits with his sinewy and kinetic live sets, which pair classic analog boxes like the Roland TB-303 with cutting-edge modular synthesis techniques. The 7 tracks on Trust pick up the wild energy of these live hardware explorations, channeling the splayed beats of Chicago’s Relief Records, the acidic grit of Midwest techno like Woody McBride’s Communique Records, and the hypnagogic hooks of Artificial Intelligence-era IDM. According to Converse, the abrupt changes and off-kilter rhythms are “an effort to facilitate or express trust-making in the listening experience. I want some degree of give and take with the listener.” This process makes Converse’s sound truly singular, the kind of aural landscape that can only be conjured through a lifetime of crate-digging and analog abuse.

“Chacha” is the third album from one of the most groundbreaking European acts of the moment. Schulverweis, the collaboration between the prolific Levente Pavelka and the elektro enfant terrible Johannes Haas (aka L.F.T.), delivers an exceptional blend of eerie, lo-fi post-punk. This album breathes new life into an otherwise seemingly explored genre, making it an undeniable must-have for collectors drawn to the experimental edge of darkwave sounds.

“Futurespective” is a remastered compilation featuring the very best releases from the iconic Bulgarian band Les Animaux Sauvages. For the first time ever, these timeless tracks are available on vinyl.

A flawless debut album from the Greek Synth EBM duo Valisia Odell.

‘End Beginnings’, the new album by Sandwell District, is the collective’s first new music since the tragic death of Juan Mendez (Silent Servant) in January 2024. Mendez’s stunning artwork and visuals have always been a central pillar of Sandwell District; in fact, he worked on a piece titled ‘End Beginnings’ – now the title of the third album and a tribute to their late friend. ‘End Beginnings’ invites new recruits – Monic, Rivet, and Sarah Wreath – and brings together towering techno and mind-blowing dancefloor dynamics, a masterful combination of innovation and ecstasy. It’s as deep, sturdy, and hypnotic as you would hope from the unit that invoked a sea change in techno and related club music during the 2000s and early 2010s.

Whether or not you’re a believer, the Gospel stands for the good news. ‘The Gospel Of Jesamy’ by Arp Frique & The Perpetual Singers is a personal good news journey ignited by the birth of a girl named Jesamy, Arp Frique’s daughter. The Amsterdam-based multi-instrumentalist, composer and producer returns with a new record full of gospel funk inspired by his offspring. The lesson is simple and universal: we are all in need of love, unconditional love. This new album is a deep journey in 7 tracks, where Arp Frique channels his love for organic, funk-based music full of obscure synths, bubbly basslines and swirling guitars to bring a new-old hybrid which could be described as P-funk meets gospel-disco. Legendary vocalists abound in this Gospel: Dennis Bovell channels his inner funkadelic on ‘Look Up Johnny’; diva Muriel Blijd takes a solo feature on ‘Father Father’; and longtime Arp-collaborator Mariseya joins the vocal squad throughout.

Leipzig-based icy dark electronic artist Rina Pavar unveils ‘six’ her second album. In ‘six’ “I delve even deeper into my very personal perception of my musical self. Songs about memories, visions and encounters flow into new sounds and beats … which I hope will touch and move the listener.”

Since his early days at Chain Reaction, K. Soublis (Fluxion) has carved his own unique style, combining elements of dub, ambient, techno, score, textural, and even jazz elements, all glued together with his distinct production aesthetic. Haze is a broad selection of pieces that was recorded between 2023-2024. The music is moving from more slow cyclic compositional pieces on Life Motif, Nexus, Desiderium, to ambient dub pieces, on Magenta and Touch, on to more euphoric and uplifting ones on Footsteps, Berlin and What Tommorow Brings, reflecting on artist’s need to tell stories. As a whole Haze showcases the artist’s versatility on moving and combining differentgenders with his own distinct crafted sound, bringing a bold always fresh unique view, making the album an indulging and intriguing listening experience as a whole. Fluxion has managed to constantly adding to his sound through the years always evolving and Haze is a testament of his restless nature and the artist’s need to move towards more uncharted territories without alienating the listener.

Jeff Mills’ Spiral Deluxe collective unveil their second album. Driven by the free expression and creativity of improvised performance, Spiral Deluxe is an electronic jazz fusion project comprised Jeff, along with legendary keyboardist Gerald Mitchell (Underground Resistance), Japanese rocker Yumiko Ohno (Buffalo Daughter/Cornelius) on Moog synthesizer and the Japanese bassist, adopted New Yorker, Kenji ”Jino” Hino – son of Terumasa Hino, the world famous jazz trumpeter. Together, the four key players formed a band centred around completely improvised journeys through sound.