Risk Management Productions is new sub-label of L.I.E.S. Records, dedicated to preserve the integrity of dance music. The first release is a killer by Tom Carruthers with a four slamming old school Chicago style floor burner.
Defected welcomes one of Chicago house’s founding fathers Marshall Jefferson into the illustrious list of House Masters with this exclusive wax release. An artist that has successfully navigated major cross-over success while retaining utmost respect from the inner circle of electronic music’s underground, Marshall has been behind countless seminal records over his five-decade career. Now a selection of the very best tracks from his new House Masters compilation appear together on vinyl for the very first time, showcasing the impressive output of this house pioneer from his most well-known solo records, to major production credits, key remixes and the underground gems still favoured by selectors today. ‘Defected presents House Masters – Marshall Jefferson’ is an all-encompassing guide to his tremendous career. A trailblazer and genre-defining artist, Defected is honoured to welcome Marshall into the House Masters Hall of Fame with this very special vinyl compilation.
Hieroglyphic Being presents “Free From The Seeds Of Future Sorrow”.
Hieroglyphic Being presents 16 Circles Of This Realm Vol. 1.
The Dirty Blends label is really on fire of late. DirtybLends 13 comes from these 2 misfits that split the 4th edition on the label which is Zodiac and The Jak..Zodiac kicks off the a-side with a Thanksgivin beat…food is served and your stone cold munching. Fuk Christopher Columbo and the pilgrims. It’s all about eating p@#$$. Stuff your gullet with this heat and be thankful.. The flip side of this disc come from the leader of the the klan as “Itz In Ur Mind” is created strictly for Ron Hardy as this is the 3rd conceptual idea to follow “Hardy’s Haunted Box” from the 2nd edition of dirtybLends.
The Dirty Blends is back with another great mix of new yet vintage-sounding jack beats and raw warehouse tracks. The A-side of DirtybLends 12 is an 808 style beat track production from the late eighties days of WBMX Radio in Chicago along the lines of Bad Boy BiLL or Julian ‘Jumpin’ Perez’s energetic passion from our newest member to The kLan: Garcia The Latin Rogue entitled: Let’s Do It. The B-side of this disc comes AGAIN from the music groover: Cliff Solomon moving the label forward with this significant composition he greatly succeeded in creating his own idea from the nyc group Sinnamon for those who know oLd schooL Paradise Garage entitled: Give Yourself To The Beat!
Type-303 returns to ProForm Series with a blast. This four tracker offers something for everyone. A-side starts with a solid acid banger named “Abso-Funking-Lutely!”. Second take on A-side is “Bad Moms”, a nice percussive track to make every dancefloor to jack. On B-side the mood goes to late 80’s/early 90’s italohouse-balearic-flute-Ibiza style with a track named “Midnight Sun”. This is pure niceness with everything essential in right place showcasing the talent of Type-303. The record ends with Kalle Karvanen remix of “Midnight Sun” which replaces flutes with saxophones and adds more acid into mix.
JTC returns with a four-track EP, a mint encapsulation of his signature, decades-established style, machined from original remembrances of the Midwest’s party heydays and future visions of jakbeat tekno and underground acid-house progenies. ‘All Access No Excess’ is the first release in 2024 from Tadd Mullinix (Dabrye, X-Altera, Charles Manier) under his techno guise JTC, following his 2023 Album, Intra.Actae
The fourth installment of the ‘Tracks From The Alley’ series continues to explore the oblique edges of the jackin zone, dragging recognizable primitive elements of dance music through narcotic madness; a possible soundtrack for sleepless nights at the skate park. Involved in this 4 tracker mini-compilation are the Greek dj/producer DimDj, the Berlin-based Italian producer and part of Sons Of Traders, TANS, the Portugal-based Brazilian Unrealistic Expectations label owner Nothing Was There, and the Alley Version’s brothers FLML.
For the 4th chapter from the definitive days of house music, as the previous 3 chapters is education that a lot of alleged “House” DJs and Producers are obviously lacking.
Traxx plays again from the early 80s, 90s and today from vintage and out of print record labels: Westwood, Trax Records, Bright Star, Rockin House, Dancemania, Alleviated, Subscape and Neroli….
to productions from: Ron Hardy, Boyd Jarvis, Virgo, Tyree, Marcus Mixx, Pharris Thomas, Mr Fingers, Kenny Dope, Nightwriters, Deep Concentration and we have arrived..
a new joint from {3MM} as 3 musical minds bridging and building blocks of the early dance music scene honoring a legendary institution landmark still standing with selections of today and yesterday incorporating musical blueprints of Chicago, New York and the UK’s timeless heroes we admire, honor and inspired by their education.
