Space Drum Meditation – Four Tusks LP [SDMLP01]

Space Drum Meditation unveils ‘Four Tusks’, their debut album and seventh release on the label. This 12-track journey blends tribal rhythms, atmospheric textures, and electronic elements, interweaving darkness and light. The album un- folds like a ritual, revealing a murky, immersive soundscape shaped by primal beats, ethereal ambience, rumbling thunder, and the whisper of rain, reminiscent of a primeval marshland and drawing one into its depths. Featuring a wide array of instruments including deep percussion, traditional flutes, throat singing, and field recordings – Four Tusks crafts a mysterious tapestry that feels both ancient and futuristic, resonating with nature’s elements.

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Space Drum Meditation – Four Tusks LP [SDMLP01]

GǼG – Jack EP [SOV022]

GAEG is the production pair of Tokyo’s Monkey Timers and Okayama’s Keita Sano and now they present a heavyweight release on Sound of Vast. The EP opens with ‘Jack’ with its powerful bassline, sharp synths and ACID voices from Ron Hardy’s Jackmaster Hater tapes. ‘Yamato’ follows with percussion inspired by Curt Cress’ 80s jazz-rock drumming, while ‘Central’ reimagines The S.O.S. Band’s funky bassline with roaring guitars and cosmic synths. Blending disco, krautrock and Chicago house influences, the EP showcases Monkey Timers’ club music expertise alongside Keita Sano’s experimental, leftfield production style.

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GǼG – Jack EP [SOV022]

Constant Agony – Reflex [GRTW013]

A deep dive into the raw, unfiltered experience of modern life, this album blends Ambient Noise Experimental with the relentless agony and struggle of societal pressure. Yet, through the chaos, a glimmer of freedom emerges—an unapologetic expression of self, breaking through the limits that confine us. A soundscape that’s both haunting and liberating.

Constant Agony – Reflex [GRTW013]

Reeko – Urmah LP [SMDELP12]

Samurai Music presents Urmah, the first LP exploring the 170 tempo from acclaimed Techno/Electronic producer Juan Rico aka Reeko, aka Architectural. For Urmah, Reeko delves even further into sound and psyche with a richer, more enveloping exploration into his distinct interpretation of the tempo. Reeko’s production prowess shines brightly on Urmah with the warmth and weight of each track leaving an indelible impression. Urmah focuses on heady fathomless grooves that tease shards of breakbeats like delicious icing, binding themselves to a gentle psychedelia with celestial textures. This is dexterous, meditative journey music from a producer who has an intimate relationship with groove creation. With Urmah, he further showcases his expertise, expanding his palette to display a refined command of the 170 BPM tempo. The LP is a testament to his ability to innovate and redefine, solidifying his reputation as a pioneering force in electronic music. 

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Reeko – Urmah LP [SMDELP12]

The Ghostwriters – Remote Dreaming LP [DE325]

Dark Entries summons Philadelphia synthesizer scribes The Ghostwriters to rouse their ambient masterwork ‘Remote Dreaming’. The late Buchla maestro Charles Cohen and multi-instrumentalist Jeff Cain joined up in 1971 to craft electroacoustic chaos as Anomali, later renaming themselves The Ghostwriters. Their collaborations with choreographers and visual media artists led to their singular style, straddling improvisation and composition, the oneiric and the immediate. Following their debut album, Objects in Mirrors, they were approached by ambient outlet Mu-Pysch. Remote Dreaming would take shape in various studios over nine months. Jeff Cain’s instruments on this project included electric and acoustic pianos, the Juno 106 synthesizer, and a Mirage sampler, while Charles Cohen used his signature Buchla 200 Series Electronic Musical Instrument. A stark departure from the tightly wound first LP, Remote Dreaming shows the duo unfurling with soothing pianos and psychoacoustic textures, its somnambulant drones just skirting the edges of the uncanny. Although ignored in its time, Remote Dreaming is now heralded as a landmark in 80s experimental ambient music. Proceeds will be donated to SOSA (Safe from Online Sex Abuse), a nonprofit that combats online child sex abuse and trafficking. 

