
Members Only is back at it with a double 12″ featuring 8 previously unreleased tracks of the off the wall lo-fi edit madness they’re known for.

Members Only is back at it with a double 12″ featuring 8 previously unreleased tracks of the off the wall lo-fi edit madness they’re known for.

‘Slow Motion / Wrong Era label head Fabrizio Mammarella gives ‘Lorella Cuccarini’s’ ‘La Notte Vola’ a sophisticated, powerful lift with his unmistakable approach to heavy-hitting, infectious productions. Mammarella’s distinctive laser plucks instantly propel this edit into action. Maintaining the charm of the original, he adds respectful weight to the authentic instrumentation. ‘Lorella Cuccarini’s’ electric nature is beautifully preserved.’

Italo Moderni brings Xmas III Edizione it’s the third compilation on Digital. Quality mastering on that super rare italo-electro utterance, perfect for dancefloors or mixes. Another trippy strings and arps, throat singing and ecstatic chanting all around.
We have edits from the likes of Skatebard, Hysteric, Adrian Marth, Flemming Dalum, Franz Scala, Sneaker, Katmandu, Vinilette. All tracks have been carefully edited without overdubs, in order to bring the spirit of classic italo disco and reflect the real underground vibe from the age.

“The Jak has returned with 2 new Dirty bLends in extremely limited quantity. Introducing nU cOhort to the label: Rudy Rugar(a wild bandit). This new artist alias to the label has contributed to the further effort
of maintaining the sound from the early inception of chicago tracks like the
days of old that still lives and breathes in us today that honors and treasures
enriched essential dance music history.
DirtyBlends Edition 6 is Underground Bizniss!
The Jak kicks the A-Side off with A Lost Religion… an offbeat rhythm with furious undercover drums, an atomic boom effect triggering energized strings fusing an artistic tradition of early basement style production of The Muzik Box re-igniting the past to the present into the future for education.
Roughneck Rudy Rugar beAts the B-Side with 2 tracks that is the 1st time we’ve ever done for any of our releases that both tracks are absolutely true examples of house heaven done DiRTy with: Pazuzu and Back To Enterprise .”

Karlos Moran returns to his own Moran Music Group label (helmed by the people at Klasse Wrecks no less) for his 5th release. Showcasing the producers flair for classic US Deep House tropes and a deft talent when it comes to singing and playing instruments live, MMG005 is collection of 4 tracks of wonderful and positive vibes. Trainspotters might notice something familiar and newcomers might discover a new favourite artist, step into the house of Moran and enjoy.

Members Only returns with 4 more Worst Edits. “Fake News” sets the tone with pulsing synth bass and New Wave guitar. Heady cut-up psychedelia and an appearance from John Cooper Clark on “Pagan Paradise”. The B-side opener is pure intensity, before a soft landing on tropical “It’s A Long Way Back”.

Members Only is back with another slab of heavy-psychedelic-cut-up-tribal- disco-funk-madness. The relentless tribal rhythms and chanting of standout “Journey Into Your Feelings” feel deeply ceremonial before eventually giving way to hands-in-the-air disco euphoria.

The new Members Only 12” returns with more face melting & wall sweating psychedelic New Wave edits. The Worst Edits Vol 2 includes the 4 tracks “I Wanna Luv U Dirty”, “Perversion”, “Oh Oh Oh Ya” & ”Take It From The Top” originally recorded from 1999-2001. Real Chicago business.

Marco Erroi – from Common Series camp – returns on his own XXXV Edits project with the number 8. Acid and TB-303 on the A side, 90s reminiscences on the B side. Included collaborations with Italians Robert Crash and The Mechanical Man.

Slow Motion presents their new free rework/edit/cover series called: ‘’A Ufo’’. Curses kicks off with a version of “Let It Show’’, a track by Nico Band from 1984.

The cult Members Only returns with Chicago don Jamal Moss on Worst Edits Vol.1. Culled from 20 year old VHS tapes restored using a baking method, these edits are real deal Chi-town badness with artistic psychedelic filtering of proto house & disco.

