A well balanced and versatile EBM meets Detroit Electro EP on Marcel Dettmann’s Bad Manners label by Nite Fleit. Her signature blend of high-octane techno, acid and electro shatters expectations and perfectly fits the label’s sonic playfield. Brace for a bold proclamation of sonic supremacy, emphasizing Nite Fleit’s ascent through the ranks of electronic music hierarchy.
Re-release including all original tracks plus some bonus and remixes. The Overlords is a pioneer electronic project coming from Denmark. Rune Bendixen, Carsten Pedersen and Ian Ion started to work together in 1987 inspired by Front 242 and Adrian Sherwood’s electronic dub. The ever-cheaper samplers allowed the band to record their debut album ‘Midnight at the Grooveyard II’ (1988) and built their own studio The Grooveyard in Copenhagen. Next works started to get increasingly influenced by techno, new beat and innovative dance music. A new single ‘Moontrap’ (1990) appeared on Belgium’s Antler Subway Records and led The Overlords to collaborate with Kenneth Baker who remixed the next single and massive club hit ‘Sundown’ (1991). The full-length ‘Organic?’ (1991) came shortly after also on Antler Subway in Belgium, ZYX Records in Germany and reached America with Caroline Records.
Re-release of this timeless electronic anthem. A track that defies any classification. The perfect mix between Belgian techno, trance and EBM. ‘Sundown’ was released as single in 1991 and instantly became a techno classic in Germany and all over the globe selling over 200,000 copies worldwide.
For the sixteenth output, Marguerite Records presents a new compilation. The A side marks the eclectic label shadow: ‘Condizione Umana’ by Italian Massacres, the duo composed by Violet Poison and Davide Pestillo, opens the release with an enigmatic VHS-tinged composition, sci-fi b-movie soundtracks inspired. A2 ’Zezuru’, a giant cinematic drone wrapped in distorted percussion by LIES affiliated German Army followed up by ‘Drone Thugs & Harmonies’, a slow tempo psychedelic-dub from Dutch’s Galactic Funk owner Bertram. Closing up the first side is ‘Solar’, an authentic electro full speed track by the Croatian musician and sound engineer Zarkoff. ‘Lies in Disguise’ has an obscure synth bass sequence and textured vocals by KRI affiliated the duo Black Dot and opens up the second side, followed up by ‘Cage’, produced by the Italian New-Beat master Unconscious. After that, Florence’s Synth-Punk band Zona Utopica Garantita maintains the old-school vein with ‘Lifetime Shock’. The release is closed by the firework-ish beats of ‘Tory Gloryhole’ by Autumns.
Pablo Bozzi drops a second compilation on his new label, Second Sight, with the various artists ”Unknown Prospect Vol. 2”. The title says it all: boundless and vast, Second Sight’s intent is to promote the talents of innovative producers who defy genres in the pursuit of their own idyllic aesthetic. Tracks from Port Manteau, Chinaski, Alen Skanner, Miguel De Bois, My Boy Roy and Pablo Bozzi.
Dive into the sonic waves of SMFORMA’s latest release, “It’s a Weird Place”. This 4-track EP unleashed by Soil Records, is a captivating journey through sound, blending the energetic technoid-EBM with sensual, bewitching vocals. Drawing rich inspiration from the old-school EBM sound of the late ’90s and early 2000s, SMFORMA breathes new life into a classic genre.
The Spy returns with a set of devastating anthems built for floor deterioration. Watch your spine or risk relapse.
The 28th split of the series exudes a sweet perfume of raw energy and sweaty bodies banging in a feverished cellar. On the A-side, Switzerland-based duo Bound by Endogamy, coming from the punk scene, delivers three industrial-synth-rave-hardcore bombs that will definitely destroy your brain. On the B-side, italian producer Antonio Barbetta aka Raw Ambassador delivers two strong dark electroid cuts designed to heat up dancefloors around the globe.
