
Kraftwerk Live @ Movement Festival (Detroit) 28.05.2016



Another compilation for Andreas Gehm. All proceeds go to Andreas to aid in a time of bad health. Features artists like Cosmic Force, Morphology, Faceless Mind, Iconic Black Suit, PL_anet, Resting Cell, Myoptik, DJ Kenny Mulligan, Sheffield Bleep, Pleb Acid Crew, Si Moore, Achim.Bloch., Juliane Wolf, Scott Robinson, Healthmaster Gehm, Mr. Myoplast Weakmassive, Qima Inudstries, Knights of The Acid Table, Cubistic Lockian, Lectromagnetique, Captain Gascid, hautille, Rusuden, OpziO, Thomas Ueber, Black Catcher, Mike Volt, T/Error, AL355|0, Robertiano Filigrano, D-Omen, Z1, Lectromagnetique, and g13ck.

Sheffield’s Central Processing Unit has been one of the most prolific electro and techno labels over the last few years. Their fifth release of 2016 comes from up-and-coming producer Rhys “Microlith” Celeste, who made his debut on the imprint a few months back. As debut albums go, Dance With Me is a fine effort. Sitting somewhere between the underwater intensity of Drexciya, the melodiousness of Artificial Intelligence-era Warp releases, and the spacey sound of vintage British intelligence techno, the album bristles with gentle acid lines, ambient chords, punchy rhythms and Motor City inspired melodies.

London Modular Alliance is the raw and unpredictable music project from the UK’s best known, dedicated modular synth shop London Modular. Its members Simon Lynch, Phil Ventre and Gavin Pykerman met through a shared passion in modular synthesisers. Impromptu gatherings and jams soon turned into live performances at clubs, festivals and museums. They create an intense live show with a huge setup of self-assembled modular gear. Every set starts with one small looping beginning – a patch – and is expanded into a deep sonic landscape. With the use of cables they build unexpected circuits and explore the power of pure electronic sounds without the use of a digital software infrastructure. No laptops, no button pushing, everything is created on the spot using modular synthesizers and is based on live improvisations. Overall LMA tries to keep its live sets in the dark: unrecorded, off the internet and only for those who are present in the moment. A clear break with the capture-all mentality of the internet age.

The return of DJ Technician in company with his long time friend DJ Overdose. From The Hague to Rotterdam, a true westcoast electro affair.

Mosaique is an electronic music label based in Saint-Petersburg, Russia, founded by Moralez and Murzin. MSQ 001 mysteriously divided into bright and dark sides of the universe. On the A-side (the bright one) you will find intergalactic jack groove represented by Contra Communem Opionem aka CCO (Zurich) and made acid trip together with the cosmic rider Andreas Gehm (Cologne). the dark B-side accepts the challenge from imperfect planet’s chastener Umwelt (Lyon) and a major black hole instigator Moralez (St. Petersburg).

This benefit compilation for Andreas Gehm is being split into 5 parts. You can buy each part for 7 Euro or the full combo package (with all 5 parts – 129 tracks in total) just for 14 Euro (10.64 GBP, $15.56 USD, $20.27 CDN, $21.66 AUD); you can pay more if you want;
All donations go directly to Andreas Gehm to assist with financial stresses due to ongoing health issues (the “Buy” button sends your contribution to Andreas’ PayPal account).
Comp For Andreas Gehm features unreleased and exclusive material.

Renormalon is a collaborative effort between Elena Sizova, Heinrich Mueller: music data and Dr Olga Karelkina: visual data + encoding. Its purpose technically is to visually and sonically communicate the renormalon physics principle. Each composition is separate component of the theory representing a particular phenomenon in the realm of quantum uncertainty. The observer is to be immersed conceptually and hopefully will experience discrete states of energy which is integral in atomic behavior.

It’s fair to say that Boris Bunnik has made an impact in his short career. In less than a decade this dutch man, under monikers like Conforce and Versalife, has scaled Electro and Techno with subtle ambient touches and IDM echoes. And that’s exactly what he’s doing for the Singularity EP. Lush pads and flowing bars punctuated by crisp percussion, “Shine Eye” sets the scene. “Autobots” adopts those same brittle beats, this time using them to send dreaming strings skyward. Northern winds swirl around the colder chords of “MILnet”, chords that dawn into absorbing swirls of “Transgenics.” Masterful machine music.

Electrix Records launches its 2016 schedule by welcoming back after almost 3 years the always impressive, Carl Finlow. His ‘Electricology 4 EP’ once again shows why he’s a master of the genre. From the tough and funked-up ‘Lateral Thoughts’, speckled and melodic ‘Hyperloop’, squelching, bassy ‘Suspect Reanimation’ and sinister, beat-driven ‘Latext’, right through to the playful ‘Atomic Level’ (a bonus track for the digital release), the EP shines, with a stamp of high quality running though its core.

