
A re-issued classic from the veterans of the genre, welcomed back via the Direct Beat Classics (DBC) label.

A re-issued classic from the veterans of the genre, welcomed back via the Direct Beat Classics (DBC) label.

The first 2020 release on SolarOneMusic’s sublabel Between Places comes from Galaxy87 a duo from Italy. One half of them regular release his music under the CEM3340 moniker for Curtis Electronix. The other one is Nicola Loporchio aka Cosmic Garden, founder of Cosmic Rhythm. Perfectly produced deep space electro with bubbling 808 beats and basslines. Start your engine of your spacecraft and follow the message of Galaxy87.

Adapta and Uexkull find themselves becoming affected by recurring nightmares and visions of strange alien beings including greys, blue doctors and bugs. Eventually they’ll have to confront their frightening visions,.. real or not… Spheric electro cuts with dark, cinematic feel.

Welcome to Aquatic Experience on Electronic Leatherette sublabel Heretic Electro. Sonic studies of Drexciya still alive and continues in 2020. MSRG and Reedale Rise will dive you through aquatic technologies of modern electro music. Enjoy the experience and don’t forget to fill feedback forms after leaving your deprivation rooms.

BAR05 by Italian MinimalRome affiliate Teslasonic. Stunning Electro cuts including a mesmerizing remix by Rotterdam favourites Animistic Beliefs.


Undersound Recordings opens the new decade with an electro EP from Leite Dos Santos, alias of an unknown producer. This EP fuses old and new school electro vibes, all tied together by emotional melodies and undertones. The record opens with two broken tracks: ‘Codex Alexandrinus’, a classy track with the highest pace of the EP and the dreamier ‘Texto Sagrado’. On the flipside, the producer switches to a 4/4 formula with ‘Tanakh’ and ‘A Cidade Santa’, closing the EP with melancholic pads over arpeggiated saw basslines.

After presenting last here the first E.R.P. album called “Afterimage”, Forgotten Future comes now with the second album from E.R.P aka Gerard Hanson. “Exomoon” inclused 8 deep Electro cuts from the man from Texas.

Maaco from Detroit and Overdose from RotterHague had some time in the studio together and here’s what came out, somewhat old somewhat new somewhat slew. Grischer from Cologne takes all the girls home, and makes them program beats.

Under the E.R.P. alias, Gerard Hanson has been making some of the finest intergalactic electro known to humankind since the tail end of the 1990s. His catalogue is meaty and some of his older, out-of-press records are now frustratingly hard to find – hence this tidy double-pack from Frustrated Funk. It includes all three tracks from Hanson’s 2007 label debut, “Vox Automaton” – the body-popping brilliance of the title track, the Drexciya style underwater trip of “Nerve Play” and the deep electro lusciousness of “Parfume Persuasion” – as well as the trio of cuts originally released on the “Alsoran” from the same years. These are arguably even better, with the melodious, cinematic and futuristic title track, and wonderfully poignant “Irma” standing out.

Undersound returns with a four tracker of restless acid sketches with one of our favourite contemporary Detroit producers, Jared Wilson. As the title “Roland Acid Again” suggests, the EP is a homage to the classic synthesizers that defined electronic music. The EP kicks off with “Always Something” and “Roland Acid Again”, where acidic lines are interlaced with signature Roland drums to convey different moods. Side B showcases a more reflective side of Wilson’s sound, with “Peanutbutter Halloween Saltmix” and the more direct “Nov 27” which closes the EP with its squelchy melodies.

Fundamental Records’ electro music project called ”Electric Eclectics” comes with the additional ”Ghost Series”, that literally fit perfectly in the remaining space of the ”Electric Eclectics” box. Each record is a picture of the electro music released in the line that Fundamental Records has us accustomed. Talk about the music itself is something that Fundamental Records try to avoid in each release, if you want to know why you only have to check the project Music for The Other People Place to find out more about their philosophy.

Fundamental Records’ electro music project called ”Electric Eclectics” comes with the additional ”Ghost Series”, that literally fit perfectly in the remaining space of the ”Electric Eclectics” box. Each record is a picture of the electro music released in the line that Fundamental Records has us accustomed. Talk about the music itself is something that Fundamental Records try to avoid in each release, if you want to know why you only have to check the project Music for The Other People Place to find out more about their philosophy.

Three years have passed since the latest outing from Area Forty_One. The low-profile Dutch producer makes a welcome return to Delsin with four of his intergalactic explorations. It’s the third and final part of his Nocturnal Passions EP series on the label and once again a fine spaced-out collection of ambient, deep sea techno, downtempo grooves and icy electro blending into cinematic soundscapes. It’s an absorbing and thoughtful entirety, ticking all boxes for fans of deep and powerful electronica.

Essential electro-techno classic. This is the second record from Ectomorph and second record for the label Interdimensional Transmissions, from 1995. This is the first time it has been repressed in over a decade, and its been done using the original masters — coming from 2 wizards of Midwest Mastering. The A side was mastered by Mark Richardson at Metropolis (who later founded Prairie Cat Mastering) and the B side is complete with lock grooves cut by Ron Murphy. Manufactured in Detroit!

Deep space electro by French producer Franck Kartell. Known for his releases on labels such as “Bass Agenda Recordings”, “Transient Force” or “New Flesh”, just to name a few. This time he makes his debut on Between Places the sublabel of SolarOneMusic. Enjoy his journey into dreamy electro and sience fiction worlds.

Classy Italian label Where We Met unveil a new signing on their seventh release, which also marks the mysterious ReKaB’s debut. His skills belie that newbie status, because this is atmospheric techno with emotional and musical depth. “2019” is a real highlight with its twitchy synths and breezy electro grooves making for a pensive vibe before things cut loose on warm and rubbery house jam “The Hassle”. The ambient synths that colour these tracks is what make them standout, and closer “Self-Destruct” is a prime example of that. “Music Makes It Better” is a title we can all relate to, and in the case of this track, it sure is a beautiful place to be.