
Early electronics fetisjist Dollkraut continues delivering heat for the freaks. Three unique cuts that go from vocoder electro with live percussion to african inspired synthesizer disco.

Early electronics fetisjist Dollkraut continues delivering heat for the freaks. Three unique cuts that go from vocoder electro with live percussion to african inspired synthesizer disco.

Dark Entries and Honey Soundsystem have teamed up to release “Catholic”, the lost opus of disco pioneer Patrick Cowley and Indoor Life vocalist Jorge Socarras. Perhaps one of the most revolutionary and influential people in the canon of disco music, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound”. “Catholic” is a genre-bending concept album that ranges from minimalistic proto-techno to synth-driven post-punk. It shows a much broader range than any Cowley or Socarras material available and gives a totally new perspective to one of the most inspiring eras in music history. Patrick forges a unique electronic sound from his collection of synthesizers, modified guitars, and self-constructed equipment while Jorge’s vocals go from hypnotic to camp, singing about gay love juju and tackling classics by Donovan and Stoller & Leiber.

A taster of what we have been waiting for a long time; four tracks from Motorcycle Boy’s upcoming album – Squalo. Mutant house and dischord disco sit alongside girl freindly drum workouts and emo disco. Its disco, but not as we know it.

Santos – Beat The Knuckles, Fiona Franklyn – Busted Up On Love, Ron Hardy – Sensation (unreleased mix 1).

Linea Beat is Slow Motion’s latest offshoot, focusing strictly on the whacked out sounds of mid-eighties electronic disco. Long term label partner Francisco has turned his drum machines up to 11 and set lazers stun on this jacking disco 12”. Side A sees Cosmo joining the fun bringing along with him the ghost of cult Italo favourites Fun Fun for a throbbing excursion into sunrise elettro. Hands will be in the air for this one for sure. On the flip side things are sleazy, breezy and pulsating with the swagger of Rimini in 1986

Given the infamous depth of Nick The Record’s vinyl collection, you’d expect this contribution to Z Records’ excellent Under The Influence series to be packed to the rafters with unheralded gems. Predictably, it is, delivering 22 cuts that should be thrillingly new to all but the most dusty-fingered collectors. Picking out highlights from such an excellent and in-depth collection is tough, but try the steel drums-laden celebration of Boogsie’s “Can’t You See Me”, the synth-laden jazz-funk badness of “Keep Your Shoes” by MC and His Great Googa-Moogas, and the fizzing, melody-rich 808 electro of Ronnie Jones “Video Games”. If that’s not enough there’s also a swathe of DJ-friendly re-edits from Nick himself.

Few newcomers have created that stir that Italy’s Alessandro Parisi has caused. Following releases on Lux Rec, Minimal Rome and Flight Recorder this young producer has captivated audiences with his textured electronics and vivid soundscapes. It is to this bright talent that Frigio Records have turned to proudly introduce the label’s first full vinyl full length: Cathar Rhythms. Soundtracks have always been a focal point for Parisi, a core of his inspiration. This love of the analogue movie score permeates the six track album, fortified with a new toughened rhythmic edge.

The Porn Wax releases can always be counted on to be some psychedelic, tripped out disco and this release does not disappoint. “Affected” is spaced out disco goodness, while “To Be Discontinued” has more of an Italodisco throwback vibe to it.

Tokyo Matt from the Otaku Soundsystem and Mori Ra & Asn from Tokyo Oyama Edit presenting 4 edits out of this world. All very atmospherics, they are the ideal combination of space disco, Balearic rock, jazz, pop and fusion.

Berceuse Heroique label deliver the second 12″ from the Heroique Edits series, coming form Japan Blues, aka Ethbo Records founder Howard Williams takes an altogether more eccentric approach. Opener “Half Dead Pulse” is dreamy, melodic and, well, rather odd, with vocal chants and fluid melodies riding a skittering drum machine rhythm and long, drawn-out chords. “Baroque Mutiny” sounds like post-punk-meets-chiming synth-pop (with a dubwise beat), but is almost certainly an edit of an obscure new wave track. Finally, “Mysterious Satsuma” delivers an attractive blend of exotic, Eastern synth lines and curious, experimental Italo rhythms.

