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UK based Emile Facey joins the frustrada familia bringing a heavy, ice cold and highly emotive 3 track EP. Much in the vein of ERP and the likes but with a sharper sounding more abstract approach. This makes Plant43 a unique and welcome addition to the Frustrated Funk label.

New Frustrated Funk release by E.R.P. aka Convextion aka Gerard Hanson, the man with the tear-jerking string electro-techno.

Portuguese duo Photonz curate Dead Cities compilation – whose title is inspired by the Future Sound of London album of the same name – which is the most articulate expression yet of their love of warped electronic music. Limiting the selection to a group of artists who are close, local Portuguese talent is prominent and due to this tightly-knit approach, there is a cohesive sound on the compilation, but it could never be called smooth or polished.

“Fall Back” is the first single from the forthcoming debut LP on DFA Records. The track is 8 minutes 30 seconds long. The B-sides are exclusive to vinyl and feature 3 separate loops taken from the single, created each by Dom, Gabe & Nik.

Nice bass/electro/techno/Chicago-house crossover by the mysterious producer M.N.L.T.H. in typical Weme style.

Follow-up to the recent Ekman release on Bunker/Panzerkreuz and we have further idiosyncratic electronic experiments on this deep and dastardly EP.

Zyntax Motorcity is back in time to see off the year in style, as the second array of stark and uncompromising industrial soundtracks is leashed upon us. Four mesmerizing cuts carving a harsh landscape for those who prefer to tread toward the heavier and more serious side of techno. Supplied packaged in a limited edition cotton bag.

It is a rare, but of course most welcome occurrence when a new release arrives via the elusive Zyntax Motorcity. However, fear not as one of our most highly-regraded imprints is back with a stunning EP of industrial, Armageddon style soundtracks. Four absolutely massive cuts for those who prefer to tread toward the dark side. Supplied packaged in a limited edition cotton bag. Seriously limited copies – these will not be around for long.


Its time for the 20th anniversary Solar One Music release. Monster compilation with 22 Tracks on 2 CD´s beautiful presented in a glossy A4 sized Magazine with interviews, storys and info of the several artists. Featuring names such as Guy Tavares aka Schmerzlabor, The Exaltics, Heinrich Dressel, -=UHU=-, Defekt, Elec Pt.1, Dcast Dynamics, Scape One and many more.

From within fog and street lamps, Giallo Disco Records return continuing their journey into the mouth of madness with Antoni Maiovvi’s Stockholm Synthdrone EP. Six tracks of sleazed out voodoo soundtracks for the dancefloors of no named clubs in strange cities. Darkroom’s electro-tech slimes along the floor like leather clad ectoplasmic spectres, furthering Maiovvi’s own New Beat / Early Detroit fetish. Prisoner Nightdrive is a slow motion cinematic epic. Brooding FM Bass and polyrhythmic arps recall John Carpenter at his most tense. Voodoo Voodoo’s Frizzi-Does-Dirty-House atmospheres could bring the dead back to life through battered floor toms, occult chants and a ghostly piano seemingly detuning itself. The Ep is closed with a remix by Cage & Aviary’s Jamie Paton.

Ill new Charles Manier album on Chicago’s, Nation. This self titled album takes that noise and cranks it right up over tipping point. Nation, a label designed to push the underground to a new level of electronic sound thru experimental styles of musical consciousness. In our recent releases the idea is to never go with the same formula twice. Jakbeat introduces a new concept of productions, music with a sense of novelty that can be accentuated in a certian setting a state of mind. This is a rare assemblage of recordings and live performances from the archives of the Ballard and Ridgewood-Cantullinix Studios in Ypsilanti, Michigan. Recorded 2001-2012, these are the solo visions of Charles Manier. He summons the spirit of early industrial music and breathes in it’s corpse again. Not unlike his previous releases on Ghostly International,here are virtigo endusing arpeggios that twist around a futuristic pulse, and occasionally sting. Here are ritual themesongs for the heathen cyberpunk and experimental landscapes, built from old metal and old plastic, that were designed for a lost future recommended for people who dance to Esplendor Geometrico, Severed Heads, Suicide Liaisons Dangereuses, DAF, Psyche, Executive Slacks & Das Ding.

The Product were a duo from the small villages Kvistgaard and Espergaerde, in the north of Denmark. Dan Stielow Mortazavi wrote the lyrics and sang while Kenneth Neuhaus composed the music and played the instruments. They met in the Autumn of 1982 and recorded their sole album “Alive Again” over a weekend. The LP features 11 songs recorded in two short live takes directly onto one cassette. The Product employed a basic set up of Micromoog, Roland JX-3P and TR-606 Drumatix. Nine of the songs employ only these two synthesizers and drum machine while two songs feature a guest bassist. With these three instruments they crafted melodic, icy electronic rhythms with detached vocals. Lyrics revolve around growing up in broken homes, alienation and romance.

The retirement of Noah Anthony’s Night Burger alias dovetails fluidly into his latest / greatest burned-mind industrial vehicle, Profligate. Anthonys new musical operational model retains the eerie bleakness and concrete atmospheres of his previous project but sculpts them into more maximal, dynamic constructions. Videotape is his vinyl debut, and lays out the agenda with stark, menacing clarity. The title track is a pummeling ascent of chugging drum machines, flatliner synth electricities and strobe light sequencer detailsa digital bloodrush to the head one can (almost) dance to. “Conditioning Trench” rides a buzzing, dystopian bass-pulse strafed with vintage Roland claps, while a paranoid synth melody runs through a dubbed-out void into an exquisite vanishing point. Shadows of Sandwell District-ish negative techno flash forth here and there, but it’s refracted through a rawer, more physical post-noise basement worldview.