Kimatika, the 3rd album by the Slovenian audio-visual trio Etceteral, is a visceral plunge into the raw undercurrents of futuristic jazz, motoric propulsion, free improv and elastic compositions. A growling baritone sax weaves through pulsating electronics and restless drums; the bass frequencies dense and cavernous. It is an arresting and thick tapestry of texture and tension, where noise and polyrhythms collide with urgent, melodic riffs.
Estonian meteoric label Sad Fun lets loose “Sauna Belt” 12 inch by Roma Vjazemski. Vjazemski brings along four tracks from his recent limited cassette “Handlebar” for Berceuse Heroique & adds an extraterritorial remix by Philipp Otterbach. Loose oddball electronica by the Tallinn based astronomy enthusiast.
“This spring, I released my new album Ninety Nine Eyes. Since then, I’ve been working independently to build a tour that brings this music to life on stage — across a wide stretch of Europe, from the Balkans to Amsterdam, and onward through cities like Warsaw, Skopje, and Rome.
This journey has been fully self-initiated: reaching out to venues, confirming shows, navigating logistics — all in the spirit of keeping the music alive and shared. But none of this would exist without the incredible help of a group of local promoters who believe deeply in this music. We’re building this tour step by step, city by city — and their trust and dedication are the backbone of this road.
To sustain this momentum, I need a small push of support to help cover basic travel needs and flight tickets for the upcoming legs of the tour.
Now, I’m turning to you for support to raise 1000–1200 euros to cover essential costs: international flights and basic logistics for the upcoming leg of the tour. To make this happen, I’m opening up a very personal part of my archive:
I’m offering the first three unreleased tracks that shaped the sound of Ninety Nine Eyes — the moment when my music started to shift and evolve after Mulid El-Magnoun. These tracks are not available anywhere else.
Alongside that, I’m sharing a small collection of hand-sewed fabric eyes — each one stitched by my partner and the art director of the project, Alaa Eideh. These are not just artworks — they are extensions of the journey we’ve both taken with this album.
If Ninety Nine Eyes spoke to you — or if you believe in the road that music can carve across borders — your support means everything.”
Aura Sonora returns with a second release, bringing together two meticulous studio craftsmen, DYL from Romanian & Tammo Hesselink from The Netherlands. Their “Moire Patterns” EP kicks off with ‘Pattern 1’, a deep and rhythmic slice of rubbery techno that rides broken beats with atmospheric pulses up top. ‘Pattern 2 slows down to a predatory crawl with icy pads making a dystopian vibe then ‘Pattern 3’ brings a sense of mystic tribal ritual deep in some futuristic jungle and ‘Pattern 4’ closes down with more fantastically crafted, dubby, broken rhythms that are topped with organic percussion and almost impossible not to move to. Pure rhythm science brilliance.
Formed by George Thompson, Kyle Martin and Jonathan Nash, Kommune were active between 2014-2015. As close friends living near each other, their musical journeys were intertwined; Nash and Martin had recently completed their debut album as Land Of Light, while Thompson (aka Black Merlin), at that time putting the finishing touches to his debut album ‘Hipnotik Tradisi’, was also working with Martin as part of the duo Spectral Empire. Sharing equipment and ideas, Kommune arose organically, serving as a creative outlet for exploring analogue machine music in an improvisational context. Sessions in their North London studios led to a handful of gigs at venues including Hamburg’s legendary Golden Pudel and London’s LN-CC. This fleeting chapter of musical history may well have gone entirely undocumented had it not been for the fortuitous decision to meet up for a recording session in October 2014. Filling a car with their machines, they drove to a converted barn in the south of England, proceeded to set up, settle in and hit the record button. Over the course of two days, fuelled by the experiences of recent performances, the trio immersed themselves in the machines, crafting subtly evolving, long-form compositions with an enchanting balance and flow. Across the four long-form compositions that make up ‘Oast’, the trio summons barely controllable scrapes, acid-like bubbles, and bleeps from their machines, leaning on dub mixing techniques to give the tracks a sense of depth, dynamism and organic ambience. Mastery of the TR-808 drum machine is central, with remarkably nuanced drum programming imparting a hypnotic rhythm to the work, allowing other elements to emerge and unfold at a beautifully measured tempo. Recorded entirely live and improvised without any overdubs, ‘Oast’ offers a profound journey into minimalist electronic music while serving as a tribute to friendship, curiosity, and the spirit of experimentation.