‘Merck 274350’ With its propulsive mechanical basslines, industrial-strength percussion, and a Germanic vocodered mantra, this Teutonic Panzer Tank of a track takes absolutely no prisoners – an electronic matter of fact statement inspired by the passing of time, fate, circumstance, and synchronicity. Holland’s misanthropic high priest of psychedelic, doomy, dark house & techno, Drvg Cvltvre, delivers a trippy interpretation, turning the track into a lysergic love letter to this iconic chemical catalyst, maintaining the dynamic bassline of the original but adding a nagging 303 line to deliver an explosive 3am dancefloor device. One Step Closer to Heaven begins with a metronomic, rhythmic New Beat stomp and a nagging insidious synth refrain that recalls the more electronic side of New Order. Muscular synth riffs then drop in and out of the mix, taking the track into dark EBM territory and ramping up the pressure before the influences of Giorgio Moroder and Cerrone come to the fore, propelling the track into a rapture of hypnotic celestial electronic disco.

For the latest edition of the intriguing Dessert Islands Discs re-edit series, the label has called upon the well-renowned scalpel talents of German-in-Amsterdam Marcel Vogel, AKA Em Vee. The Double Denim-sporting eccentric drops another gem in the shape of “White Heat Shake It Out (Edit)”, a bouncy and seductive disco chop-job that makes great use of the source material’s bustling groove and steamy, spoken word vocals. On the flip, lesser-known re-edit heads Papi Del Pancake and Claude Von Reefer take up the challenge. Their “Gimme What You Got” has a little more deep house shuffle, but retains the key instrumentation and feel of a sumptuous disco-soul jam.

Spacey electronic disco from 1977… Not only was this ahead of its time, but it features the works of two of disco’s most respected, revered studio artists; Tom Moulton and Patrick Cowley. Long-since sought after, West End have done us the good service of reissuing it in all its glory. Cowley’s mega mix is linear, dubbed out and naked in vibe, which gives it a really neat timeless groove sensation. The disco mix is a little more frenetic and of its time thanks to the big drums, overlayed guitars and Michele’s sensuous vocals.

Those with a passion for ’80s electrofunk, boogie, synth jams, machine soul and proto-house should already be aware of Inskwel and Benny Badge’s Hot Shot label. The imprint specializes in delivering fresh music inspired by those sounds. Here, the Australian duo gathers together a superb selection of contemporary revivalist sounds from like-minded souls. Highlights are naturally plentiful, from the rubbery bass and vintage synths of First Touch’s “Sure Feels Good To Me” and Jupiter Gang’s bodypoppin’ electro workout “America”, to the deep proto-house of Paradise Box’s “Slave 2 Knowledge” and Inkswel’s acid-tinged midtempo deep house rework of High Accord’s “You Are (My Number One Priority)”.

The Black Madonna tries a different approach on this debut for the recently launched Night Owl Diner label. You could certainly describe both tracks as “Balearic”, and there’s a real air of wide-eyed positivity about the tumbling melodies, swirling synth-strings and mid-80s pop production of head-nodding deep house cut “Stay”. It’s pretty darn tasty, all told. Almost as good is “Requiem”, which appears to be built around a loop lifted from Cherrelle and Alexander O’Neal’s “Saturday Love” (with, of course, additional synths and tuneful electronics).

The first part of another Golf channel double header from the insanely prolific and scarily on form combination of Dean Meredith & Ben Shenton. A side ‘C.E.R.E.M.O.N.Y’ has been dubbed ‘the barnyard stomp’ by split secs’ / sonns’ Travis Kirschbaum (aka TK Disco) – 11 minutes of bluesy peyote riot that features Derek Holt of 70’s black country legends The Climax Blues Band. B side ‘Hiding from my Shadow’ is ripe with the funk too, but takes us away from the fertile stench of the psychedelic session in the barn and instead channels Minneapolis via Stafford as P-funk squiggles give way to Mr. Meredith’s trademark chugging bass.

Classic Italian Disco including Leo Mas & Fabrice Instrumental Dub and a Dj Rocca Vocal Edit.