Sons Of Traders Records presents DJ Nephil’s side project “System Disorder” with this latest collection entitled “Random Report”. He is continuing the experimentation and sound research in the studio and in his artistic compositional form connected both to the machines and to his own vision. He is presenting here eight acid-electro variations on a more minimal theme around a sort of contemporary dark novel.
Timothy J. Fairplay finally lands on Pinkman, furthering his sonic excursions into raw, jacking, yet evocative house music. ‘Convictions’ rattles through drum-machine workouts topped with soaring synthlines, inviting you to spiral in the club’s darkest corners. Between the shuffled claps, ominous melodics and delay-laden syncopation, ‘Convictions’ playfully evokes both the mechanical exploration of urban space, and the claustrophobic intimacies encountered within it. There’s even a nod towards 1980s’ cult cinema hit ‘The Bronx Warriors’ at the end. Naturally, these six tracks find a perfect home on Pinkman.
New release from the mysterious Body Habitat project, allegedly associated with the equally elusive German Army project, this is a 15 track tape full of broken industrial rhythms and seething sonic soundscapes, unrelenting California desert music.
YE GODS returns to L.I.E.S. with a new fill length, “No Albion”. Seven tracks of haunting ritualistic electronics, coming from the darkest realm of your psyche. Chilling ambience, voices from your nitemares, wishing to escape this world.
Ofelia Ortodoxa is one of the most interest and expressive producers of the Colombian electronic music scene. Ofelia Ortodoxa return’s to Athenian label Dystatik with “Basics For Sadness”, a cassette release inluding rescued tracks and ideas from old cassette recordings and new collaborations with Valanais (track 1&3) and Ferdinand Carclash (track 4). “Basics For Sadness” is a uses a powerful Minimal Synth and Dark Wave aesthetic with a certain nostalgic feel.
Absolutely killer darkside mutations from Tradecraft, aka Carrier aka Shifted, a stunning hour-long session of dank, highly atmospheric technoid alchemy that plays from the Pan Sonic/Vainio/T++/Actress songbook. Key technoid shapeshifter Guy Brewer chases a trio of aces under his Carrier alias with the murky arrival of his Tradecraft project, forging heaving downtempo slugs and vapours from a signature palette of iridescent electronics deployed somewhere along the line between Actress, Burial and Mika Vainio, on a cybergoth bent.
Chronicles of the wasteland, an ode to those who remain in the shadows, a nod to the wild beauty of 40 rue Marceline. Looser solo project, Dimanche Midi goes quickly, it can be listened to in one go, fully on your bike. Drum machine, electric bass, synth, guitar, cassette loops, samples, radio archives and dirty stories from CONDé!
Confused Machines unleashes it’s first release for 2024 and it’s a mesmerizing journey led by Ruggero Lambo aka Taru, utilizing minimal synths, squeezing beats into tiny fractures and exploring syncopations to a certain visionary degree where the tension between self-consciousness and unconsciousness arouse, a vague memory of a near future becomes present.
“Strange World” is not merely an album; it’s a sonic expedition that probes the aberrations of a society shaped by the strange and transformative influence of technology. The music industry, a microcosm of this surreal universe, has become an intricate web of formatted reactions and impersonal interactions. Foreign, the musical observer, takes the audience on a solitary journey through the night—a time of introspection where raw feelings and emotions are eclipsed by the numbing shadows of social media and the relentless march of technology. The album resonates with an unmistakable romanticism, shrouded in a dark, mysterious atmosphere. Each track is a testament to the disquieting beauty found in the synthesis of opposites—the warm, pulsating beats of EBM intertwining with the ethereal melodies of synth-pop. The result is a musical landscape that is simultaneously haunting and alluring, much like the strange world it reflects.
‘Rule The Streets’ is Timothy “J” Fairplay’s latest album on his label Dungeon Module. After 2021’s ‘A Snowstorm In The Tropics’, 2023 has been a busy year for the label. In February Timothy released ‘Dungeon Module Volume 1’ followed by ‘I Lay Awake At Night Scheming’ in August. This album was recorded in Timothy’s current studio, with his Casio RZ-1 central to the set up. 8 raw jack tracks inspired by the early days of house music, and catches Timothy at his most minimal. The early days of the Chicago and Detroit and how they drew influence from Europe in their stripped back sound is an endless influence on Timothy’s work. The bumpy opener ‘Rule The Streets’ has a vocal refrain which sounds like something from a 70’s gang movie. ‘Insufficient Funds’ is a playful jam based around a junk shop delay unit. ‘Pleasure Beach’ an 8 bit house/funk beat track. ‘Back To The Stone Age’ with its flanger heavy percussion and a booming Adonis style vocal. Side B starts with ‘Instant Replay’ with its rolling 808 toms and white noise intro. ‘Safety Patrol’ has a deeper Mr Fingers feel, followed by the stalker-ish ‘Gang Bass’ with its sampled live bass and strings. Last of all is ‘Livin’ It Up’ made entirely with the sampler on the RZ-1 sounding like a Lil Louie demo.
Weith returns to Brokntoys with “Intimate Entropy”, a new exclusive album comprising sixteen tracks. The result of two years of composing and research, “Intimate Entropy” traverses a wide sonic landscape, ranging from drone pieces to tension-filled meandering journeys. Dense and rich in details, Weith presents an introspective, melancholic, and immersive listening experience.
E.L.I. debuts on the Pinkman Broken Dreams series. Prepare to be entranced by the mesmerizing hardware jams that reverberate through your consciousness. As the shadows lengthen and the night embraces you, immerse yourself in ‘Built to Thrill,’ where darkness and euphoria collide in a symphony of madness.
Northern Nightmares returns for a third instalment. Alongside the usual suspects, Up North welcomes some new blood to the party. NN III also has the honour of lifting the veil from Parrish Smith’s latest project, METAL! From Antonio’s blistering basselines to Eindkrak’s twisted rhythms, this intoxicating compilation will shatter speakers and clench fists.
Through a haze of global paranoia and hostility, continents collide! While laying down coarse rhythms and relentless basslines, E.L.I. passes the microphone to Up North’s LBEEZE. Loaded with stirring strings and dejected vocals, this collaboration will have you weeping or screaming.
Los Angeles based Ole Mic Odd (Michael Padgett) hits Dead Channel with this highly anticipated scorcher of an EP. At the forefront of mutant sounds, Padgett hammers his way through pumped-up, biting acid electro, lo-fi fuzzed out melodia, and absolutely mangled percussive tracks shattering your wrecked body into a thousand pieces. The musical vanguard seamlessly fuses rhythm and sound from the far reaches of modern dance music, culminating in this sinister work of preternatural maximum overdrive.
Timothy J. Fairplay presents a new 8 track album ‘I Lay Awake At Night Scheming’. This is to some extent a lost album, the bulk of the album was made for a project which never came to fruition, and there’s a few tracks which have been in Timothy’s live sets for a few years, but have never had a proper release. Raw emotional synth and rhythm tracks for late nights in the dungeon.
Veyl presents an experimental sonic experience from Llimbs, the project of Hagen Ebejer. He began making music in the early 2000’s and started Llimbs in 2016 and now he arrives on Veyl with “Midnight Amber”, an 8-track album which fully realizes the Llimbs sound and vision. Inspired by dark and experimental sounds, “Midnight Amber” is a tour de force of genre-bending compositions, conjured using downtempo and dreamlike sounds which explore both the organic and digital. The result is an undefinable affair which is both haunting and infectious at once.