After almost 6 years of silence since ‘Akelarre’, Synths Versus Me, the personal musical project of Nico Cabanas, co-founder of Oráculo Records alongside the young Italian promise India Nardone. Recorded analogically in just 2 months, fluctuates in a futuristic way between different kinds of unusual dark sub styles such as industrial noise, proto- tribal, synthpunk or krautwork, and, of course, among other dance-oriented such as EBM, new beat, synthwave, electro/breakbeat or trance.
Savage Grounds is the synthpunk and minimal synth swiss project of LUX REC head Daniele Cosmo among Florin Büchel and the mesmerizing Kleio Thomaïdes (part of Bound by Endogamy as well). Separation Shock represents the last record by the trio before the temporary hiatus they have decided to start. You could expect the classical, raw, and minimalistic sound that defines one of the best acts in the genre coming from central Europe. Pure analog synth madness with the always-evoking and hypnotic vocals of Kleio.
After 10 years of silence, Regimen Galáctico Totalitario is the new release of the Mexican producer Dellarge, reknown as well for his experimental noise project I.N.R.I. (Indústria Nacional del Ruido Infinito). In this mini-album, Dellarge presents his vision of nowadays evolution of EBM towards a futuristic blend of breakbeat, industrial, and electro creating the perfect soundtrack for a futuristic apocalypse.
After passing through Ombra Festival (2022), the legendary 80’s band, Days of Sorrow, reemerged from its slumber to once again be at the head of the synth wave artists of the moment. It is for this reason and for its legendary legacy that Banshees Records has decided to give another twist to the songs of the German group with this double vinyl of remixes featuring internationally artists such as Alpha Sect, Black Merlin, Carlos GrabStein, Chris Shape, David Carretta, Israel Padilla, JG Outsider, Love The Machine, Parissior, Skelesys, Spammerheads and Synths Versus Me. “Days of Sorrow, The Remixes” is a double LP where the German band’s own sound is reinterpreted, giving it a more electronic touch, focused largely on the dance floor.
A collection of electronic anthems for the SOIL, following the tradition of the Soviet Gym, composed with strong and resolute strokes and delivered with straightforward, accessible, and honest language. Unyielding storylines, free from fear or inhibitions, featuring explicit themes (bordering on the provocative), intricate developments, and satisfying progressions, designed to confront clubbing and its fringes as a captivating, sensual, and cathartic journey. Dim the lights and crank up the volume. In this gym, we are adept at navigating emotions.
Greek poetry and electronic music are tied together with darkwave: kama muta present their debut album “The voices burned” on Dystatik Records. Based on a book that will be published at a later time, the songs talk about grief, love, suicide, isolation, equality and many more. The album is fluctuating from Synth Pop to Darkwave and from Minimal Synth to Synth Punk sounds, counting 8 times that the voices burned in an echo chamber full of buzz.
Ofelia Ortodoxa is one of the most interest and expressive producers of the Colombian electronic music scene. Ofelia Ortodoxa return’s to Athenian label Dystatik with “Basics For Sadness”, a cassette release inluding rescued tracks and ideas from old cassette recordings and new collaborations with Valanais (track 1&3) and Ferdinand Carclash (track 4). “Basics For Sadness” is a uses a powerful Minimal Synth and Dark Wave aesthetic with a certain nostalgic feel.
Another episode of the notorious ”You Can Trust A Man With A Moustache” Series, containing 4 crazy electro house energising Nu-Italo top hits.
Joe Lewandowski is back on Skylax, trying to find the subtle balance between new wave, italo, rock completed by the sepulchral voice of Stolt and a deafening remix of the brilliant Mufti.
“I am not a conspiracy theorist. I deal with real facts, not theory. Some of the people I write about, I have met. Some of the people I expose are alive and very dangerous. The darkness has never liked the light. Yet, many of the secrets of the Filmmaker are locked up tightly simply because secrecy is a way of life. It is such a way of life, that they resent the [REDACTED] and the [REDACTED] who want to tell real historical facts rather than doctored up stories and myths. I have been an intense student of history since I could read, and I am deeply committed to the facts of history rather than the cover stories the public is fed to manipulate them.”
The Hipodrome Of Music 