Two tracks officially licensed and remastered and never before issued on a 45 before. Taken from the self titled Hungarian album from 1981 Dimenzio ‘ Bamba’ is jazz dancefloor monster in the true sense of the word and is a Gilles Peterson club classic. On the flip the lesser known ‘Daimont’ from French artist Marius Cultier and taken from the 1975 album Ouelele Souskai .
Gary Gritness AKA Slikk Tim lands on Hypercolour with The Sugar Cane Chronicles Vol. 1. He displays a deft hand of producing futuristic funk sounds. A spot on blend of raw drum programming and blissfull jazz funk riffs, “Preachin Some Tight Game” sets the EP’s tone just right with its infectious melodies and cruising groove. Darker 1980’s soundtrack vibes are explored on “Stayin’ Strong Hand’ with its thick analogue atmosphere, whilst the laid back and freestyle vibes of Working Girls’ demands to be played in the Cadillac with the top down. EP closer, “Fly Shit”, continues with the tranquil melodies and G-Funk factor.
Nomade Orquestra came together in Sao Paolo in the year 2012, though they could just as easily have emerged fully formed into our world from a mystical land where spaced out jazz soundtracks daily life and the passing of time is rhythm and groove… such is their elusive, ethereal yet highly accomplished and deeply funky otherness. The time is ripe for ten of the most talented and daring musicians working in Brazil today to deliver their fully formed debut. Effortlessly weaving through the disparate sounds of Brazil’s diverse musical diaspora, the group describe themselves and their shared project as ‘the point where different musical expressions and strands meet and interact in a unique way.’ From funk and soul to Afrobeat, Ethio-grooves, dub and hip hop, their sound remains firmly anchored in the world of jazz while taking off to the cosmic stratosphere and incorporating electronic elements, alongside traditional Brazilian styles along the way
Finland’s Jimi Tenor is simply a great musician, a true visionary when it comes to dance – and non-dance – experimentalism, and one of the few truly imaginative minds left; yes, we know that’s a bold statement, but it’s what we truly believe. Here he is on Philophon with a deeply explorative 7″, starting with the psychedelic hymns of “Order Of Nothingness”, a song that seems to be drenched in 70’s mysticism, but that somehow also sounds utterly contemporary. “Tropical Eel” is more left of field, where digitised Eastern melodies bleep to a steady, jazzy rhythm that simply calls for a head-nod.
12-inch white label DJ single! ”O.B.E.” taken from Invite the Light, b/w new track ”Special Friends.” Packaged in white sleeve. Both tracks written, produced and Modern Funked by Dam-Funk.
Among guitar aficionados, they don’t come much heavier than acid-drenched enigma Eddie Hazel. A founding father of Funkadelic and responsible for the blazing ”Maggot Brain” solo, he released just one album. A concentrated dose of guitar-driven psychedelic soul and loping funk-rock, Game, Dames And Guitar Thangs(1977) was co-produced by George Clinton and features the full Mothership crew. Despite impeccable credentials, the album sank and dropped out of print for years, becoming a sought-after collector’s item for funkateers ever since. Mercifully addressing the dubious legitimacy and quality of previous reissues, Be With Records present a worthy and welcome 180 gram edition, limited to 500 copies. Eddie Hazel was a pioneering guitar genius, but his troubled lifestyle led to a dearth of recorded material that demonstrated his strengths. It’s a wonderful thing, then, that this lost classic is available on vinyl again. Possibly the finest slice of P-Funk you’ve never heard, it’s a record that will make your brain dance and one every funk fan needs.
The Left Ear label hit that sweet spot once more, diving into the archive and coming back for air brandishing a veritable slab of private press jazz funk history. Originally pressed in 1979 in a run of 100 copies, Thesda was the brainchild of Thomas Crawford and Eugene C. Hagburg, backed ably by a handful of like-minded musicians, and existed for brief moment of sublime expression, captured in its entirety on this gorgeous LP. “Spaced Out” takes us on a cosmic journey through jazz funk, soul and disco into that far out dimension of groovesome psychedelia inhabited by Mandre and Dexter Wansel. Fully licensed and reissued for the very first time, this Left Ear pressing is your best chance to own this forgotten piece of jazz-funk history without having to remortgage the house.
Following a year that saw the 50th entry in the long-running series released to wide acclaim, DJ-Kicks returns in 2016 another landmark edition. Iconic Detroit DJ and producer Moodymann is at the helm for his first ever multi-artist DJ mix compilation. Born Kenny Dixon Jr., Moodymann is a one-of-a-kind electronic music icon, hailing from, and wholly synonymous with the Motor City. He is an outspoken, impossibly charismatic artist who has been putting a distinctive and soulful stamp on house and techno since the early 90s. Melting together jazz, funk, soul, blues and rock in captivating ways, he is responsible for some of electronic music’s most definitive tracks, EPs and LPs on labels like Planet E, Peacefrog and his own KDJ and Mahogani Music imprints. As able to serve up the sweetest and most sensual sounds as he is the darkest and most depraved grooves, his own unique voice and stream of conscious musings infuse expertly sought-out samples for music that is decisively alive and authentic.
