
Fine deep space techno and electro by Die Gestalten.

The second chapter from Axis Records’ The Director’s Cut re-issue project. Jeff Mills goes back into the Axis archive to release special unreleased versions as well as iconic tracks that made the label what it is today.

Erell Ranson offers up a delicate and beautiful EP of accomplished texture and melody for his Distant Worlds debut. He shows a real delicate touch here and multiple listens will ensure the melodies and earworms penetrate deep into the psyche. Future soul music dripping in emotion, indebted to Detroit, outta France.

For the second release on the sublabel Spaziotempo, Where We Met team welcomes the Spanish crack Corp. The EP kicks off with the elecronica mood of XTC, followed by a classic 4/4 Corp action track Neurotic. The B side opening is a trip on the artist’s underworld, a techno banger which is clearly Berlin infused. The closing track Re-Active perfectly mesh some qwerky acid bassline from the nineties and proper rhythms to shake any dancefloor.

Twenty five years after its initial release, and accompanying the re-release of ‘Internal Empire’ Tresor Records is proud to present a new cut and pressing (180gm) of Robert Hood’s essential ‘Master Builder’. This work elevates its maker as master, and remain a cherished moment in the Tresor story, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact.

John Beltran, Mark Archer, Future Beat Alliance and Max 404 line up on this third 10 years anniversary 12” for De:tuned. Both John and Mark deliver a timeless, Detroit tradition indebted techno vibe, resulting in 2 dancefloor-friendly tracks. While FBA and max 404 activated their DAT recorder, culminating in unheard crisp yet sensitive cuts. Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Alchemy Mastering, pressed on 180 gr vinyl and a separate digital version will be available from the usual digital shops.

Dolly Dubs welcomes none other than techno royalty Dan Curtin to the label with four forward thinking cuts! In his signature, energetic idea-rich style, Curtin meanders from vibey electro to uptempo Detroit-esque euphoria, and from innovative techno to broken beat lushness.

Samuel van Dijk releases his third album as VC-118A on Delsin Records. It dives deep into the sonic narrative of VC-118A (who is also known as Mohlao) and mixes up his unique sounds with evocative musical imagery. An album that goes from sparse, mysterious grooves to shiny underwater electro to frazzled and distorted techno via absorbing passages of ambient and overdriven machine workouts. It marks his first original work on Delsin, having released his distinctive brand of electro and techno on Frustrated Funk, Radio Matrix and Tabernacle before now.

Detroit bred / LA based producer Kenny Larkin has long been a force to be reckoned with, both in the studio and in the DJ booth. Under his ‘Dark Comedy’ alias Larkin crafted some of the deepest and most soul-searching Detroit Techno sounds. ‘Corbomite Manuever’ was originally released in 1992 and is the complete epitome of a game changer, this was Techno at it’s most sensual, intelligent and human, the antithesis of a lot of what was masquerading as the real-deal at the time.

Uncage offers some uncompromising techno from Reformed Society, featuring two originals and remixes by Bambounou and Steve Tang’s Obsolete Music Technology.

”Looking back in hindsight to the activity and accomplishments of Axis is with much pride – to witness the relationship between the music and listener evolving to this point. The Director’s Cut reissue project is about manicuring detail. It’s about a rare opportunity to enhance what we’ve done so that the relationship strengthens for the long term” – Jeff Mills

Two Detroit techno classics from Metroplex Records, by Juan Atkins and Martin Bonds. Re-mastered and repressed by the the music preservation society. Essential Detroit techno.

Originally released in 1994, Tresor Records is proud to announce the reissue of Robert Hood’s ”Internal Empire”. A masterwork, then and now. ”Internal Empire” marks a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come.

Delusion presents its first conceptual solo release by Mateo Hurtado. Psychedelic modular sounds form a deep and gloomy mood that perfectly affects on impulsive drums and basslines.

Dan Curtin lands on Fabio Della Torre’s Tuscan label Bosconi with 2 previously unreleased gems from his 90’s DAT archive. The previously unreleased Population III which moves forward into the outer realms of space and time. The live version goes a bit more into electroid landscapes but still maintains a straight groove for electro and techno purists most playful moments. The third cut is the epic acid banger and previously unreleased Redshift, showing already at those times that Dan Curtin was defying conventions and pushing boundaries and pioneering what we can now consider modern dance music while displaying melting innovation and deeply felt emotional content at the same time.

The first release of a new Axis sub-label by Jeff Mills entitled ‘Star Marked’ with 4 tracks of Jeff Mills trademark techno tracks.

The SECT3000 is Remco, little-known mid-nineties Swiss proto-techno producer, the younger brother of the synth player from Swiss new wave band Les Rêveurs Artificiels/Die Künstlichen Träumer. Once in a while, he would make a sporadic tune on his brother’s gear, recording it on 8-track tape, without ever mixing it down, then just archiving it in a closet at his parent’s house. Basic Moves got these tapes, made the mixing and mastering and not these two tracks are out for put listening pleasure.

Indio was a short lived but influential trio of John Beltran, Sam McQueen and Seth Taylor. They released an album and three EPs of hi tech ambient techno on Derrick May’s Transmat and the Rhythmic Tech label between 1999 and 2010. Here, three tracks from their self titled 2003 EP and one that was released on Styrax get put together, remastered and recut for the next Delsin reissue. Opener ‘Winter Long’ is classy techno cut that looks into the future. A symphony or gorgeous strings lights up the backdrop as scintillating drums dance and shimmery in the foreground. A Detroit sense of melody adds colour and ensures utter timelessness. ‘Blue Fantasy’ is another track that show off the power of machines to make music that touches your soul with its gorgeous strong stabs and masterful drum programming, and ‘Inca’ then slips more into a house groove, with busy, shuffling drums driving along beneath acidic twitches and broad, heavenly pads. It’s slick, urgent and compelling and ‘Nolita’ closes things with more delicate dancing machines, rueful synth work and rubber bass. It’s archetypal Detroit techno that sounds as good and forward facing now as it ever did.