Having begun life as a bedroom project for then Southampton-based Nicholas Wood to experiment with ideas around minimal electronica and shoegaze, The KVB has grown with partner and collaborator Kat Day. The now Berlin-based productive pair have released four albums of woozy and immersive anthems since 2010. ‘Of Desire’ is The KVB’s most fully formed record to date, taking in influences such as Death In Vegas, Scott Walker and Roxy Music to create something that is at once familiar and yet inventive and original. Steeped in musical history, it’s an album that hums with devotion and captures a band ready to emerge from the underground and embrace an ever-growing audience. “Being able to produce from home meant we weren’t restricted.” Wood says remembering The KVB’s early days. Many of the songs on ‘Of Desire’ date back to these earliest bedroom recordings, including lead single ‘In Deep’. “It’s about longing,” he adds of a song powered by a motorik beat and distorted blasts of icy guitars.” There’s definitely a romantic undercurrent to the record.”
Now Berlin-based duo The KVB land on Geoff Barrow’s Invada label for the first in a series of releases. Mirror Being differs from most releases from The KVB as the pair’s deep set vocals, a key component of their sound, are largely absent from the 10 tracks but their reverb soaked mastery of guitars and analogue gear is still very much evident throughout.
The latest release for The KVB comes via Ample Play, a London label that’s best known for releasing the music of indie rockers Cornershop. The two-track Run Away EP sees the duo on form once again, with more curtailing synths, straitlaced drums and vocals clear as mud. Both tracks on the EP are somewhat contrasting, the title track being dancey and melodic, while “436” is a grungier version of sounds you could expect from Tropic Of Cancer or HTRK.
London-based “dark wave” duo The KVB are a productive lot. Somewhat remarkably, this is their sixth album since 2011. It further explores there trademark distant, discordant, murky sound, blending barely-audible vocals and shoegaze guitars with fuzzy tones, clandestine moods and atmospheric grooves. While they can do full-throttle noise – see the growling “Dominance/Submission” and “Something Inside”, which push reverb and multi-layered guitars to their limits – they’re actually at their best when exploring less intense pastures. There’s much of this on Minus One, with the wide-eyed “Passing By”, dreamy “Endless” and clandestine “Kill The Lights” standing out.
Cititrax presents remixes for The KVB by Regis, Shifted, Silent Servant, In Aeternam Vale and Worn.
Cititrax present a new release by the UK duo known as The KVB via our sublabel Cititrax. Combining shoegaze guitars, minimal synth melodies, hypnotic drum machine rhythms and reverb drenched vocals, The KVB was first formed in 2010 as the solo project of Klaus Von Barrel. He was later joined by his girlfriend Kat Day, who added synthesizers and abstract visual elements. Their sound can be described as dark, layered, complex and moody – an icy atmosphere juxtaposed by the warmth of distorted guitars.
The second part of my review of 2012 is dedicated to the best events and performances I attended this year. Part I was published some weeks ago and includes the preferences of our followers.
After three fruitful years of existence and daily careful surveillance of the electronic music scene, I’ve decided, for the first time, to draw a line and make a review of the year that is just closing.
I will make the review in two parts, the first is dedicated to our followers and their choices from this years. So, I will make a list with the most successful post on my blog, the releases that gathered the most likes and clicks in 2012 for our visitors. The second part of the review, will include my own picks and I will present some of my favorite albums of different genders. Also I will make a review of the best parties and acts I’ve attended this year.
This weekend I will be visiting Vienna for the first time. I’m looking forward in seeing one of Europe’s most important historical and cultural centers, but besides the usual sightseeing, I’m also eager to check the pulse of the night culture of this famous Danube city.
Saturday I’m very interested in seeing The KVB live at Fluc.
The KVB (Clan Destine Records / UK)
shoegaze wave / uk / live
Vlad (Station To Station)
romo / cz / dj-set
CIR (Christopher Intensity)
body mind / at / performance
S&D (Sirius and Darktunes)
synth disco / at / host djs
berlin / movieshowcase
Downwards’ collect the best of their DO series, together with a handful of exclusive aces on ‘So Click Heels’. Since 2009 the label’s affections for the miasmatic drizzle, sonic innovation and repressed violence of post-punk and shoegaze has manifested itself in some twelve releases veering between the scuzzy basement noise of Collin Gorman Weiland, the blissful feedback blooms of The KVB, and swaggering rock’n’roll from DVA Damas. A good proportion of them feature here – including Richard H Kirk’s droning remix of Tropic Of Cancer’s ‘Be Brave’, the desiccated drum machines of Sandra Electronics (Regis), and Pink Playground’s powdered-glass shoegaze bloomer ‘Ten”. Unreleased bits: the phet-clenched twitch of Deathday’s ‘Dropped Into Obscurity’ or V West’s ‘Catching Me Cold’; the excoriating sludge of The KVB’s ‘Dayzed’; a mighty slab of monochrome, motorik punk from Silent Servants (Juan Mendez); the psychoactivated rock ‘n roll of Green Screen Door; and not least an insidious Electro cut from Antonym, or the graphite surfaces and choking dust of Six Six Seconds’ ‘Tearing Down Heaven’.
Electric Voice Records presents a collection of 18 pop-rock post-punk tracks. With contribution by Innergaze, The KVB, Soft Metals, HTRK, Jeff & Jane Hudson, Horrid Red and others.
“Always Then” is the second album from UK post punk band The KVB aka Karl von Barrel. The album will be released on Clan Destine Records and is featuring 10 dark wave, new wave tracks.
Downwards continue to split the crowd with their riveting 10″ series, presenting this astonishing slab of motorik depression from The KVB. Klaus Von Barrel show here something darker, sexily narcotic and thrusting to their sound. ‘Into The Night’ is a case in point, with couldn’t-give-a-fu*k, glazed-eye vocals heard from behind a wall of Joy Division synths and a bruisingly muscular, meth-fuelled bassline. ‘Lost’ is perhaps more spacious, mixing everything tantalisingly out-of-reach, but with just enough abrasive guitar to gnash on. Again on ‘Hide & Wait’ the flanging, fire-and-ice-breathing guitar is upfront, while vocals are half-heard in the murk next to unrelenting drums Stephen Morris would be proud of. Includes 10″ x 10″ insert.