In a sea of disposable cookie cutter music Hieroglyphic Being continues to be a singular voice in the crowd. The 12 track album “The Sound Of Something Ending” deftly maps the intersection of house, techno, and EBM, while maintaining the curiosity of free jazz & the DIY of punk.
Max Schreiber is the more introspective guise of Mule Driver, reserved for drifting into fragile and haunted sonic territories. Variations on Memory Vol.2 deepens Schreiber’s exploration of collective sound and personal distortion. This time, fragments of lullabies and children’s songs resurface along side memorial songs – distorted by time, memory, and a quiet sense of unease. Schreiber treats these melodies not as sacred relics, but as raw material: vulnerable to noise, decay, and reinterpretation. Recorded in intuitive, often single-take sessions, the album challenges the listener’s sense of nostalgia. Sentimentality collapses into abstraction, and familiar tunes unravel into drifting soundscapes – like half-remembered scenes from a film that never existed. Variations on Memory Vol. 2 is less about what these songs once meant, and more about what they might conceal.
Cosmin TRG is a Romanian producer who crafted some of the underground’s most innovative sounds a decade or so ago, before going off to work in other creative worlds. Here, for the first time, he links with countryman DYL for a special EP that is decidedly futuristic. ‘Manevre’ is Romanian for ‘manoeuvres’ and comes in three different parts. Each one is fluid minimal sound with deft rhythms, fizzing pads, eerie melodies, sub-aquatic motifs and always absorbing atmospheres. Tammo Hesselink also adds a remix that has more prominent drums, lurching loops and menacing dystopian energy.
Mannequin Records presents Artificial Salvation, the long-awaited next chapter from Taiwan-born, Berlin-based artist Jing. A visceral journey into fragmented identity, post-human desire, and sonic disobedience, the album marks a bold evolution in Jing’s unmistakable language—where rhythm is weapon, voice is distortion, and silence is political. Known for her uncompromising DJ sets and past releases exploring industrial textures, field recordings, and haunting spoken word, Jing now delivers her most narrative-driven and confrontational work to date. Artificial Salvation lives at the intersection of club dystopia and spiritual unease: glitched-out techno structures collide with ghostly chants and collapsing machinery, echoing themes of surveillance, digital exile, and existential displacement. Crafted between Taipei and Berlin, the album draws from a palette both hyper-modern and deeply ancestral—melding broken beats, noise, and vocal manipulation into an unflinching statement of intent.
Composer and sound artist Ishai Adar unveils the original score for HBO’s Our Boys, now available digitally for the first time. The 2019 series dramatizes the harrowing events surrounding the 2014 abduction and murder of Palestinian teenager Mohammed Abu Khdeir in Jerusalem, offering an unflinching exploration of state power, communal trauma, and fractured identities. Adar’s score avoids conventional narrative cues, instead constructing a sonic architecture of electroacoustic dissonance and textural abstraction. The compositions conjure an imagined ensemble—acoustic instruments processed and mutated into something part-organic, part-synthetic, edged with overtones of drone and analog decay. The resulting sound captures a persistent sense of unease and interior tension, echoing the bleak interrogation rooms and shadowed urban landscapes that define the series.
Immediate Proximity – Niels Luinenburg (Delta Funktionen) and Diana Napirelly – are unleashing their fourth IMPROX release, a full-on DIY culmination of their three prior expeditions into the wildlands of futuristic electronics, a gloriously unhinged beast landing on digital platforms and gritty cassette tape.
