Original material, all tracks produced and mixed by Anatolian Weapons, March 2005.
Anatolian Weapons – The Hospital Tracks LP
experimental
Another Body Found – Scooterboys From The Pool LP [CITI033]
Cititrax presents ‘Scooterboys From The Pool’, the debut LP from Another Body Found, the latest project from A//, best known for his pioneering work as Le Syndicat Électronique. Emerging from the depths of the French underground, ABF fuses dark electro, industrial, minimal synth, and wave into a sound that is both stark and visceral. With a focus on raw energy and haunting atmospheres, the project strips electronic music down to its essence – mechanical, hypnotic, and unrelentingly evocative. Blending commanding rhythms with melancholic undertones, ‘Scooterboys From The Pool’ is a descent into shadowy textures and dystopian landscapes, where driving basslines meet icy, mechanical beats in a pulsing haze of underground spirit.
Idris Ackamoor Ankhestra, Rhodessa Jones, Danny Glover – Artistic Being [STRUT483D]
In honour of fifty years in the performing arts—dating back to the founding of the legendary band The Pyramids in 1972—Idris Ackamoor proudly presents “Artistic Being” for Record Store Day 2025. This special recording features celebrated San Francisco actor, activist, and author Danny Glover, alongside renowned stage actress Rhodessa Jones.
Yunis – Ninety Nine Eyes [DBL33LP]
Egyptian composer YUNIS’ Ninety Nine Eyes is a work that exists outside time—equally at home in the temples of antiquity and the neon-lit voids of speculative futures. This double-sided LP (Part I and Part II, 15:14 / 16:03) merges ceremonial percussion, interstellar synthwaves, and wordless incantations into a 31-minute ritual for the infinite. Born from a three-year metamorphosis between studio and stage, and rooted in a Takhmira (a Zar ritual poem), Ninety Nine Eyes channels the archetypal quest—a search for the “land where light is seated.” Its soundscapes evoke the grandeur of forgotten civilizations and the hum of celestial machinery: droning mizmar lines and drowning tombak and duff rhythms dissolve into maximalist synth storms; choirs of phantom voices rise like starlight through the static of ages. Structured like a Sufi Hadra, the LP’s undulating peaks pull at old ways of communing with the divine—Part I builds tension, a breath before the storm, while Part II erupts into unfettered synth-drenched trance, gates flung open—only the listener can close the circle through their own interpretation.
Jentlemen – Primitive Objects LP
Reaching deeper into poetic vocals and textured sound, Jentlemen invites you into a rich, intimate darkness with their second album, Primitive Objects. Drawing from a background in poetry and influenced by Detroit and Den Haag techno/electro, Primitive Objects is a brain dance for those desiring something between dark ambient and techno-adjacent. Spoken word vocals float on top of deconstructed percussion and delicate melodies, and ask to be savored at the speed of a monologue while in deep space hypersleep. Lyrics hone in on personal experiences with impermanence, change, and the spiritual, calling on listeners to increase their capacity not only for grief, but also for stories of how to be remembered and how to remember. An apocalyptic journey, Primitive Objects offers hope that what we lose will compost into something beautiful. Two remixes from M Parent and Scotia bring Primitive Objects from brain dance to body dance—first, with a guttural and slithery acid experimentation of “Starting Over,” then ending with a cocktail of expansive femme acid and elegant vocals.
The Kyoto Connection – Four Seasons in Kyoto LP [TEMPLELP007]
‘Four Seasons in Kyoto’ marks the final chapter of The Kyoto Connection’s Ambient Japanese trilogy, following Postcards (2018) and The Flower, The Bird and The Mountain (2022). Like its predecessors, this album pays homage to the pioneering ambient and environmental music movements of 1980s and 1990s Japan. The album unfolds as the imagined soundtrack to life in a quiet rural village, where nature and tradition shape the rhythm of everyday existence. Across 15 evocative compositions, The Kyoto Connection captures the essence of Japan’s ever-changing seasons, weaving together delicate melodies and immersive soundscapes. With contributions from friends and fans in Japan, Four Seasons in Kyoto is both a tribute and a transportive listening experience from producer Facundo Arena, the composer and producer behind The Kyoto Connection.
