Dutch powerhouses Parrish Smith and Interstellar Funk team up for their debut collaboration on L.I.E.S. with a new four track EP. Striking up the perfect balance of both their signature styles, this record hits the sweet spot between metallic synthwave, slow beat industrial, and clanging EBM hybrids. The duo effortlessly weave together a sonic narrative with nods to the past but unmistakable emphasis on their ever expanding foward thinking future sound.
Lena Willikens is the kind of artist who’s only capable of following one path – her own. In many ways, she’s the archetypal selector, an unpredictable DJ who often eschews all notions of genre in favor of what she describes as “different temperatures, different time zones, different moods and a healthy portion of chaos.” Although her methods have certainly proven effective on the dancefloor, Willikens also refuses to be bound by its traditional limitations.
vinyl / CD
Since first joining forces in 2014, hardware freak Parrish Smith and former punk activist Mark van de Maat (founder of Amsterdam’s admirable Knekelhuis label) have earned a reputation for delivering the kind of incendiary live shows that were once the preserve of British multi-media mavericks such as Cabaret Voltaire and Throbbing Gristle. Mutilating and manipulating their songs on the fly, Volition Immanent takes no prisoners in pursuit of artistic expression.
Parrish Smith has quietly been making a name for himself over these last years with releases on Knekelhuis and Contort Yourself as well as with his projects Volition Immanent and Sige Bythos. We see him appear on L.I.E.S. in a strong fashion through four varied dense tracks. From slowbeat EBM to Belgium klang to classic Den Hague crushers this ep forges its own path taking these cues and putting Smith’s unqiue spin on them. Heavy yet still possessing groove and hypnotic rhythm, damage will ensue if used correctly. Fresh stuff from this up and coming talent.
In the second part of the Unlocking Sounds collaboration between the Netherlands Institute for Sound and Vision’s RE:VIVE initiative, the Research Center for Material Culture and Amsterdam’s Tropenmuseum, Dutch producer Parrish Smith digs through the Tropenmuseum’s ethnographic music archive and reads between the lines of ethnomusicology to confront the Netherlands’ colonial past. Assisted by the writings of Surinamese slave resistance writer Anton de Kom, Smith delivers a gripping social commentary entitled GENESIS BLACK.
Archive tracks from this much revered New Jersey duo. We assume both the originals were recorded in the mid 80s. Nieuwegein’s most warped mind Parrish Smith, on remix duty. ”Smersh was the project of Mike Mangino and Chris Shepard. Together they recorded more than 30 albums throughout the 80’s and early 90’s. Their vision: rehearsal at monday night, record their improvisations, no live performances, only albums.