The Black Lodge presents Elena Sizova’s new full-length digital album entitled “Muza” – an assemblage of dancefloor tracks, heady ambience and otherworldly experiments rooted deep in tradition yet expressed in fundamentally new ways, crossing over and dissolving any defined boundaries. As soon as you find yourself in familiar territory, Elena will surely take you in a new and undiscovered direction. A scientist from Belarus, Elena contributed earlier to our “Pestilent Expressions” Benefit Comp Series, though she’s best known for her earlier collaborations with Heinrich Muller aka Gerald Donald (Drexciya/Dopplereffekt) in Der Zyklus and Daughter Produkt. Remixes and remodeling provided by the legendary Heinrich Muller and Douglas Lee (An-i).
The next chapter in Axis Expressionist Series, a collection of vinyl and limited digital releases, curated by Millsart, an alias of Jeff Mills, of his most eclectic and transcendent compositions that derive from his Every Dog Has Its Day project as well as new unreleased works.
GǼG is the production duo of Japan’s Keita Sano and Monkey Timers. Their unique, rabble rousing, sound is showcased here – assembled with the building blocks of disco but launched on a completely mind-warping course into territory anew. This 12 inch is heavy-duty weaponry with a sole purpose to rip at the very fabric that makes up the reality of dance floors – discotheque destruction guaranteed.
Electronic music visionary Pye Corner Audio, a master of blending nostalgia with forward-thinking production, has carved out a unique niche in the electronic music landscape. Drawing inspiration from 1970s and 80s synthesizer music, Detroit techno, and cinematic soundtracks, his work often evokes a sense of eerie futurism. Lapsus Records present “Where Things Are Hollow: No Tomorrow”, a comprehensive box set revisiting and expanding his acclaimed Where Things Are Hollow series. This release includes the first two volumes – with volume 2 featuring an unreleased track – and two additional chapters that further enrich the series’ narrative. Once again, Pye Corner Audio delivers innovative soundscapes, drawing inspiration from ambient techno, cinematic electronica, and experimental slow disco. The third installment unveils a constellation of entirely new tracks, weaving the ambient, synthwave, and retro-futuristic textures that define Jenkins’ work. Meanwhile, Where Things Are Hollow 4 amplifies this narrative, incorporating reinterpretations by some of today’s most visionary artists: Alessandro Cortini, John Talabot, Kaitlyn Aurelia Smith, Lord Of The Isles and Surgeons Girl
Released in 1976, Teddy Lasry’s Escalade is a jewel of jazz fusion and electronic experimentation, blending cosmic synthesizers, hypnotic rhythms and dreamlike atmospheres. A former member of Magma, Teddy Lasry explores a unique musical universe at the crossroads of space jazz and film music. Long out of print, this cult album is finally reissued on vinyl for the first time, offering a rare opportunity to rediscover this fascinating work, as avant-garde as it is timeless.
Released in 1975, Teddy Lasry’s Action Printing is a fascinating album where jazz-fusion, synthesizers and sonic experimentation intertwine to create immersive, cinematic music. A former member of Magma, Teddy Lasry’s audacious syncopated rhythms and futuristic melodies evoke both film music and avant-garde electronics. Long under the radar, this visionary album has now been reissued on vinyl, offering a new chance to plunge into its captivating, hypnotic universe.
Estado De Bienestar is the new project by Nico Cabañas, co-founder of Ombra Festival and Oráculo Records. The project was born out of a personal transformation following the closure of his previous musical ventures, such as Synths Versus Me (last release: “So Far“, on 22 Recordings) and Almax und Forte (last release: “Nois d’Avui”, on Oráculo Records). The latter already hinted at the sonic direction Nico has taken: a “proto” style that is raw, visceral, and entirely analog. In Chapters 1 and 2 of Estado de Bienestar, you’ll find all kinds of twisted darkwave sounds – fused, reimagined, and reinvented. Subgenres intersect and musical boundaries dissolve. EBM blends with breakbeat, industrial goth with trip-hop, and industrial dub with jazz.
Self Learning System presents a new 5 tracker: Only Drowning Men Could See Him, by label co-founder DJ Unisex, is offering a raw mix of contrasting styles. Atmospheric patterns and hazy synths get irritated by off-kilter Breaks which praise the unconventional. Focussing on experimentation this EP embraces imperfections and challenges the norms of listeners.
The Hipodrome Of Music 