Part 2 of the Archaic Future Sounds compilation trilogy features 6 original bangers from Jose Manuel, Grey People, Ubre Blanca, Heinrich Dressel, Martin Matiske and Venderstrooik.
Lunar Disko presents a new release from cult soundtrack producer, Heinrich Dressel. Five tracks of synthesizer beauty from a master of the modern Giallo electronic sound. Perfection…for your late-night promenade excursion.
The score for a film by Oscar winning director Dusan Vukotic ‘Visitors From The Galaxy’ from 1981 (FOX001LP) was remixed by 11 artists from 9 countries. All original tracks from Visitors From The Galaxy (alternative titles: Gosti Iz Galaksije; Monstrum Z Galaxie Arkana; Gaeste Aus Der Galaxis; I Visitatori Della Galassia Arcana; Goscie Z Galaktyki Arkana; Los Visitantes De La Galaxia) are arranged, composed, conducted and produced by Tomislav Simovic. This compilation includes additional screen sounds from the unpublished tapes of composer Tomislav Simovic also featured in Dusan Vukotic film. With courtesy of Tomislav Simovic estate artists were given complete creative freedom to remix, reinvent and re-imagine the futuristic soundscape of first science-fiction film in Yugoslavia that was scored in analog, abstract, electronic and synthesised music. Alen & Nenad Sinkauz, Ali Renault, Anatolian Weapons, Credit 00, Drvg Cvltvre, Goran Vejvoda, Heinrich Dressel, Repeated Viewing, Security DJ, Tapan and Timothy Fife got the sounds from Tomislav Simovic score and embarked on a musical journey that had no rule or predetermined direction or genre; it was only their creativity inspired by Visitors From The Galaxy sound that led them to a new pieces, more or less experimental, abstract or dance floor friendly. The diversity of music goes wide and deep, it is modern and made by the stars of today paying homage to a composer who always retreated in being a star.
The MinimalRome “Urbi et Orbi” franchise debuts in 2006, juxtaposing Rome-based producers to others around the globe (“urbi et orbi” can be translated as “to the city and to the world”) featuring — in time, amongst others — Legowelt, Rude 66, Mick Wills, Andrea Benedetti, Ra-X, Polysick, The Exaltics. This fourth chapter delivers a vinyl EP compilation with monster electro tracks by Teslasonic, Plant43, Cosmic Force and Microthol, plus a couple of synthorama joints by Heinrich Dressel and Sonobe.
Composite Profuse guides you through the fog on his new EP “North Electric Mist” on Onrijn Records. The A-side gives you a trilogy of cold, melancholic and haunting electronic tracks that completes a musical journey through the Mist that plays in your head. On the flip side, we have Animistic Beliefs that delivers a fantastic remix of “North Electric Mist”. Their snappy baseline in combination with the aggressive synth lets every club visitor be on his toes and wanting for more. The EP ends with “A Blink of Hope into the Fog” and that’s exactly what it sounds like. A feel-good ambient piece which is the perfect conclusion to this EP.
“The international electro and techno producer community has come together to raise money for two charities doing vital health work during the Covid-19 crisis – NHS Charities Together and Médecins Sans Frontières. The project began in April this year. The resulting release is an essential compendium of techno and electro featuring some of the most respected creators working in the genre including The Hacker, Radioactive Man, Anthony Rother, Delta Funktionen, John Selway, Carl Finlow, Kronos Device, and more than 120 more!”
Get on board 5 new space alchemists for the next level of “The Orbitants”! The “Panic Side” (Side A) refers to a synthetic melody transition from the beatless Heinrich Dressel’s intro, to the mystical drama “Source Reality”, a utopistic abstract-composition by Galaxian, who serving his anarchic vision of electronic music. Falling into the wicked flash born from Foreign Sequence’s Oberheim. Entering to the “Black Side” (Sibe B), the virus infected the system: it’s the Lake Haze electro hit! Spooky pads triggering the edgy arpeggio, body of the track. Jensen Interceptor provides yet another one of his tipycal alien incursion with a cruel-core on a beat techno influenced.
Italian producers Teslasonic and Composite Profuse (aka. Heinrich Dressel) touch down on Berlin’s Mechatronica with a powerful and spacious electro record, splitting each side of the EP and remixing one another to full effect. The Breakout EP is an electrifying journey into their vision of electro, drawing on new inspiration and decades of musical output. From the dazzling cosmic funk of ‘Golden Sphere’ and ‘Teleforce’ to the strange and dark spheres of ‘Ausser Betrieb’ and ‘Thronic’, the two producers present a captivating outlook on the electro sound, bound to move bodies and transport minds.
With just a few days from the current year left, I’ve compiled a list of 20 albums from 2018 that I enjoyed this year. Among these I have to highlight the much anticipated Mutant Beat Dance debut album, the first ever album from Gerard Hanson under the E.R.P. project, a new Gerald Donald project and a compilation of unreleased Heinrich Mueller remixes, a Silent Servant follow-up on Hospital Productions, a very interesting Fred Ventura compilation of unreleased house tracks, a new Lebanon Hanover, the beautiful debut album of Curses, the impressive Eindkrak album and the debut album of the Romanian producer Șerb.
The list is compiled in chronological order.
Eindkrak – Brullend Staal [Unknown Precept]
From the whimsical resonance of the title piece, a sonic pathway through a verdant soundscape is laid. Gentle melodies caress and embrace before the road bends into shadows filled with dramatic twists and unseen dangers. Romantic moments are juxtaposed by triumphal chords and daring drums signalling immediate panic or outright victory. This is a woodland of divergent emotions, one where sounds give way to feelings and where Heinrich Dressel is the piper leading his followers through what can only be described as an unforgettable journey.