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The Ghostwriters – Remote Dreaming LP [DE325]

The Ghostwriters – Objects In Mirrors Are Closer Than They Appear [DE297]

Dark Entries calls on Philadelphia experimental duo The Ghostwriters to resurrect their 1981 LP of minimalist mayhem, ‘Objects In Mirrors Are Closer Than They Appear’. The late Buchla maestro Charles Cohen and multi-instrumentalist Jeff Cain joined up in 1971 to craft electroacoustic chaos as Anomali, later renaming themselves The Ghostwriters. Their collaborations with choreographers and visual media artists led to their singular style, straddling improvisation and composition, the oneiric and the immediate. 1981 saw the release of their debut album, ‘Objects In Mirrors Are Closer Than They Appear’, a whirling, messy, telepathic slipstream cascading across an imaginary landscape. Recorded in Don Buchla’s childhood home, Objects offers 8 cuts of minimalist electronic bliss, equal parts icy and quirky, with standout cuts including the grooving havoc of “Fix it in the Mix” and the otherworldly hymn “Moon Chant.” Proceeds from the album will be donated to SOSA (Safe from Online Sex Abuse), a nonprofit that combats online child sex abuse and trafficking.

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The Ghostwriters – Objects In Mirrors Are Closer Than They Appear [DE297]

DYL & Senking – Diving Saucer Attack [KALK134LP]

Senking and DYL team up again. ‘Diving Saucer Attack’ is the first full-length record by the German artist and his Romanian collaborator, released through the Berlin-based Karaoke Kalk label. The six pieces, two of which were produced individually, both showcase the duo’s shared interests for dub-heavy, adventurous electronic music while also emphasising the productive friction generated by the subtle differences between their respective approaches.

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DYL & Senking – Diving Saucer Attack [KALK134LP]

Siamak Amidi vs hm505 – Crack A Love Ball [SYNAPSIS-019]

After a brief hiatus, Synapsis Records returns triumphantly with a captivating 12″ release by Iranian artist Siamak Amidi, accompanied by reinterpretations from hm505. Synapsis-019, titled “Crack A Love Ball,” showcases two original tracks from Amidi on the A side, while the B side features two mesmerizing reinterpretations by hm505.

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Siamak Amidi vs hm505 – Crack A Love Ball [SYNAPSIS-019]

GǼG – Anarcho Disco Vol. 2 [OM60]

The project “GǼG” was started by Disko Klubb boss Monkey Timers, who leads Tokyo’s underground disco scene, and Keita Sano. Using a variety of sampling and unique FX, thier music has created a unique GǼG sound that is psychedelic and anarchic, dance music for the open-minded and genre-free crews. Optimo Music unleashes now their second volume from Anarcho Disco into the world.

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GǼG – Anarcho Disco Vol. 2 [OM60]

LAB Personnel – Break Apart [SOT016]

Lab Personnel is an electro / EBM producer team from from Zagreb, Croatia, including Ivona Ivkovic, Marijan Katic, Nikola Kos, Luka Kurjan, Goran Lautar, Jasmin Mahmic, Dominik Sesek and Paul Genetik. Sons of Traders present “Break Apart”, an improvisation recorded live at “Synth Jam” improvisation session in Zagreb at Surogat Club, December 2023.

LAB Personnel – Break Apart [SOT016]

Severed Heads – Ear Bitten LP [DE-314]

Dark Entries picks up Severed Heads yet again for Ear Bitten, a double LP reissue of some of the band’s earliest material. As originary Aussie industrial legends – although founder Tom Ellard would balk at being branded as such – Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and quietly infectious nursery-rhyme-esque melodies. In 1979 Ellard, Richard Fielding, and Andrew Wright abandoned the moniker Mr. and Mrs. No Smoking Sign and adopted the edgier name Severed Heads “to pretend to be an industrial band such as Surgical Penis Klinik & Throbbing Gristle.” Noise-rockers Rhythmx Chymx had placed an advertisement in a local shop looking for a band to share the costs of pressing an LP. The Heads set about recording a Dadaist racket on a pair of open reel dictaphones and a cassette deck using a TRS-80 computer, Kawai Synthesizer 100F and Korg Mini Pops drum machine. Ear Bitten was released in 1980; original copies now fetch obscene sums, in part due to most of Severed Heads’ copies perishing in a fire at Richard’s home. The band’s next endeavor was a cassette titled Side 2, a collection of free-form experiments fashioned as Ear Bitten’s second side. For this reissue, Dark Entries has collected both Ear Bitten and Side 2 on the first disc, presenting the album in its full form. Disc two includes the original first version of Ear Bitten, which was only unreleased because it was recorded in a format not suitable for pressing.

