
Detriti Records presents “Kein Empfang” by Andreas Aprill, an 5 tracks EP of industrial electronics.

Detriti Records presents “Kein Empfang” by Andreas Aprill, an 5 tracks EP of industrial electronics.

“Strange World” is not merely an album; it’s a sonic expedition that probes the aberrations of a society shaped by the strange and transformative influence of technology. The music industry, a microcosm of this surreal universe, has become an intricate web of formatted reactions and impersonal interactions. Foreign, the musical observer, takes the audience on a solitary journey through the night—a time of introspection where raw feelings and emotions are eclipsed by the numbing shadows of social media and the relentless march of technology. The album resonates with an unmistakable romanticism, shrouded in a dark, mysterious atmosphere. Each track is a testament to the disquieting beauty found in the synthesis of opposites—the warm, pulsating beats of EBM intertwining with the ethereal melodies of synth-pop. The result is a musical landscape that is simultaneously haunting and alluring, much like the strange world it reflects.

‘Rule The Streets’ is Timothy “J” Fairplay’s latest album on his label Dungeon Module. After 2021’s ‘A Snowstorm In The Tropics’, 2023 has been a busy year for the label. In February Timothy released ‘Dungeon Module Volume 1’ followed by ‘I Lay Awake At Night Scheming’ in August. This album was recorded in Timothy’s current studio, with his Casio RZ-1 central to the set up. 8 raw jack tracks inspired by the early days of house music, and catches Timothy at his most minimal. The early days of the Chicago and Detroit and how they drew influence from Europe in their stripped back sound is an endless influence on Timothy’s work. The bumpy opener ‘Rule The Streets’ has a vocal refrain which sounds like something from a 70’s gang movie. ‘Insufficient Funds’ is a playful jam based around a junk shop delay unit. ‘Pleasure Beach’ an 8 bit house/funk beat track. ‘Back To The Stone Age’ with its flanger heavy percussion and a booming Adonis style vocal. Side B starts with ‘Instant Replay’ with its rolling 808 toms and white noise intro. ‘Safety Patrol’ has a deeper Mr Fingers feel, followed by the stalker-ish ‘Gang Bass’ with its sampled live bass and strings. Last of all is ‘Livin’ It Up’ made entirely with the sampler on the RZ-1 sounding like a Lil Louie demo.

Weith returns to Brokntoys with “Intimate Entropy”, a new exclusive album comprising sixteen tracks. The result of two years of composing and research, “Intimate Entropy” traverses a wide sonic landscape, ranging from drone pieces to tension-filled meandering journeys. Dense and rich in details, Weith presents an introspective, melancholic, and immersive listening experience.

E.L.I. debuts on the Pinkman Broken Dreams series. Prepare to be entranced by the mesmerizing hardware jams that reverberate through your consciousness. As the shadows lengthen and the night embraces you, immerse yourself in ‘Built to Thrill,’ where darkness and euphoria collide in a symphony of madness.

Northern Nightmares returns for a third instalment. Alongside the usual suspects, Up North welcomes some new blood to the party. NN III also has the honour of lifting the veil from Parrish Smith’s latest project, METAL! From Antonio’s blistering basselines to Eindkrak’s twisted rhythms, this intoxicating compilation will shatter speakers and clench fists.

Through a haze of global paranoia and hostility, continents collide! While laying down coarse rhythms and relentless basslines, E.L.I. passes the microphone to Up North’s LBEEZE. Loaded with stirring strings and dejected vocals, this collaboration will have you weeping or screaming.

Label head Dj Nephil returns on Gravitational Waves with a new 11 tracks cassette release using his System Disorder project.

Los Angeles based Ole Mic Odd (Michael Padgett) hits Dead Channel with this highly anticipated scorcher of an EP. At the forefront of mutant sounds, Padgett hammers his way through pumped-up, biting acid electro, lo-fi fuzzed out melodia, and absolutely mangled percussive tracks shattering your wrecked body into a thousand pieces. The musical vanguard seamlessly fuses rhythm and sound from the far reaches of modern dance music, culminating in this sinister work of preternatural maximum overdrive.

Timothy J. Fairplay presents a new 8 track album ‘I Lay Awake At Night Scheming’. This is to some extent a lost album, the bulk of the album was made for a project which never came to fruition, and there’s a few tracks which have been in Timothy’s live sets for a few years, but have never had a proper release. Raw emotional synth and rhythm tracks for late nights in the dungeon.

Veyl presents an experimental sonic experience from Llimbs, the project of Hagen Ebejer. He began making music in the early 2000’s and started Llimbs in 2016 and now he arrives on Veyl with “Midnight Amber”, an 8-track album which fully realizes the Llimbs sound and vision. Inspired by dark and experimental sounds, “Midnight Amber” is a tour de force of genre-bending compositions, conjured using downtempo and dreamlike sounds which explore both the organic and digital. The result is an undefinable affair which is both haunting and infectious at once.

