Fierce interdimensional acid tracks on the latest outing from the I.T. HQ in Detroit. Andy Toth casts a long shadow in the Detroit scene, from being co-founder of the Detroit Grand Pubahs to working as an engineer and mixer, he’s worked on so many records that you know but in his egoless way, didn’t know he was part of. Being the co-author of ”Sandwiches” took him around the world, but more importantly, it was the hold music for Mudgie’s, a legendary Detroit Deli run by another long-standing denizen of the Detroit underground, Greg Mudge. Greg Mudge was a true pillar of our techno community in Detroit, from showing us the venue for the first leaky roof No Way Back, to throwing his own events and supporting great people. One of those people was Andy Toth, who he was constantly pressuring to release his music, and this became a major theme of Greg Mudge’s memorial. When Greg suddenly passed last September, some friends came in to DJ his memorial like Derek Plaslaiko. When it was Andy Toth’s turn he played only his own productions and we were all just so blown away. Mudgie was always asking Andy ”what’s up with those tracks?” And this record is the answer, a testament to that thought, and to the deeply layered and detailed work of Andy Toth. Andy has created a uniquely dense Detroit Sci-Fi trip through sound, with elements of acid, electro, techno that result in an advanced and mature adventure in sound, reflecting his roots in the Detroit scene, but pushing it into new hypnotic futures, to boldly go where no one has gone before.
Debut album from Israel Vines on Interdimensional Transmissions, a futuristic fusion of UK bass, post-jungle breakbeats and techno with the rhythmic flex of Detroit Electro. Across its nine tracks, Vines channels the spirit of undulating UK techno and bass — think Bristol and London — into a form and shape all his own, indebted to his American Midwestern roots. Rolling beats, uncommon rhythms, and club-floor sensibility paired with a polyrhythmic touch.
Deep tripping acid tracks on the new Interdimensional Transmissions. Pervocet is the brand name of the psychedelic music project from Patrick Russell and Jasen Loveland and is used to induce moderate to severe psychosis.
Essential electro-techno classic. This is the second record from Ectomorph and second record for the label Interdimensional Transmissions, from 1995. This is the first time it has been repressed in over a decade, and its been done using the original masters — coming from 2 wizards of Midwest Mastering. The A side was mastered by Mark Richardson at Metropolis (who later founded Prairie Cat Mastering) and the B side is complete with lock grooves cut by Ron Murphy. Manufactured in Detroit!
This is the sixth release on Eye Teeth, the techno sublabel of Interdimensional Transmissions, by Berlin’s Pascal Hetzel. This EP effortlessly merges a modular and hardware approach to music making while fusing techno, industrial and electro influences. The opening cut “Incognizance” is a near perfect blend of all his influences, while the EP closer “Reformation” mixes these ideas into an energizing very techno take on electro feelings. We love this EP and really look forward to new music from this promising artist.
The debut record from Ectomorph that launched it all — the project, and the label Interdimensional Transmissions in 1995. This is the first time it has been repressed in over a decade, and it’s using the original masters complete with 3 lock grooves cut by Ron Murphy.
Ectomorph occupy a unique and strange place within Detroit Techno history. Founded in 1994, they released their first 12″ singles in 1995 as an attempt to make Detroit music for Detroit itself, rather than exclusively for export. The mystique of their early singles led to mythic status and a strong underground cult following, which they have continued to develop through releases on their own Interdimensional Transmissions label. Their live shows are legendary for their ability to fluidly incorporate improvisational techniques into synthesized music (and for the sheer amount of hardware that they bring to the stage). The Ectomorph show is all analog, no computers or samplers or even drum machines: all sounds come from the modulars and the mountains of Moogs. Ectomorph (now officially comprised of BMG & Erika) reconvened in 2016 to write new music, which led to a series of live shows where the new material was tested via performance and allowed to evolve in form. To capture the energy of these performances, the new material was recorded in the studio totally live, multitracked for further engineering, but with no editing whatsoever. The entire album was recorded live in one or two takes in the Interdimensional Laboratories in Detroit. This is the sound of the idea that is Ectomorph, presented in its natural and organic format, live and improvisational.
The Acid Series celebrates over 10 years of No Way Back, with music that directly references that experience. Jordan Zawideh’s music perfectly reflects his personal migration from Detroit to Chicago. It somehow combines the raw elegance of a Larry Heard demo (listen to the demos of ”A Path” or ”Acid Dreams” and cry) with Detroit Techno and an unconscious take on the sonic exploration of Drexciya, showcased in songs like ”Magellanic Cloud” and ”Trails of Sophia”. In Jordan’s sound, the raw power of the cassette era of Chicago House combines with a Detroit Acid Dream. Gay Marvine and BMG complete the package with two edits.
To celebrate 10 years of No Way Back (a regular party in Detroit…and beyond), the label is launching the Acid Series, a series of records on Interdimensional Transmissions inspired by the No Way Back parties. The second release in the series comes from Justin Cudmore. He is the latest in the line of midwesterners to emerge from the Brooklyn music scene, hailing originally from Illinois. And you can hear it in his music, that mesmerizing midwestern groove and deep heady thoughtfulness.
Jasen Loveland is a doctor of medicine, with interests in house music and computer dating. This is his recorded debut. Recorded in LA and mixed in Detroit at the IT studios. To celebrate 10 years of No Way Back (a regular party in Detroit…and beyond), the label is launching the Acid Series, a series of records on Interdimensional Transmissions inspired by the No Way Back parties.
On this record we find Kit Geary & Israel Vines (here as KGIV) exploring the subtleties of slow change within a techno track with the outstanding heady Mockingbird’ and through the rocker From Fragments’. The B Side features an unsung hero of American techno – Borrowed Language veteran Jeff Pietro – with the sonic masterpiece of his hypnotic Mockingbird’ remix.
Alpha 606 is Hialeah born, Miami dwelling Armando Martinez, who offers an intoxicating concoction in the form of his unique take on electro. Taking the genre’s classic sci-fi synthetic aesthetics and coding them with his own Cuban musical heritage, there’s a real funk and spirit in Armando’s machines. The carnivalian drum frenzy of “Afriba”, the tipped humanized elements of “Shake”, the hypnotic house headnods of “Black Mermaid” the roomy reverberations and lean make-up of “Whale Memory” and plenty more comprise a unique melting pot that references all points past and future.
Jamal Moss (aka I.B.M. – Insane Black Man) is a lost warrior of sonic truth. Digging through shoe boxes of cassettes, video tapes, and mini discs, we have collected the secret tapes of one Insane Black Man. This is an archive of the impetus of his genius, containing perhaps the holy grail of all Jamal Moss tunes The Land of Rape and Honey and Tribal Retribution. Artists on labels like LIES are still searching for these originals. We have taken them from their dusty and damaged condition and painfully & meticulously restored them. Now we can present these fragile raw and pure visions with the greatest level of quality. Finally the full impact of these ideas can be felt.
This is the second release on Eye Teeth, the new techno sublabel of Interdimensional Transmissions, a remix EP with interpretations direct from the peers of Israel Vines. Features an incredible peak time remix of “WWKD” from Silent Servant. It is followed by another powerful and surprisingly straight techno take on “WWKD” by the often more experimental and industrial Talker. The B Side features a version of “Relapse” by Eye Teeth founder and curator BMG. This is his first published remix created entirely on his modular.