Previously half of pseudo-kitsch acid-electro force Light Year, and now gone solo, Mikey Melas aka Jensen Interceptor joins the binary cataloging CPU with a perfectly formed electro cut. Any artist who samples Ghost in the Shell, arguably one of the greatest anime films of all time, are all right by us. Mikey does so to great effect on the big beat / trip hop tempo ‘Model 2029’, which sits alongside three unrelenting electro bass bin destroyers. Mactavis being the toughest cut, utilising a fierce driving 808 with a robotic bassline interjecting throughout. Electro is often overlooked for the club but it’s obvious this E.P. was designed from the ground up to smash a big room.

Killekill catalogue number 025 is a jubilee release and it’s also a milestone and turning point in the Killekill history, because with this release Killekill closes one chapter, and opens up another. So far, there is this compilation, which has been carefully compiled for your pleasure. Label regulars such as Cassegrain & Tin Man, Furfriend, Alex Cortex or Eomac have delivered high quality stuff of all kinds, but we are also introducing a lot of artists who will feature on the coming labels: Umwelt with his epic and dramatic electro, Dez Williams with his genre-crossing sound which works on every dance floor plus Power Vacuum’s Bintus who delivers his portion of electro/acid madness on Record 1. Record 2 features the legendary Detroit Grand Pubahs, who present their electro outfit Techmarine Bottom Feeders, The Fool’s Stone, which is a new project by Hard Ton, electro legend Adriano Canzian and italian queer artist Brigida plus London’s underground hero Jerome Hill, who lets it jack and roll with his Memory Machine. On Record 3 Kamikaze Space Programme surprises with some bell-driven percussive techno and what can we say It is with great pride that we include the acid techno epos by none other than the legendary ‘Prince of Techno’ Blake Baxter.

NGLY makes a return to L.I.E.S. following his highly lauded “Speechless Tape” ep from 2014. Since then we have seen Argentinian producer taking his live act around the world to much acclaim. Luckily he’s also been in the studio recording and finally delivering this new three track ep. Here we get his signature dusty low slung sound full of basslines, creeper strings and driving drum programming. These are subtle yet effective funk-ridden club tools that are sure to move the floor and a precusor to even more from the in demand producer.

New varied sonic themes with an overall fresh sound. Although still being young of age, Nitam outlines once again his interest in dance music from the late 80s and early 90s, presenting himself schooled by classic Detroit House as well as Chicago Acid House, but all without limiting himself to a restricted pallet of styles or catering towards musical expectations.

Mugwump’s Subfield label introduces its first signings with the Belgian-Italo duo Front De Cadeaux aka DJ Athome & DJ Hugosan. They expertly produced their own brand of “Supreme Rallentato”, which is a fucked-up slo-mo italo, acid, disco, techno and house hybrid that so rightly fits with Subfield’s mission statement of covering subgenres. This full Ep on Subfield features 2 original F2C obscene & dirty slo-mo tracks at their most playful, “Ouvre Ta Bouche” and “Front De Cadeaux Theme” plus the magnificent dub-house of “Killers”. Remixes comes courtesy of Factory Floor’s Gabe Gurnsey (DFA) in a quite brutal bleep-techno mood and Manchester’s nu-balearic kingpin Ruf Dug (Music For Dreams), getting into what he described as a ” 808 snare roll warehouse analog fucked-up version”

Brilliant techno & electro release from Rotterdam’s Jeremiah R. Eclectic sound for a one way trip into the future…

Morphology, back where they began on Abstract Forms. Killer aquatic electro born out of cold, dark and long winters in Finland.

Vactrol Park, the collaborative endeavor between Kyle Martin (Land of Light) and Guido Zen (Brain Machine), returns to the ESP Institute with II, rounding out the second half of their EP series. For this installment, a sojourn was made to Stockholm to record at the computer music mecca, EMS (Elektronmusikstudion), where the artists had the opportunity to experiment extensively with the legendary Buchla 200 Modular and Serge Modular, two of the rarest and most pornographic modular synthesizers in existence. While both instruments originate from California (Buchla in Berkeley as a commission from pioneer Morton Subotnik, and Serge at the California Institute of the Arts), the music Vactrol Park draws from these machines is far from warm and sunny. Akin to their predecessors on the 2015 debut I, these works materialize a level of taste and measure of craft that’s unattainable by most, each retaining an individual cinematic approach yet working collectively toward one consummate goal—paralysis.

The in 1986 produced MKS-50 synth is a rack-mount version of Roland Corporation’s Alpha Juno. It has the same synth engine and architecture, but with added features like 16 programmable chord memories, the ability to store velocity, volume, panning, de-tune, portamento and other similar parameters within each patch you create. The optional PG-300 gives traditional slider type control of all editable tone parameters which include DCO (digitally controlled oscillators) LFO, bend, ENV, pulse, waveforms, noise, PW/PWM, high pass filter, VCF (filter) with freq/env/res/LFO/kybd, VCA envelope, chorus, and more. Adapta delivers a project based on this legendary MKS-50 synth. Tracks created with technology from the past, aimed for the future.