Tennota & Rosa Anschütz -Tornamented Walls [MEA054]
‘Tornamented Walls’ is the first result of a collaboration that began in 2022. The album is a freeze-frame of emergence: personal preparations prior and minor aside, the album was live and improvised. Rosa Anschütz sings, speaks, plays harmonium, and utilizes a looper as an instrument in itself. Her symbolic prose is at the heart of the music, emotionally direct yet haunted by a translucent potential of meaning. In lockstep with the voice, Tennota dissolve the dense rhythmic complexity of their recent work into a creeping mantra, the material interrogated until the patina of the sound is the music itself. ‘Tornamented Walls’ floats on top of a wave of slow-motion techno influences, a deepened ambient and experimental perspective, and a feel of subtle and subdued lyricism not strictly limited to its vocal parts. It is a record of darkly ambient and abstracted techno pop, listening music to be played loud. More disenchanted than dark, it is confrontational through its fearless incorporation of a widely varying set of different states of mind.
Josef Tumari LIVE @ HÖR (Berlin) 26.032025
Bill Converse – Trust LP [DE341]
Cult icon Bill Converse trots back to Dark Entries with ‘Trust’. Converse has honed his craft since the early days of the Midwest rave scene, absorbing lessons from luminaries like Claude Young and Traxx. His skill as a producer has been cemented with releases on labels like Dark Entries, Fit Sound, and Obsolete Futures, and his prowess as a DJ has been witnessed on floors worldwide. In recent years, Converse has also pushed audiences to their lysergic limits with his sinewy and kinetic live sets, which pair classic analog boxes like the Roland TB-303 with cutting-edge modular synthesis techniques. The 7 tracks on Trust pick up the wild energy of these live hardware explorations, channeling the splayed beats of Chicago’s Relief Records, the acidic grit of Midwest techno like Woody McBride’s Communique Records, and the hypnagogic hooks of Artificial Intelligence-era IDM. According to Converse, the abrupt changes and off-kilter rhythms are “an effort to facilitate or express trust-making in the listening experience. I want some degree of give and take with the listener.” This process makes Converse’s sound truly singular, the kind of aural landscape that can only be conjured through a lifetime of crate-digging and analog abuse.
Hackney Electronica – Synaptic Shadows [DE338]
Hackney Electronica come to Dark Entries with the Synaptic Shadows EP, featuring 5 cuts of acidic rave-inflected wave. Quinn Whalley (Paranoid London), Unai Trotti (Cartulis Music), and Margo Broom (Hermitage Working Studios) formed Hackney Electronica during COVID era. Trotti and Whalley were spending countless hours digging through records and making music during lockdown. As their sound took shape – heavy and hypnotic – they invited Broom to join, cementing the motley trio. The five pieces on Synaptic Shadows explore themes of altered states, late-night cityscapes, and the fine line between pleasure and paranoia. Each track pulses like a memory from the backstreets of Hackney, where the night transforms the city into an electrified maze of fleeting highs and inevitable crashes. The anxious grooves on “H.E. Nuestro Circuito” and “Whispers from the Depths” channel 1980s DIY electronics onto the contemporary dancefloor, while “Efecto Perfecto,” “The One”, and “Nueva Ola” offer breakbeat-laced electro that will keep you dancing until dawn. Housed in a sleeve designed by German Bardo, Synaptic Shadows is more than just a debut release, it’s a journey through the flickering alleys of the mind, where tension and transcendence intertwine.
Tim Gruchy / Michael Krilich – Jungles / Arnhem Land [LER1037]
Left Ear are delivering two previous unreleased Australian ‘experimental’ electronic tracks from the 80’s and honouring them with a split 12” release. Side A: Features an unreleased full-length version of Tim Gruchy’s Jungles, a solo electro-percussive piece recorded in Tim’s Lab D’Avoid studio in Brisbane. The track is emblematic of his style during an era when he worked extensively in music, both as a percussionist and primarily with electronics, including early analog synths. Side B: Michael Krilich’s Arnhem Land began its journey in 1982 in a shared house in North Bondi. Inspired by Brian Eno and David Byrne’s My Life in the Bush of Ghosts, he experimented with tape loops, cut-ups, and samples, incorporating synthesizers, effects pedals, a drum machine, and an unknown sample from an Australian Aboriginal record.