We hope this will give people the chance to listen to music many may have never heard on this side of sound that provides a provocative and thoughtful musical workout in your mind with vinyl turntables, a vintage mix console…effects box and 2 cd players.
‘Let Them Know’ is the debut EP by Bobby Dreams, marking the inaugural release of All Nice Records. This record is a groundbreaking introduction to the label’s ethos, characterized by a raw, distorted, and authentically underground sound, paying homage to the gritty energy of Chicago’s underground house scene.
The second part of Boo Williams’ double release on Sushitech’s sub label Pariter, ‘Day Rise’, is definitely more upbeat of the two but it’s a subtle distinction – it’s certainly not full of 4AM bangers designed to keep you awake until the busses start running again. ‘Talley Up’ is a very straight forward affair, circling around a two note synth riff and gradually building percussion. ‘The Take Over’ is similarly spritely, another builder with crashing cymbals, jazzy chords and drum machine tumbles steadily building an insurmountable wall of funkiness. Breezy, bumping closer ‘Teleport’ completes the set, meaning three ultra-handy, raw but sophisticated tunes that house and techno DJs alike will find slipping into their sets with a natural ease.
Chicago second generation house hero Boo Williams joining the roster with a two-part release for Sushitech’s sub label Pariter. The first part, ‘Night Fall’, features three tracks, all of which fit the mold of early evening classics. ‘Acid Matrix’ has an early Detroit feel to its raw machine handclap snares and panther-like, stalking bassline, while ‘Deep Tech’ might be geographically closer to late 80s, early 90s Yorkshire, a compulsive funkiness emerging from its bleepcentric soundscape. ‘Service Chamber’ is sleeker and more mellow, telephone dial tones spiralling off into the ether while tinkling, xylophone-sounded keys play hypnotically. Choice, quality material that will help any DJ to subtly pick the pace up as the sun falls.
DirtybLends edition is another 3 track release combining 3 different ideas together from heavy Jakbeat to old school slower style tracks of the label: Chicago Underground to early 80s proto-house instrumentals of Boyd Jarvis. The A siDe kicKz oFF wit the return of kincaid presenting a daRk n meNaciNg composition played n created wit bLood n sweat behind the vintage music boxes to come with this 12 minute riPPer of beauty entitled: Circuit Collapse. The 1st production on the B-side comes from new member of The Klan of The Beatheadz: Cliff Solomon on this production the caT honors the timeless work of the originator Boyd Jarvis & Timmy Regisford from 1985 on next plateau. Developing drum and bassline ideas with elevated drama and deepest respect for the true pioneers of the underground. The final tune on Dirtyblends 11 on the B side is a collaboration from The Jak and Lex Lathan recorded at Nation HQ presenting their idea to keep the spirit of the early releases on Chicago Underground that were produced more slower in style entitled: The CaLL {oN tHe EdgE}
DirtybLends edition 10 is a Chicago slab of ruff business. The A-side comes from new member of The Klan of The Beatheadz, Grizzly Knuckles with ‘Caviar’ an influential continuation concept from the early days of trax records for 1 of the nastiest productions to come from The Sensuous Man & Woman Goes Disco laying on top of a drum machine rhythm that gets to the heart of the cut and the message. The B-side comes from the leader of The Klan of The Beatheadz: The Jak himself re-creating the drum rhythm of Jesse Saunders with his Kpr machine from scratch, then applying influential sounds from his keyboard to sound like DJ Rush from his proto release on relief records by creating a new blueprint for Jakbeat CHICAGO style of slam dance and mosh pit chaos that happened at The Reactor or Medusa’s (for those who remember)
L.I.E.S. boss, Ron Morelli follows up his acclaimed “Heart Stopper” LP with a new six track mini LP. The six tracks on “Rhythm Master” focus on a departure from the more song based structures of “Heart Stopper,” presenting a series of raw “old style” beat tracks for the DJs to use and abuse as they see fit, although these tracks are not as cut and dry as the title may imply. Check the complex, jacking, drum programming of the Fingers inspired “Loose Screw” or absolute melodic deep house mastery on the closing track “Escapes.” and the late nite mix show drama of “Disco Gridlock” with its monstrous reverb drenched kick opening the b-side. All of these standing on their own and all of them displaying Morelli’s versatility as a producer in his ability to pinpoint and execute the many styles that made djs what they were back in the days.
The Hipodrome Of Music 