Kozmik Funk has produced a loving tribute to the Seminal electronic band, Kraftwerk, with a cover of the 1981 classic, “Numbers / Computer World”. This is a fully licensed cover from scratch. No Kraftwerk recordings were sampled in the creation of this cover.

Rush Hour Music invited Traxx in Amsterdam to Doka playing from start to end for 8 hours {150 person capacity/maximum vibes}
the demonstration for Doka was the 3rd exclusive edition of dirtyblends entitled: ⚙️🎛 TecHnique ⚙️ further showcasing musical blueprints of all rare chicago tracks both old and new, plus many NEW tracks unheard from dirtyblends along with raw disco, funk and edits all over and in between like the days of old in chicago diving deep into the ghosts of Ron Hardy at the Music Box, Liaisons Dangereuses at the Hacienda, NEW music from Nation and Kode plus INSANE unreleased treasures from Prince come together to raise the room’s musical temperature and awareness that was a self-evident spiritual experience, illumination, truth, emotional depth and suspension of time.
this demonstration has lots of new music to come from several releases we won’t announce just yet but what has been provided in this document is hours upon hours that is literally all over the rhythm 🎵 scales ⚖️
this was an intimate connection to the dance floor..

A Leftfield journey of rockin’ sleezy disco edits. It feels like something weird and sinister is going to happen from the moment you drop the needle and keeps that energy throughout.

A collection of name-your-price/free download tracks compiled by Hard Fist, featuring edits by Arash & Quasar, Elfenberg & Stankfejs, Khemir, Lewandoski, Neskeh & Grogush and more.

Initially slated for release in 2019, in the innocent days before the pandemic, the debut release from new label Crudo Ricordi is finally ready for the streets. Three formidable edits from Beard In Dust (AKA Lipelis), all aimed at peaktime dancefloor action. The title track “Señor Paraíso” might sound familiar to some hardcore Italo fans, but this pumped up and extended version hits much harder in the club. The two b-side tracks “Kirkorovmoroder” and “Coconut Paradise” could be recognised by only the most seasoned of USSR synth-pop connoisseurs, both tracks featuring totally addictive and ecstatic melodies.

Arşivplak presents Anatolian Funk by Beynelmilân, an album with a very unique psychedelic sound influenced by Turkish psychedelic folk and has a cool funky feel at times with disco folk driven rhythms with electric saz riffs. The sound is characterized by traditional Turkish folk songs, great instrumentation and rhythm sections, beats with some tripped out keyboard actions, female and male harmony vocals.

Toy Tonics regulars and Munich based House & Disco specialists Coeo step up for their ‘Dance Routines’ on the vinyl-only Resista.On the A side is a Gabonese Boogie weapon with a beyond funky bassline and body-rocking drums mixed with an amazing vocal, triumphant horns and syncopated guitar hits.
Over on the B1, a rolling Giorgio Morode-esque Disco synth bass is layered with jacking Proto House drums and Arabic chanting for a track that wouldn’t be amiss in a Hot Mix 5 show. Finally the B2 whips up a percussion frenzy with a deep droning bass stab and a hypnotic call and response vocal.

Mick Wills is no stranger to Frigio Records, the German Dj and producer has turned his hand to edits and remixes on previous releases and now arrives with his own 12” of edits for the volumen 4th of the label’s Ecdisis series. The source material for the two pieces on offer comes from Brazil’s Simbolo, a band formed in 1988 and still active with a career spanning more than thirty years, was a central player in South America’s EBM and Synth scene. MIck Wills has selected two tracks from the Brazilian’s back catalogue, the first being “Mind.” Industrial influences come immediately to the fore, complex drum patterns give way to a juddering groove in which guttural vocals depict a scene of hurt and pain. “Synchrono” occupies the flip. Taken from the 1995 album, In the Danger Zone, the original two minute piece is extended into a seven plus minute epic. Following on from “Mind”, “Synchrono” melts stuttering bass-lines and textured percussion with indecipherable lyrics counter-balancing heady strings. Two cuts of emotive and impacting electronics.