Following the critically acclaimed debut album from Tensal, Soma presents a specially commissioned remix EP to compliment the album. A varied collection of artists are prominent on the release with new and established alike, each delivering their own take on Tensal’s originals. UK producer Pessimist opens the EP. His unique aesthetic of Jungle/Drum&Bass – come – Techno certainly makes its presence felt on the A-Side as he delivers a monster of a remix, soaked in dark, brooding textures and broken rhythms. Another UK techno export makes his debut on Soma as Shifted lends his remix skills to the package. Pulsating and propulsive, Shifted exudes pure energy with his version of Santolaya. Prolific French producer Umwelt closes out the EP with his interpretation of Belga. An old skool, electro affair Umwelt still retains a melancholic edge to the production.
How does one appropriate oneself? In the case of Guy Alexander Brewer, the situation is complicated by his various current projects in techno, noise and experimental electronics overlaying a once-hidden past in drum’n’bass. ‘Appropriation Stories’ tackles the matter head-on at length, the endpoint of the mounting inward focus already evident in his work as Shifted. For years shunning his previous work in Commix, more recently Brewer has learned to look back, even making sideways stabs into breakbeat territory with his Covered in Sand alias. The process grows more intricate and subtle on his new album for the Hospital Productions imprint helmed by Dominick Fernow (aka Prurient, Vatican Shadow, et al.). Here rigorous processing and studio treatments transform classic breaks into deeply hidden components that add new layers of character to his highly-developed techno sound.
vinyl / CD
Explorations of textured noise excursions and muscular techno.
part 1 / part 2
The release features three abrasive noise workouts. Thud of drums and ritualistic rhythms define the opener Luarica on the A-side alongside a near-melodic whine that stays present throughout the tracks. Orapa (An Interview) on the flip swallows and evokes scuffed voices of a conversation, striving into isolation, while Venetia resumes the haunting rhythm and layers of distortion.
Here is the third and final part of my 2013 review, featuring my favorite albums released last year. In the first part of the review, the preferences of hipodrome followers are shown, according to the number of click and stars. In the second part, I presented some of my favorite events and performances from last year.
Now here it comes the serious business. Because there are so many good albums and different genders, I took the same approach as in the 2012’s review.
The list is covering all the genders that I like and post on The Hipodrome Of Music, so I came up with no more than 20 gender lists, going from house to techno, disco and funk to electro and new wave …
Here we go.