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Severed Heads – Ear Bitten LP [DE-314]

Mujahideen – Dead Language [CM​-​RE02 / NRR2]

As the world got even worse in the past ten years, Mujahideen’s songs from 2014 about greed, vengeance, culture slaves and the human factor are more relevant than ever in 2024, as it seems that the world is trapped in a vicious circle, which summons new dawn of Fascism. Therefore, Dead Language still sounds like a prophecy of wrath accompanied by a shivering crossover of post punk, dub and industrial, inspired by bands like Suicide, P.I.L, The Fall, Mark Stewart & The Maffia, Section 25, Psychic TV, The Young Gods and The Chameleons, which offers a captivating but desperate introspection into the abyss of humankind.

Mujahideen – Dead Language [CM​-​RE02 / NRR2]

Mule Driver – Sequences to Activate Dormant Agents [CM24]

Confused Machines presents another 808 day release. 7 Electro cuts using Roland TR-808, Roland SH-09, Korg MS-20, Korg MS-2000, Verbos Electronics modules and a few FX processors.

Mule Driver – Sequences to Activate Dormant Agents [CM24]

Roberto Auser – Data Desire Disorder [DDE08]

Data Desire Disorder is Roberto Auser’s upcoming EP on the Dalmata Daniel label, part of their lathe-cut series. This four-track EP showcases Auser’s deep engagement with analog sound, blending noir, industrial, minimal synth, dark wave, and electro influences. Created largely during the lockdown era, it features vintage hardware and modular synths, crafting a sound that is both raw and meticulously detailed. Data Desire Disorder continues Auser’s exploration into dark, atmospheric soundscapes, offering a blend of cinematic tension and rhythmic pulse.

Roberto Auser – Data Desire Disorder [DDE08]

Smackos – Once a Mirror [PERS004]

Legowelt worked as a sound designer for the factory presets of Mirror, which ended up as Muse which is an 8 voice polyphonic bi-timbral synth. The entire album was recorded with an early prototype of of Moog Mirror.

Smackos – Once a Mirror [PERS004]

Coral Morphologic – Coral Morphologic 2 [TF011]

Coral Morphologic’s first album took us on a journey through space. Now with their sophomore LP we arrive at our destination, an aquatic world teaming with life. Across the vast expanse of the cosmos we approach a shimmering satellite globe. Entering its orbit in a hypnotic swirl our eyes peer closer and closer to the glowing sea below. We land near an intertidal zone wondering what enchants this world and its waters. Coral Morphologic 2 is inspired by the corals’ cosmic ability to synchronize their lives to Earth’s daily rotation upon its axis, the Moon’s monthly trip around Earth, and Earth’s yearly orbit of the Sun.

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Coral Morphologic – Coral Morphologic 2 [TF011]

Caroline K – Now Wait For Last Year LP [MNQ159LP]

Mannequin Records present the official reissue of Caroline K’s outstanding 1987 album, “Now Wait For Last Year.” This haunting, wistful work of post-industrial synthesizer music sees the late Nocturnal Emissions co-founder only solo record. The music on “Now Wait For Last Year” seems to exist firmly outside of it. Tags like industrial, minimal synth or proto-techno can’t really do justice to the richly cinematic sound-world that Caroline K describes: from the sustained ambient tension of sidelong opener “The Happening World” to the future-primitive rhythms and stately piano flourishes “Animal Lattice”, and the melancholic, deep-frozen synth sequences of “Cheart”.”

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Caroline K – Now Wait For Last Year LP [MNQ159LP]

Jeff Mills – The Eyewitness LP [AX117]

‘The Eyewitness’ reveals a habitual pattern in the way it symbolizes a mirror reflection of mankind in our most vulnerable moments. The new album of Jeff Mills and it is composed from the perspective of an unknowingly complicit bystander and it is at the very least, psychologically pathological in nature. What this release is essentially proposing is an admission to the diagnosis that no one is immune to shock and trauma. Not the accuser or the accused. And this abnormality s culturally and generally transmittable – handed down and passed over to one another disguised as righteous theatre. As an artist, what Mills is notoriously known for is the perspectives and paths he chooses to approach hefty, complex, and sometimes, awkward subjects. The best way to recognize the narratives of his mostrecent album works such as “The Clairvoyant”, an eerie transcending album that plays through like a Seance for creating a bridge to reach another dimension or “Mind Power Mind Control”, a cautionary warning about the consequences of supporting deceit, mind control and mass mental persuasion is to start by first taking a moment to look at yourself in a mirror. He’s suggesting sound as a reflection and what we might be able to see in ourselves. Proposing that we might be the problem and a solution. In the same vicinity of his recent solo albums, the direction, scope or target of The Eyewitness is first about us, then about it.

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Jeff Mills – The Eyewitness LP [AX117]