“Ambient Trip Commander” is a hand drawn/painted feature animation film made by Danny Wolfers. The film premiered on 28th of May 2022 at the EYE film Museum in Amsterdam Holland with a live soundtrack on synths by Legowelt. This is the soundtrack album of my 2022 Ambient Trip Commander animation film on cassette tape and digital.
Continue reading “Legowelt – Ambient Trip Commander Original Soundtrack [NW038] [Free Download]”
Ricardo Laine debuts on Pinkman with 10 tracks of cinematic new beat that are captivatingly packed with tension and high drama. From the opening synths of breakbeat-laden chugger ‘The High Tide’, an unnerving sense of dystopian dread builds from track to track and doesn’t let off until the very end. ‘Asleep In Their Myst’ is another chapter in the evolution of the mysterious Toronto-based artist Andre E-R – also known under the techno moniker R-oderick – and an emotionally charged reflection on self-discovery and shame. Filled with industrial jack and twisted electronics, the album is a wall-to-wall collection of club-ready compositions that are all killer, no filler.

Klasse Wrecks’ Grafiti Tapes series continues on at its own pace with a new release from Antwerp based graffiti writer, tattoo artist and musician Redray. Aside from being active in the Belgium scene in the late 2000s, Redray is also enjoying great success as a tattoo artist, having co-founded Brabo’s Hand Tattoo in the center of Antwerp. For GT13 Redray turns in a charming 6 track mini-album, with all individual songs are produced by a limited pallet of sonic tools. A tried and tested combination of vocoder, 808 drum machine, keys and screwed samples of old funk and soul records provide the solid foundations. Comfortably sat in-between the genres of G-Funk and Screwed + Chopped Rap, Redray elevates the beats with catchy vocal hooks sung through a Roland SVC-350 vocoder. The result is some of the sleaziest and greasiest sauce to ever adorn a Grafiti Tape.

After some time of laying in the dark, the Warsaw-based Syntetyk label and club night series emits waves yet again with their very first cassette release by various friends from the local and global underground. Tape starts with a pathos ambient track by Mchy i Porosty, followed by a desert night drive dub by Rapha. The A side continues with a wavy melodic thumper by Olivia, accompanied by a nostalgic club diver by Czech maestro Exhausted Modern and a punkish fast paced hymn done by the Colombian prodigy – Filmmaker. The B side opens with Dogpatrol’s broken jungle track and carries on with Astma’s industrial dub-driven tune. Album slowly comes to a close with a nasty distorted wave by Dyktando, dystopian radiation emitter by Chino and ends with Mala Herba’s folk inspired epic ambient drone.

Feral Colony is the label of U.S. based artist Chris Mitchell (Vanguard Sound, Annunaki Cartel), focused on direct, improvised methods. The second cassette release “No Consensus” is a 7 grimey tracks album by Chris Mitchell himself.

Levon Vincent returns with his fifth studio album, titled Work In Progress, the follow up to 2022’s Silent Cities cassette release. Progress sees the dub techno and NY house auteur throw away any overarching concept, apart from the idea that it must move you. Work In Progress is a collection of club ready jams that form the latest productions from Levon’s incredibly prolific run of 12”s he’s pressed on his own label Novel Sounds, directly for the next weekend’s sets. Rather than his previous albums presenting a finished story, his fifth presents a diarist’s work in progress, his latest club constructions, many raising the BPM to 140 to reflect the faster pace of his latest DJ sets.

Kri Records strike back with a cassette compilation under an appropriate name: Trust the Rust! Nasty electro cuts are served by LA-based Ole Mic Odd, Italian producer and the Gravitational Waves owner DJ Nephil, British veteran Chupacabras and Russian producer Larionov. The Electro part of the compilation is closed by the local Ljubljana legend operating as a DJ and Honest Work label owner, 198319831983. EBM-ish march is saluted by Black Dot, the duo of Christian Kroupa and Le Chocolat Noir. Christian has also joined forces with the Dallas and Science Cult native Aura Nox. NYC and wave EBM bangers are represented by R Gamble, Spinal is an up-and-coming producer from Chile having released a great EP on Pildoras Tapes, while Bianco Negativo from Marguerite Records wraps up the release.

L/F/D/M returns with yet another stellar album of underground house and techno.

“bijū arose from the need to explore the intersection of machine and body. The need to blur the boundaries between dehumanized electronic sound and the natural environment. Its selection is a constant search between minimalist and dense, dynamic and slow, sharp and blurry sounds. The album presents strength of vision in artist’s style and that is aesthetics of dystopian future, where slow motion martial marches meet ghostly rituals, cleverly blended with synth melancholy enriched by echoes of psychedelia and industrial rawness. An attempt to reach the undefined emotions between commotion and anger, sublimity and thrill, which, along with grief and hatred were brought by the war in his homeland in Ukraine. As part of the Warsaw based Ukrainian collective SUMISH wants to strengthen interactions between people through synergies, exchange of vision and knowledge, building bridges between the migrant community and local society through the different creative disciplines. Author of the program Gnostic Methods, dedicated to slow-rolling and experimental electronic music – every month on Radio Kapitał.”