
Continuing a geological Journey, Rings Around Saturn (AKA Dan White) returns with part 2 of his Erosion series. Dreamy pads and arpeggiated synth patterns weave throughout hypnotic rhythms. 3 tracks spanning from Ambient to Techno.

Continuing a geological Journey, Rings Around Saturn (AKA Dan White) returns with part 2 of his Erosion series. Dreamy pads and arpeggiated synth patterns weave throughout hypnotic rhythms. 3 tracks spanning from Ambient to Techno.

Debut longplayer by Romanian DJ and producer Jay Bliss. After a few years of releasing quite a bunch of EPs on various labels, Jay Bliss has pulled down the throttle for a while. This doesn’t mean that he took time off from the studio, on the contrary, he perfected his signature sounds. Spending time to bake his own imprints aswell, its only natural that his first LP will see the light of day on Stomping Grounds. Lush and organic pads, playful textures and attention to details are the building blocks of this introspective work, divided into 6 pieces.

Underground Quality boss Jus Ed is beginning 2017 in fine fettle, with Transition – his first album since 2014 – heading up a spate of vinyl releases. The triple-vinyl set is full of evocative, immaculately produced deep house treats, from the Alton Miller style intricacy of “The Loop 222 Bodin Strasse” and shuffling, yearning “The Day Prince Died”, to the rich bass and dancing drum machine hits of “Medellin My New Grooveland” (inspired, apparently, by a recent trip to Colombia), and the low-slung, Motor City grooves of “Sci-Fi Connection”. Best of all, though, is the rushing positivity of “Spring is Near”, where intertwining synth lines bubble away over a fizzing, techno-influenced rhythm track.

Italian producer Lamusa II is a master of atmospheric, synthesized concoctions that often sound like they’re being transmitted straight from a time machine out of the 1980s. The RBMA alumni’s latest release, ‘Club Mondo 2000’ on the Gravity Graffiti label runs the gamut from sleazy, break-infused house jams to hazy boogie and weightless flute meditations. “Agua Planet”, closes out the 5-track EP with a New Age feel.

Deepblak’s Chief Alchemist Aybee come with his fourth full-length studio album, ‘The Odyssey’. As befitting its grand title, this newest long-player finds him concerned with personal journeys: both the personal one that has brought him to this point – living in Berlin, 15 years since founding Deepblak in his native Oakland – and the one that beckons for him personally and creatively in future: Aybee sees himself as being halfway up a mountain, looking back on where he has come from, and to where he will be headed next – both concepts play a profound role in the emotional textures of the album, which in true Deepblak fashion draws from jazz, deep house, techno, hip hop, blues, experimentation, cinema, space, time and infinity. ‘The Odyssey’ represents a change-up for AYBEE in several ways, forged from a desire to keep expectations at bay and throw something of a curveball for those who felt they had him pegged: “a good pitcher always keeps you off balance”. This newest work saw him deliberately limit his sound palette in a creative exercise that challenged him to create a full body of work from a small pre-selected library of sonic elements. While this was restricting in some aspects, the approach to – as he puts it – “throw the ingredients in a basket and cook with it later” gave him more freedom to focus on atmosphere and groove instead of putting hours into trying out different options – “otherwise I’d still be in the studio now trying to work out which hi-hat to use on the third track!”


Psychic Advisor, is a worldwide affair: mysterious Makybee Diva from Down Under, Snad – hailing from Chicago, L’amour Fou on B1- the project of Move D and his friendsf rom Taipeh (Benoit and Marco), plus Arnaldo closing down the compilation on B2. You might consider this record as a clubnight from start to finish. There is everything from slow euphoria to crystaline deepness, from shake-moments to different states of a sweet dream, but it all fits as if it was bound together.

Chicago’s own Ricardo Miranda is back on Neroli with his Latin Soul Brothas project. This time exploring the deeper sides of his sound with jams like ‘Moog Sessions’, ‘Dizzy Vibes’ and ‘Friday Grooves’. While ‘Otra Voz’ recalls some of his previous latin influenced tracks on Neroli.


The 3rd release from TH Pressing run by Tokyo’s deep houser Tomonori Hosoya. This EP compiles tracks from 4 producers Life Recorder, Ernie, Brad P and Japanese Takuya Yamashita.

Area provides the soundtrack for another long Winter. From late night meditative dancefloor bliss, to midtempo 4 to the floor sonic experimentation. So without getting too wordy, we’ll leave these flowers right here, please don’t let them dry.


Space is most definitely the place as far as the latest vinyl adventure from us here at Future Reactions is concerned. With galactic references aplenty, futuristic soundscapes and more than a hint of interstellar travel on the Analog Core EP, the only thing missing is an astronaut suit. Tracks by José Rico, Cygnuss (aka Leonid & José Rico) and Diego Perrisson.

Fit Sound welcomes Moscow’s OL to the label with his debut 12”, Lada Passenger. Three late night dance floor stompers that pay special attention to textures of percussion, woven with expert touches of melody and bass.

Irish producer Leonid is welcomed on board of the Into The Deep Records spaceship for their second installment. Paul Smith comes up with a stellar 4 tracks EP cut for clubs dancefloors. Landing deep in planet X analogic territories, you will find Leonid distinctive acid grooves fused in heavy basslines with amazing percussion work for a mystic journey across Nibiru’s galaxy.

First physical release from Belgian label House Running, with 4 fine house cuts, made by Tell, Meemo and Baltra plus a remix of Deced by Kiani & His Legion.

The colors are stunning. In a single view, I see looking out at the edge of the earth, all the colors of the prism. Red at the horizon, blends to orange and yellow, followed by a thin white line, then light blue, gradually turning to dark blue, then black as the vastness of space engulfs the surroundings. As I looked upon our home rock, I saw many natural features. I witnessed a large river meandering slowly along for miles, passing from one country to another without stopping or hesitation. I also saw huge forests, extending along & across several borders as if these divides didn’t exist. I watched the extent of one ocean touch the shores of separate continents; then suddenly, a profound thought came over me as I looked down on all this….The Birds Don’t Fly This High

Over the last decade, Bantam Lions (AKA Liverpool producer Mike Carney) has devoted much of his spare time to “playful experimentation,” channeling 30 years of musical inspirations and adventures to create electronic music that sits somewhere between hazy nostalgia and far-sighted futurism. Now, he’s gathered together some of his favourite moments to create Short Stories, a debut album – and Scenery’s first long-form release – simply overflowing with page-turning musical narratives.

Theo Parrish has teamed up with Rotating Assembly member Duminie DePorres and Dirt Tech Reck head Waajeed. The EP, Gentrified Love Part 2, is the first new work Parrish has released since his 2014 album American Intelligence.

Originally released on Yore in 2008 after a hiatus in Brussels. Afro, jazz, funk and house all contribute to this 4-on-the-floor 4-piece. Heavy on the chords, basslines and percussion. Classic Alton Miller with a whole lot of deepness.