
The visionary from Detroit, Terrence Dixon, is back to 30D Records with an exquisite pack of vanguard tastefully built on Techno. This fifth chapter of the ExoPlanets series is powered with two original cuts and a pair of remixes.

The visionary from Detroit, Terrence Dixon, is back to 30D Records with an exquisite pack of vanguard tastefully built on Techno. This fifth chapter of the ExoPlanets series is powered with two original cuts and a pair of remixes.

Work For Love return with a blinder from the legend Thee J Johanz. Limited edition, the first in a series of two with unreleased tracks and takes from the early nineties.

Super Rhythm Trax welcomes producer John Heckle to the label. On this release you’ll find heavy nods to Detroit as the music is bursting with soaring chords and emotion but all the time underpinned by the heaviest of 909 beats.

After a career spanning more than 25 years John Beltran lands on the Belgian De:tuned label with the long-awaited follow-up album to his widely acclaimed classic 90s masterpiece ”Ten Days of Blue”. On ”Moth” Beltran opens his heart by combining melody, emotion and soul with infectious grooves. As such he lays down the definitive and timeless Detroit sound with a clear nod to the early innovators. From 4/4 dance floor burners to tribal shufflers and ambient interludes, ”Moth” is a well-balanced journey full of blissful atmosphere for both the mind and feet.

JP Enfant with a crafty, uplifting, highly effective 1990s Detroit Techno futurism schooled EP on a.r.t.less.

Route 8 back to his techno project Q3A dropping some heavy grooving tracks. The talented Hungarian producer is back with four more cuts of techno and electro excellence, club tracks that ooze atmosphere and intriguing details. The Nameless Place kicks off with a tense and tangled techno track that is urgent and slick as is hurries on through damp underground caverns. The Very End of You completely flips the script and is a slow motion bit of dub. With only sparse kick drums, the focus is on the cavernous pads that smear in huge arcs as watery droplets and heavenly chords add to the brain soothing effect. Temple of Retribution is back to techno, this time with loose, jumbled percussion and clipped drums cantering along at high speed. Again it’s roomy stuff with no real edge, the Deva Station drops into house mode, wriggling drums and distant vocal cries finished off with some classic Detroit keys. It’s a high tech, soulful track that closes out a diverse and devastating EP.

The Echelon is conceived in total secrecy. Embedded deep in the contemporary landscape, its sole purpose is to function as an anonymous observer, translating its findings into music and movement.

The five-track EP will be the first material from Mills’s latest electronic-classical project, Lost In Space, which is a collaboration with Orchestre National Du Capitole De Toulouse. Following the 12-inch, Mills will release a Lost In Space album at some point in 2018 and perform live alongside the orchestra on April 5th and 7th in Toulouse. “Lost In Space” is an exotic music excursion into the unknown – discovering the sectors of Outer Space and encountering unexpected occurrences which is to be the objective, narrative and attraction. Like the architecture and habitation structure of a jungle, life exist and persist everywhere, but only by the degree of our 5 basic human senses.

Artefakt come from the deepest branch of techno. The partnership of Robin Koek (Cyspe) and Nick Lapien (Metropolis, Rhine) have explored subterranean caverns, dense forests and unknown lands on labels like Prologue, Field and Delsin and their latest three track expedition on DSC continues that journey into the beyond. “Raid” is a near nine minute odyssey, a trip into shimmering cymbals, acid growls, placid lakes and ritualistic rhythms. The flip finds a breaking in the dense foliage: “The Radiant City”, a sanctuary of soaring strings, soothing pads and entrancing harmonies. “Lichtspiel” writes a different tale. Muted tones are ruffled by an industrial edge, the hand of man and the rise of the machine blended with a natural and organic warmth.

The Delsin re-issue arm turns its attention to Lost Trax. This EP features four cuts taken from two different EPs, The Saturnian System and Lost Trax 2 from 2006 and 2010 respectively. Saturnian System opens the EP with some acid laced electro slickness. Fluttering snares and spacey synths carry it away into the cosmos, then The Sequel gets much busier. Scurrying lines dart about in manic but funky fashion, with serene pads off setting the high energy drums. Self Destruct Sequence then drops into an urgent, slippery electronic groove riddled with squelchy sounds and rubbery bass all perfectly orchestrated. Last of all, Birth is a nimble electronic house cut with plaintive synths and kinetic drums that wiggle and wriggling through the night sky. This is an EP stuffed with timeless sounds and is another essential reissue from Delsin.

Jaime Read is something of an unsung UK legend. ‘Relief Sevensixty’ is a collection of Read’s rarer tracks that have appeared in a roundabout way, on a legendary Chicago label in a tale that has by now been widely documented. Across 4 tracks this EP shows what a dynamic producer Read is, the music contained within has a depth and maturity and of course it’s some funky as, futuristic, space Techno that sounds like it’s just escaped the warp drive and landed here on earth and implanted itself in our eardrums.

Andre Kronert’s Odd Even welcome one of the most authentic techno producers and veteran. Known for his genre defining inimitable sound, and energetic performances, Jeroen Search is today where hes always been, at the very edge of contemporary techno.

Van Abbe’s fresh No Comment release presenting 2 originals, a remix by The Exaltics and a debut track by Pantone 32.

Solar Phenomena is a brand new label on an exciting astral crusade. The take-off pilot for our virgin mission is none other than decorated Polish producer Echoplex with an excellent remix by A Made Up Sound.

Mojuba sub label a.r.t.less presents the second 12 by Munich Techno Duo Trap10. Three cuts of high quality Detroit influenced no nonsens Techno, ranging from heavy peak time action to subtle emotion ladden deepnes. Classy, driving, mid 1990s Detroit school reminiscent Techno.

Rawax welcomes Mr. Joey Beltram to the Family, with a timeless masterpiece from 1990, Technical Onslaught “The Calling”.