Sandwell District – End Beginnings LP [PODR012LP]
‘End Beginnings’, the new album by Sandwell District, is the collective’s first new music since the tragic death of Juan Mendez (Silent Servant) in January 2024. Mendez’s stunning artwork and visuals have always been a central pillar of Sandwell District; in fact, he worked on a piece titled ‘End Beginnings’ – now the title of the third album and a tribute to their late friend. ‘End Beginnings’ invites new recruits – Monic, Rivet, and Sarah Wreath – and brings together towering techno and mind-blowing dancefloor dynamics, a masterful combination of innovation and ecstasy. It’s as deep, sturdy, and hypnotic as you would hope from the unit that invoked a sea change in techno and related club music during the 2000s and early 2010s.
Eduardo Polonio – Obra electroacústica 1969-1981 [BUHR191]
Eduardo Polonio (1941–2024) was one of the foundational figures in the emergence and development of electroacoustic music in Spain. The anthology “Eduardo Polonio: Obra electroacústica 1969–1981” revives his legacy with a selection of essential pieces from his early electroacoustic period. The album includes eight compositions created between 1969 and 1981, spanning from Polonio’s early experiments at the Alea Electronic Music Laboratory in Madrid to his later work at the Phonos Laboratory in Barcelona. From the raw electronic textures of “Para una pequeña margarita ronca” (1969) to the timbral subtleties of “Flautas, voces, animales, pájaros…” (1981), this collection showcases Polonio’s artistic evolution and highlights different facets of his work as a composer and musician.
Machinete – Cost to Cost [CM25]
Comprised of raw recordings, spontaneously conducted between 2012 to 2020 in Venice and later in Milan, Machinete are Marco Segato (La Serpiente) and Pietro Giubilato (TLXCO) executing and modulating rough post-industrial beats into pummeling electro structures with a brute sense of nocturnal acid in the air which strives to bring power to its knees.
All revenues from this album will be donated to The Ghassan Abu Sittah Children’s Fund (gascf.org). The fund provides medical assistance to children in critical need and supports the medical sector in Gaza and Lebanon.
Smackos & Dim Garden – The Art of DX7 [NW049] [FREE DOWNLOAD]
Synthesizer folksongs full with nostalgia and yearning. Made on a rusty DX7 synthesizer & DexeD controller fed through various analog filters to warm it up a bit. Recorded 2024 & 2025 by Danny Wolfers & Dim Garden.
Don Kashew – Bellows LP [STRD-XXI]
Don Kashew returns to Subject To Restrictions Discs with the album ‘Bellows’. A haunting, melodic, maudlin affair, as one would expect from the Zurich-based producer, with a variety of ‘breathing’ instruments as a fulcrum, that challenges any physicality. The compositions draw from the pool of New Age music and neo-folk of the 80s and 90s. But ‘Bellows’ stretches and looks at the future, deliberately blurring lines that were supposedly anchored. So, Don Kashew has begun a new phase in his musical expression; quivering, but grounded and interwoven in a rich arras of synth work and overlapping woodwind sounds.
Sharif Abu Ammar – Volume 1 [NRW]
Sharif Abu Ammar (b. 1968) is a sonic agitator, cultural theorist and elusive musician who emerged from the late ‘80s transnational acid house circuits. Blurring the lines between history, memory, secrecy, and the future, he was raised between the shadow of colonial histories and the neon glare of global capitalism. His work fuses decolonial critique and the commodification of underground music, subverting both the hedonism of the scene and the exotifying gaze of the West.
Kosmologic Research Society – Inner | Outer [DM10]
The story of “Inner | Outer” begins in 2015, when two members of Berlin bass combo X.A.Cute and Jerusalem’s psych grooves expert, Markey Funk, set up a spontaneous jam session in the basement of an ex-spring factory building. The outcome of that meeting – now known as “Aquasonic Research Society” (Som Recordings, 2020) – was so inspiring for the three that they determined to record again the next time Markey is in Berlin. Eventually, two more sessions took place in consecutive years at Oberbaumstübchen, overlooking river Spree, U-Bahn tracks and Universal Music headquarters. The change of location also led them to depart from the bubbling aquatic motives towards darker mesmerizing soundscapes that explore themes and mysteries of deep outer space and the human body (sometimes described as “inner space”).
Yvgoslavia – Zairja [OR134]
Yvgoslavia is undoubtedly one of the best post-punk and minimal wave acts from Spain, and they’re returning to Oráculo with their second mini-album, following the highly sought-after “Vertebra”. Their frozen atmospheres and relentless, punishing beats immediately captivate any advanced darkwave enthusiast.
Elena Sizova @ Jasna 1 (Warsaw) 11.01.2025
The Hipodrome Of Music 