
Tribute from one Chicago master to the other… R.I.P. Frankie Knuckles.

Italian producer & Hot Mix label boss Nick Anthony Simoncino is back with “Some People”, a collaboration with Chicago’s legendary House vocalist Robert Owens. Simoncino’s 3 original mixes sound just like tracks lifted off lost EP’s straight from the mid 80’s with deep, melancholy synths, driving analogue drum machine sounds and Owen’s yearning vocal performance coming together beautifully while showing off Simoncino’s versatility as a producer. “Some People” is perfect late night House music with a classic sensibility, for the deepest hours of the night or the morning. On remix duties we have the UK’s very own Chamboche who delivers a deep, rolling version of “Some People” keeping things nice and stripped back and adding a dubby quality to his mix while Finnish new school House head Trevor Deep Jr’s “Warehouse Mix” keeps Owen’s vocals right up-front with some killer drum programming and percussion rounding out the EP while keeping the old school vibe firmly anchored to the dance-floor.

Six nu-jack/acid trax by the Gehm. Voodoo Wolf features a sextet of stripped-back machine jams, which range from the spooky acid house of “Warming To The Galaxy” and ragging, Steve Poindexter-meets-Phuture wildness of “If I Was”, to the riotous, Dancemania-ish ghetto-house revelry of “Clap Your Hands” and the Larry Heard-ish melancholia of “77-88”.


New release on Machining Dreams, this time from Chicago Skyway who is rocking with a 6 track release called EP Fall Down. Five beat tracks and 1 deep house tune that has come to be Skyway’s signature sound over the years. Classic in the sense that beat tracks have formed the glue between styles in many djs bags. Skyway use of arrangement and familiar drum kits will sure to bring the nostalgia back to the djs who were in it before the technology revolution and interest to the djs who came after it.

Given the expansive nature of Terry Farley’s first celebration of early and classic house, 2013’s five-disc Acid Rain, you’d think he’d be running out of choices for this second, similarly epic selection. In fact, Acid Thunder is, if anything, a more pleasingly deep and in-depth collection. Whereas that first installment was heavy on relatively well-known classics, this follow-up digs deeper for inspiration. As a result, it’s packed with tracks that many house DJs simply won’t know, or have struggled to get hold of; not just stone cold classics such as Bobby Konders’ “Nervous Acid” or Hexx Complex’s “I Want You”, but genuinely overlooked material from the likes of Risque III, Peter Black and Jack James Rabbit. It’s something of a welcome history lesson, even for those with a good grasp of house music’s formative years.

Vielspaß Records presents a new release from Kiwisubzorus. After a first release on Vielspaß Fade to Dark EP, Kiwisubzorus comes back with a mini LP 4 tracks.

The impressively prolific Nick Anthony Simoncino returns to L.I.E.S, some two years on from his last outing for Ron Morelli’s acclaimed imprint. Simoncino rarely strays from his tried-and-tested blueprint – think vintage synths, crusty drum machines, and tracks influenced by classic Chicago house, proto-house, acid and Detroit techno – and Able Dance is no different. Its expansive melodies, sweaty rhythms, spacious chords and darting electronics are, though, particularly appealing. The heady positivity of “Io Rhythm” is probably our pick, though the spooky atmosphere and bongo-laden groove of “Able Dance” is similarly impressive. Despite its’ ghostly nature, it still feels strangely exotic.

Influenced by his passion for Detroit and Chicago’s House and Techno scenes, on his production debut some deep tracks with nice baselines, layered with strings, soaring pads and an abundance of hats and snares.

Classic re issue of ‘The Best Of Ron Hardy Vol. 1’. Remastered from original DAT’s for 2014 and re released in original Streetfire artwork. Released in conjunction with Streetfire / Trax / Harmless.

Anopolis are a collective of four Thessaloniki based producers (Dimitris Evagelopoulos aka DimDJ, Drum Machinee, Lowjac, Oldman Talkin’) coming together for their first release on Lower Parts. The EP starts with Anopolis 2, a long, disco flavored track, built up gradually with phasing pads , lead melodies and an arpeggiated square bass line. The hypnotic feeling of Anopolis 5 is up next taking things deeper and textural while Anopolis 11 stands strong with it’s relentless acid loop juxtaposed with sharp drums washed in reverb. The final track of the EP arrives in the form of a remix of Anopolis 2 by Elec Pt.1 creating a mysterious and sinister atmosphere.

Given the quality of his previous releases on Hivern Discs, you’d expect this ultra-limited 12″ excursion from Marc Pinol to be pretty special. It is, of course, with the Spanish producer’s original version of “Clef III” getting the perfect balance between nu-disco style, melody rich beauty and good old-fashioned, acid-flecked Chicago jack. Alejandro Paz works the drums and handclaps harder on his trippy, hypnotic take, while Capablanca hit the button marked “Balearic acid” on their spiralling, near psychedelic take. It’s a great package, made all the more alluring by the strange paucity of copies (just 99 worldwide, apparently… be quick or miss out).

Perseus Traxx back on Chiwax with dreamy vintage Chicago tracks reminding of Virgo Four and the likes.

Ron Hardy is the only man who can test Frankie Knuckles’ status as Godfather of Chicago House Music. Though he rarely recorded under his own name and left little evidence of his life, Hardy was the major name for Chicago’s dance music from the late 70s to the mid-80s. By 1974, he had already effected a continuous music mix with reel-to-reel machines plus a dual-turntable setup at the club Den One. Several years later, Hardy played with Knuckles at a club called the Warehouse and though he spent several years in Los Angeles, he later returned to Chicago to open his own club along with Robert Williams, the Muzic Box. While Knuckles was translating disco and the emerging house music to a straight, southside audience at the Power Plant, Hardy’s 72-hour mix sessions and flamboyant party lifestyle fit in well with the uptown, mostly gay audience at the Muzic Box. A roll-call of major Chicago producers including Marshall Jefferson, Larry Heard, Adonis, Phuture’s DJ Pierre and Chip E all debuted their compositions by pressing up acetates or reel-to-reel copies for Hardy to play during the mid-80s. This CD compilation brings together some of of the classic house and electro-dance tracks he played at the Muzic Box back in the day.

You should know the drill by know… Mr. K Alexi – Don’t You Know, Greg Perry – Come Fly With Me & Drum track 1.

Snuff Crew are on board for the new What Ever Not 12” featuring also a stunning remix by Morning Factory.

Hardmoon London continues its new found adventure by releasing another piece of the impure sound it thrives on. This time bringing in Chicago Legend: Gene Hunt. Hunt takes a look back into the history books of Chicago with some no-nonsense gritty acid tracks that have been designed to shatter teeth and jaws alike.

Rebel Intelligence was never the most prolific of labels, with its’ first three releases – a trio of excellent analogue workouts from Matt Whitehead – coming out over a two-year period. This fourth 12″ – the imprints first since 2011 – sees a new wave of artists bringing their synthesizers and drum machines to the party. JTC’s “Habit” opens proceedings, sounding not unlike a cross between classic EBM, sparse analogue deep house and pitched-down early Detroit techno. Automatic Tasty impresses with “Winters Evening”, a deliciously melodic chunk of Claro Intelecto style electro, before Elec Pt1 charges off on an intoxicating 303 acid tip (“Daytime Acid”). Finally, Abraham Cowley flies off into space with “Shifting Seasons”, a wonderfully evocative fusion of constantly building analogue beats, melancholic chords and eyes-wide-shut melodies.