Detroit bred / LA based producer Kenny Larkin has long been a force to be reckoned with, both in the studio and in the DJ booth. Under his ‘Dark Comedy’ alias Larkin crafted some of the deepest and most soul-searching Detroit Techno sounds. ‘Corbomite Manuever’ was originally released in 1992 and is the complete epitome of a game changer, this was Techno at it’s most sensual, intelligent and human, the antithesis of a lot of what was masquerading as the real-deal at the time.
Uncage offers some uncompromising techno from Reformed Society, featuring two originals and remixes by Bambounou and Steve Tang’s Obsolete Music Technology.
”Looking back in hindsight to the activity and accomplishments of Axis is with much pride – to witness the relationship between the music and listener evolving to this point. The Director’s Cut reissue project is about manicuring detail. It’s about a rare opportunity to enhance what we’ve done so that the relationship strengthens for the long term” – Jeff Mills
Two Detroit techno classics from Metroplex Records, by Juan Atkins and Martin Bonds. Re-mastered and repressed by the the music preservation society. Essential Detroit techno.
Originally released in 1994, Tresor Records is proud to announce the reissue of Robert Hood’s ”Internal Empire”. A masterwork, then and now. ”Internal Empire” marks a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come.
Delusion presents its first conceptual solo release by Mateo Hurtado. Psychedelic modular sounds form a deep and gloomy mood that perfectly affects on impulsive drums and basslines.
Dan Curtin lands on Fabio Della Torre’s Tuscan label Bosconi with 2 previously unreleased gems from his 90’s DAT archive. The previously unreleased Population III which moves forward into the outer realms of space and time. The live version goes a bit more into electroid landscapes but still maintains a straight groove for electro and techno purists most playful moments. The third cut is the epic acid banger and previously unreleased Redshift, showing already at those times that Dan Curtin was defying conventions and pushing boundaries and pioneering what we can now consider modern dance music while displaying melting innovation and deeply felt emotional content at the same time.
The first release of a new Axis sub-label by Jeff Mills entitled ‘Star Marked’ with 4 tracks of Jeff Mills trademark techno tracks.
The SECT3000 is Remco, little-known mid-nineties Swiss proto-techno producer, the younger brother of the synth player from Swiss new wave band Les Rêveurs Artificiels/Die Künstlichen Träumer. Once in a while, he would make a sporadic tune on his brother’s gear, recording it on 8-track tape, without ever mixing it down, then just archiving it in a closet at his parent’s house. Basic Moves got these tapes, made the mixing and mastering and not these two tracks are out for put listening pleasure.
Indio was a short lived but influential trio of John Beltran, Sam McQueen and Seth Taylor. They released an album and three EPs of hi tech ambient techno on Derrick May’s Transmat and the Rhythmic Tech label between 1999 and 2010. Here, three tracks from their self titled 2003 EP and one that was released on Styrax get put together, remastered and recut for the next Delsin reissue. Opener ‘Winter Long’ is classy techno cut that looks into the future. A symphony or gorgeous strings lights up the backdrop as scintillating drums dance and shimmery in the foreground. A Detroit sense of melody adds colour and ensures utter timelessness. ‘Blue Fantasy’ is another track that show off the power of machines to make music that touches your soul with its gorgeous strong stabs and masterful drum programming, and ‘Inca’ then slips more into a house groove, with busy, shuffling drums driving along beneath acidic twitches and broad, heavenly pads. It’s slick, urgent and compelling and ‘Nolita’ closes things with more delicate dancing machines, rueful synth work and rubber bass. It’s archetypal Detroit techno that sounds as good and forward facing now as it ever did.
Over the years, Ken Sumitani has released a decent amount of rather good music, primarily under the Stereociti and Mono Village aliases. This, though, marks his debut under a new alter ego: Waveguide. As debuts go, it’s something of a triumph, too, serving up four essential, tried-and-tested cuts. There are two high-octane, electro-influenced offerings: the sun-bright, funk-fueled melodic bliss of “Lemma” and the heavier, raw-sounding “Tightrope”, whose skittish beats are offset by some delightfully deep melodies and even deeper chords. You’ll find some similarly smooth and hypnotic chords on the brilliant deep techno dubbiness of EP opener “Quod”, while “Cubic Root” sees the Japanese producer successfully wrap restless synth loops around a mildly trippy, Motor City influenced rhythm track.
Essential re-issue project of Luke Slater’s alias The 7th Plain. Cosmic, analogue, orchestrated, they still represent some of the most emotionally intense music ever to come out of the techno realm. Aside from the special vinyl boxset (6×12“ LP), which includes Chronicles I – III, limited edition stickers, an essay by Joe Muggs and a complete download code. All releases are available individually on CD, 2xLP and for the first time in digital formats.
By popular demand Metamorphic is reissuing their 3rd release, Origins EP by Planetary aka Dan Curtin, carefully remastered from the original DAT recordings.
Reedale Rise here with a strong follow up to his much appreciated “Luminouse Air” album released earlier this year on Kondi Records. Forest Canopy EP has all the Reedale Rise trademarks of futuristic warm and souldful electro with a bit of a acidic twist.
Juan Atkins’ Infiniti project combines raw tactility and puristic elegance with Skynet, where slinking grooves mask chaotic frequencies and roughly-hewn structure.
Alongside fellow Detroit legend Terrence Dixon who appears on several tracks, Atkins exposes the life and emotion in machines, outputting a biomorphic atmosphere of industrial soul. The ongoing importance of this album is indisputable, essential both to techno and to Tresor.
This is the sixth release on Eye Teeth, the techno sublabel of Interdimensional Transmissions, by Berlin’s Pascal Hetzel. This EP effortlessly merges a modular and hardware approach to music making while fusing techno, industrial and electro influences. The opening cut “Incognizance” is a near perfect blend of all his influences, while the EP closer “Reformation” mixes these ideas into an energizing very techno take on electro feelings. We love this EP and really look forward to new music from this promising artist.
Last year, Spanish analogue freak Do Or Die impressed with debut album “Alien GF”, a nine-track romp through intergalactic acid, techno and electro pastures. “Imposible Materia” offers up his first new material since and is similarly impressive. Head first for “Lost”, a bustling, all-action affair rich in fizzing riffs, weird noises, classic Motor City chords and wiggly acid lines, before losing yourself in the hypnotic, minor key motifs, broken techno beats and unsettling stabs of “DX100”. Sci-fi loving acid freaks will devour the psychedelic TB-303 lines, rumbling Michigan bass and punchy drum machine hits of opener “Conciencia Sucia”, while closing cut “In Time” offers a warm, groovy, tactile and suitably shuffling conclusion to another superb Do Or Die release.
Musique Pour La Danse presents this LP limited edition reissue of The Purple Universe, an album originally released in 1993 by Swiss duo Synectics (Marco Repetto & Stefan Riesen) on legendary braindance label Rephlex. Bearing CAT number 06, this early release is one of Rephlex’s best-kept secrets. The 2 x LP edition includes 3 tracks from the CD version, never available on vinyl before.
The Hipodrome Of Music 