
Beau Wanzer and Dan Jugel are Juzel. Strong 90’s Techno heritage on this stone-cold killer E.P for Anthony Parasole’s The Corner.

Beau Wanzer and Dan Jugel are Juzel. Strong 90’s Techno heritage on this stone-cold killer E.P for Anthony Parasole’s The Corner.

If you’ve been amongst the sweaty throngs worshipping at the altar of Alkan of a Friday or Saturday night over the past few months, you will no doubt have heard Erol laying down the oddball house stylings of “Balls Of Steel” by Beau Wanzer. So it’s little surprise to see the Nation and LIES artist one of the names called on to rework tracks from Alkan’s overdue debut EP Illumination. It’s even less of a surprise that Wanzer’s ‘adjustment’ of “Bang!” stands out, removing all the sharp edges and turning it into an effective techno bludgeoning tool that will shake sweaty basements apart. Don’t sleep on the A Side either however, as U’s version of “Check Out Your Mind” is even more twisted than the chopped up original.

Diagonal Records drop a slow-burning, psychedelic killer from Elon Katz and Beau Wanzer’s Streetwalker, backed with a powerful Silent Servant remix.

Latest installment of the limited series from the home of Ivan Drago. This one sees another split with Beau Wanzer back at the helm controlling the a-side with more heavy handed beat tracks made for mixing, while the b-side is a very nasty warehouse techno beast by NJB.

A collection of hits, misses, new loves, and future head scratchers running the gamut from floor ready beat tracks (Legowelt) to post chill out room bleep-hop (Daywalker & CF) to industro-wave anti beat experimentation (Svengalisghost) with no restrictions or limitations. As with last year’s American Noise compilation, disc one revists prime cuts from the nearly 30 releases the label will have released by the end of 2013, while disc two compiles unreleased tracks exclusive to this cd. A document of the immediate energy surrounding these musicians here and now, maybe one can call it club music for people who hate going to the club? or simply “Music for Shut Ins.”

The newly forged CGI label debuts with a 12″ release from Featureless Ghost, a Atlanta-via- Brooklyn duo hotly tipped with the online content farm after releases on the Crash Symbols and Night People labels. Describing themselves simply as ‘synths/rhythms/voices/moods’ the Featureless Ghost pairing of Matt Weiner and Elise Tippins occupy the crawl space between synth pop, wave, industrial and nascent forms of techno, which manifests itself in two intriguing original tracks in “Sugar coated” and “Cybersapien”. Kudos to CGI for the remix commissions too, with both Scott Fraser and Beau Wanzer excelling – the latter’s take on previous FG single “Flash” is a particular highlight here.

After totally missing the incredible CCCP 01, we are happy to have finally tracked down some of this illusive heat.. get it quick. blistering tracks from Chicago’s Beau Wanzer and Svengalisghost.

Chicago’s Beau Wanzer known for his work with Mutant Beat Dance and Streetwalker makes his debut on L.I.E.S. with his first solo EP. Wanzer who has been involved in the underbelly of American electronic music for many years, cut his teeth working at Magas’ now defunct Weekend Records and Soap. Through that time Wanzer constantly worked on music amassing a sizable studio where he worked in various electronic strains creating an impressive body of work. These tracks come from different points of his career and are stripped down functional pieces made for the dj even if that was not their initial intention.

Four Tracks on this new Mutant Beat Dance EP Protagonists, Capitulo Finale, Low Life and The Fight. Obscure wave and Chicago in the blender.


After two years of existence, New York’s L.I.E.S. Records has transformed itself from a bedroom label into one of the more interesting and diverse labels in the world of modern underground electronic music. Disc one, of this double cd compiles and documents some of the labels early moments showcasing out of print tracks by Legowelt, Terekke, Steve Moore, Two Dogs in a House, and Bookworms to name a few, showcasing the broad yet cohesive spectrum of styles the label has worked within. The second disc is comprised of almost all new and unreleased material from the labels current pool of talent, with tracks by the likes of newcomer Delroy Edwards, Mutant Beat Dance’s Beau Wanzer, cult figure Terekke, early label contributor Marcos Cabral and more. Through and through this compilation captures where the label has been and where it is going in the future.

While everyone was sleeping Mutant Beat Dance (the production duo of Chicago’s Traxx and Beau Wanzer) were in the studio cooking up something nasty. If you know these guys then you know they are out to push music into a different realm every time they work. On this 12″ we get two very different songs, the lead cut being driven by 727s, JX-3P bass, and some sampled horns which make this a driving and funky excursion bring you back to another time and place. Sketch III clocks in at around 110 bpms and drives on and on and on, plodding through the depths of your mind while conflicting voices (mis)guide you through your trip. Strictly for the freakz.

Electric Voice Records presents a collection of 18 pop-rock post-punk tracks. With contribution by Innergaze, The KVB, Soft Metals, HTRK, Jeff & Jane Hudson, Horrid Red and others.

Fully Koded Chicagoians Traxx and Beau Wanzer team up for another Mutant Beat Dance release. Together they have produced arguably ‘the best 80s Chicago house record NOT made in the 80s. The Mutants call it Jakbeat, inspired by the early days of house music. ‘Let Me Go’ is as intense and rhythmically inclined as they come. Naughty Wood’s sparse vocals cry desperation, almost nearing insanity, which makes up for a pressure cooker like warehouse anthem. ‘Rottonfunk’ is another intense work out which has a killer groove and makes us wander off to the Promised Land (wherever that is).

Mutant Beat Dance is a collaboration between research scientist and vintage synthesizer enthusiast Beau Wanzer and pioneer of the jakbeat sound Traxx. ”Another World” takes you on a bass heavy psychedelic journey. Think old school psychedelic jakbeat with a bit of a Fingers vibe but more banging. On the flip is ”New News is Old News”, a deep and hypnotic analog track,sort of a more updated take on an 80’s industrial / italo sound.

Nation returns to the forefront, compiling a serious arsenal of exclusives. Their motto: RWTHO = Rollin’ With True Heads Only. Traxx unleashes an array different styles that make up the elements of the Jakbeat sound, from a line-up that’s Not for the faint of heart! This is the 2nd in the The Modern Electronic Element series.

DFA Records presents “Night Sky”, a track that grows and grown into an 13 minutes odyssey. The buzzy bottom end enters and expands before Russom’s vocals – alleyway dark and mysterious – make their way in. The song dips and dives, going from barebones synthesizers resting on organic percussion to explosive vocal choruses. The end reunites nearly every sound that made a previous appearance in an ensemble of ecstatic rhythms and noise. Mutant Beat Dance aka Beau Wanzer & Melvin Oliphant III, undo the original and transform it. There are so many new elements to be found here – a thick bassline, shuffling beat, wiry electro etchings, eerie washes of synths that swell unexpectedly and unannounced – it all makes for a collection of sounds that, thankfully, are head swimming in their unique and wonderful unpredictability.