The legendary Heinrich Dressel and former Simonetti’s Goblin bass player Federico Amorosi, team up for the collaboration of the year. Crawling from freshly cracked tombs, dripping with ooze and bloodlust, these 8 tracks are the perfect soundtrack to some long lost Italian Zombie epic or Supernatural Giallo. Nods to the greats, from that perfect Italian prog-rock bass sound, to the atmospheres of Frizzi and the disco groove of Carpenter. Unashamed hardware worship with the X firmly burned into the flesh at the alter of Elka. Giallo Disco is proud to present this masterwork from two Italian greats.
“Eux sont de ceux qui trament en accordant desseins sur dessins.” MinimalRome is back with the second volume of Trame compilation. A full lenght 2xLP release gathering Legowelt (as Phalangius), Heinrich Dressel, Alessandro Adriani, Ian Martin, Teslasonic, Polysick, C-34, Iron Blue and David Kristian among others. Traveling through these eighteen ambient cosmic tracks from true heirs of library music, you’ll expand the surrounding space.
Electronic Leatherette is the new label from Riga based producer Dmitry Distant. After years of making electro and wave music he decided to create a new story and run his label. With a first release label provides a series of 4 basic nature elements. As a fundament of everything this release is dedicated to element Earth and can bring you though atmosphere of esotoric electronic music within guides from Vessel in Distress, Heinrich Dressel, Franck Kartell and new comer name from same planet MSRG. Enjoy your travel and sound scape.
Dalmata Daniel’s next up is a collaboration with the Bristol-born – weirdo disco guy’ Antoni Maiovvi and also a contribution of Heinrich Dressel who is an unavoidable column of Rome’s electronic music scene. Maiovvi’s Pleasure Model project is all about youth – replaced by Blade Runner-esque replicas. It aimed for presenting a persuasive world of fiber optic paranoia and technoid effacement. The tracks are driven by the characteristic haggard drum machine’s sound on side A with a melancholic or dark synth themes what becomes a dreamy melody in the – Prism Riot’ on side B. The remix by Heinrich Dressel is a turn back directly into the darkness, but it is faster and more like a film soundtrack with his own characteristics, of course. The whole EP has a strong vintage mood and sound.
Frigio Records is going back in time for its latest release, some 38 years into the past. Back then a young Newcastle man was experimenting with early electronic instruments and synths. Mick Clarke is his name and nearly forty years later he is still at it. Two tracks have been borrowed from Clarke’s seminal Games LP, each given a bit of modern boot polish from MinimalRome’s Heinrich Dressel and Frigio father Juanpablo. “Walls of the Night” is a blissed out work of ambient prog rock abstraction. Think rumbling horror score and soaring guitar strings. Heinrich Dressel offers a giallo dipped remix. The building bars of the original are maintained, beats added for ballast and darkened organ keys for a remake etched with murderous intent. The flip is introduced by the dreamy “Time Is Now.” Slender synthlines intertwine with gentle strings in a cerebral work. Juanpablo tweaks the 1979 material. Syrupy acid lines swim in meandering currents, a thick beat keeping time in murky waters of modulations and undulations.
Roman producer (and a force behind MinimalRome label) Valerio Lombardozzi known as Heinrich Dressel returns to Barba with a second release for our label, titled “The Styx Swamp”. Heinrich has a unique way of combining classic techno and electro sounds with elements from the beloved Drexcyan universe and John Carpenter leitmotifs, and making them come together in a manner that both moves your body and pushes your mind beyond the point of awareness. “Gray Slope”, “Sailing The Nether Waterways” and “The Styx Swamp” are all quite moody and deep, rich with sound and thick with vibe. However, the tracks feel equally at home in 4 am techno situation and a heady afterhours affair. He truly is a master of crafting hybrids whose influences get so flawlessly embedded that it’s hard to point them out. If that’s not enough, “The Styx Swamp” got a treatment by Nigel Rogers aka Perseus Traxx, a multi-faceted producer and a mighty live act performer. Nigel stayed respectful to the original but made the original’s bouncy groove into something more direct and reduced, while retaining the same feel conditioned by lead synth’s hypnotic quality.
For the fourth edition of Slow Motion’s Soundtrack Serie we welcome Heinrich Dressel, better known as one part of Minimal Rome. Space Shaft is three tracks of dreamy, sleazy space-funk delivered with a light touch across expansive musical horizons. Backed up with a brace of Ma Spaventi versions – both ‘disco’ and ‘chill’ Space Shaft is a record for movie fans and dancers alike.
Composite Profuse, aka Valerio Lombardozzi aka Heinrich Dressel, breaks radio silence after seven years in the shadows. Cold winds curl and otherworldly atmospheres abound for Unalaska Ice Files. Arctic tundra and ice are the inspiration, frozen vistas dappled with warming light, subtle shifts and sinister shades. Teslasonic take on the title track, injecting electrical pulses and an underhanded edge. Shipwrec stalwart, Robert Witschakowski aka The Exaltics, gives his own icicle encrusted interpretation, one of stark percussion and expansive horizons.
Originally released by Legowelt’s Strange Life on a CD-r back in 2007, Mons Testaceum was the debut album from MinimalRome co-founder Heinrich Dressel and the onset of a trilogy dedicated to Monte Testaccio, an artificial mound in Rome composed almost entirely of ‘testae’, fragments of broken amphorae dating from the time of the Roman Empire. Notable for the prominent usage of Elka Synthex, a legendary Roman synthesizer, Mons Testaceum remains a wonderful curio of the Dressel discography and fans of the Italian’s work will delight at the chance to own it on vinyl thanks to MNQ!