This is the second 45RPM single release from Praise Poems 3, and what a monster it is. Although both songs are not necessarily new discoveries in the soul and jazz collectors world, it is the first official re-release of these two 1975 recordings. Hopefully the record buyers appreciate the work which was necessary to accomplish this mission of doing a legitimate re-issue. Mr. Cunningham and his music definitely deserves it.
All good things come to an end, and The Very Polish Cut-Outs is no different. The fifth sampler will be the last in the much loved & long running series. For the farewell record, label boss Zambon has selected five unique reworks from top producers from Poland and beyond.
Comet announce the third volume of the Afrobeat Makers Series: Nu Guinea – The Tony Allen Experiments. By re-working the original magic drum patterns from the Afrobeat master Tony Allen, Nu Guinea created a compilation of tracks which is charged by a voluminous electronic jazz-Psyche funk imprint. For this release, Comet Records teamed up with Early Sounds Recordings, the berlin label, also home to duo Berliners Nu Guinea. The Naples formed, Berlin-based duo, is a project that arose out of jam sessions, melting synthesizers with instruments, containing a handmade sound that is not aiming for perfection but genuineness. It can be understood as a steadily shaping form, always open for collaborations with other musicians.
Super secret Bergen/Stavanger/Oslo/Haugesund/Berlin based collab label GLUEUNTZ is back with another release, after the very successful Q&A 12″ two years ago.
Bastedos returns hosting two disco objects lovingly versioned by Nad. One side features the vocal talents of a mystery man with low riding balls imploring those gathered to hear him to ‘join his party’…if you look at his backside, so to speak, you will head off down to sunny rainbow filled Castro for a happy sing along and dancing tune versioned from vaults of Moby Dick.
The fourth release from Caustica Waveform, features three tracks written and produced by Diffuse Arc and one produced by Arcanoid.
In recent times, Bristol’s Shanti Celeste has proved more than adept at blending tough, body-popping electro beats with picturesque electronics and luscious, eyes-closed melodies. She’s at it again here, following up two excellent outings on Future Times with the brilliant “SSS”. Expect just the right blend of tactile, eyes-closed melodiousness, snappy drum machine work, and a fluid bassline that subtly doffs a cap to Syclops’ “Where’s Jason’s K”. Apron boss Funkineven offers his own interpretation on the flip, bringing it closer to early 808 State territory, while adding some neat, boogie-influenced synth touches and saucer-eyed piano flourishes.
Candido Cameron was a Cuban percussion maestro who had played with luminaries such as Dizzy Gillespie, Buddy Rich and Count Basie throughout his illustrious musical career which started in 1952. Fast forward to 1979 and Candido finds himself caught up in the Disco boom that had engulfed his adopted New York City. Feeling he could add his trademark quick-fire Conga and Bongo playing to Disco’s straight 4 x 4 syncopated rhythm he cut some records with legendary NYC label Salsoul. The fruits of this partnership were 2 full length LP’s and a handful of 12″ singles that changed the face of underground Disco. The first of these two LP’s made for Salsoul was the truly epic “Dancin’ & Prancin” containing the all time classic “Jingo” which has been sampled, edited, re-configured and coveted by too many names to mention! It’s a killer funky Disco version of master Nigerian drummer Olatunji’s 1969 percussion suite of the same name, Salsoul style. The LP also contains one of the deepest Disco records of all time; “Thousand Finger Man” a testament to Candido’s percussion prowess and a spacey, beautiful voyage that has left more than an indelible mark on modern House music, often being cited as a huge influence by artists such as Masters At Work and more.
Napoleon Cherry is perhaps not the unknown name that Music From Memory excels at celebrating but the Philadelphian musician’s releases are certainly suitably hard to find. This career retrospective offers a mix of impossible-to-find tracks, many from his deliciously rare 1990 debut full-length, and previously unheard cuts. It portrays Cherry as a master of warm, evocative, Balearic soul and lo-fi synthesizer funk, whose analogue-rich releases were always out-of-step with the musical trends developing around him. Crucially, all 10 of these tracks are superb, making Walk Alone yet another essential Music From Memory purchase.
Marvis Dee opens the newly varnished In The My Dreams imprint with a boogie-led 5-track EP of late-night 80’s house and slow groove-soaked beats. Drawing from the magical influence of the conga-a-plenty TR-727 drum machine along with stomach rumbling basses and glistening synth romanticism conjured from the same machine. Sailing Over Alpha Moon is the first in a 3 EP series exploring these ideas, machines and the nostalgic attachment to things we have once experienced but may not remember. Trapped solely in the memories of others, but returning in our dreams.
Essential 4 track EP of deep disco and summer soul, boogie house and steady groovin funk edits. All tracks are given Magnetic Souls expert disco dub treatment focusing on grooves, added presence and beefed up bottom end for a solid dance floor feel. The A side enters the spacious tropical House vibes of Summer Love and the delightful slow building soul strings and vocal of Universal Love. The B side hits first with some low slung, raw funk grooves with added brass stabs and leaves us on psychedelic soul funk, la Gil Scott of Cold Outside.
The Hipodrome Of Music 