Clone Jack For Daze on a roll with Tom Carruthers up next. Tom delivering trax that will make you jack all night long. The 4 track EP reflects a keen ear for detail and a deep appreciation for retro-futuristic influences that made the genre. No nonsense classic bleepy techno with lush strings and contrasting metalic basslines fierce enough to keep the energy flowing till sunrise.
Shonky debuts on Wicked Bass with ‘The Way It Goes’, an EP of spooky and minimalistic house/techno.
Red Laser Records continue their stellar form with another knockout release, blending Manctalo fire from old hands and fresh faces alike. Frank Butters opens the EP with The Call Of The Wild, a dazzling blast of crystalline synths, thunderous bass, and cosmic effects that showcase his forward-thinking production skills. Bob Swans delivers ‘Bodyform4U’, a dreamy arpeggiated groove that builds an uplifting, futuristic atmosphere, perfect for igniting the dancefloor. Lone Saxon switches things up with ‘Hypersleep’ a breakbeat-infused piano gem that oozes nostalgic charm, before Franz Scala and Il Bosco finish strong with Webo, a late-night, tension-filled Manctalo banger.
Hotmix presents a new release by Legowelt and the Dutch Master delivered a fantastic 2 tracker on a white ten inch record.
Legowelt returns to Clone Records with yet another sonic journey that defies conventional electronic music boundaries, offering an album that is as eclectic as it is immersive. Blending different styles and textures seamlessly and proving that electronic music can still be creative and that function doesn’t always prevail style. He delivers a collection that transports listeners through a kaleidoscope of retro-futuristic sounds, deep grooves, and cosmic melodies. Despite being in the music game for more than 25 years the music from Danny Wolfers remains playful and refreshing. Stylistically taking elements from his whole musical career and not commiting to the latest trend or any genre specifically, and low-key taking the piss with everyone who takes themself to seriously. While many electronic music artists are stuck in their own void, busy pleasing the big room, Legowelt meticulously crafts rich textured soundscapes, balancing between cosmic exploration and the dancefoor, that evoke both nostalgia and futuristic visions. His ability to fuse elements of house, techno, disco and electro with cinematic influences results in an album that is not only ready for club use but also gratifying at home. Each track offers something unique–whether it’s the hypnotic rhythms, the lush synth lines, or the subtle, eerie undertones that creep in unexpectedly. Legowelt’s attention to detail and passion for his craft shine through, making this album a worthy follow up to his last album on the Clone Jack For Daze series.
Dutch label Brew returns with more moody techno that is both deep yet impactful. It’s Robert Bergman at the helm and ‘3 AM’ is his opening gambit. It has ghostly voices shimmering across the beats with a menacing low end, rugged bassline and scaring percussive sounds. ‘#5’ is another fresh sound with great sound designs and alluring rhythms and last of all is ‘Drum Trax’ which is a third and final blend of nostalgic and futuristic house tropes for heady basements.
Señor Chugger, a prolific Bristol-based producer and remixer, makes his debut on Wrong Era with an EP filled with his unique blend of euphoric synth lines and sophisticated, arcane themes. His music immerses listeners in a synth-ridden realm, offering a collection of instant classics. The EP, ‘Sunset On The A38’ , also includes remixes from Wrong Era Label heads Sesto Senso and fellow label affiliate Radondo.
Napoli based Gigi Testa brings the heat yet again on his third Rush Hour Store Jams release with some spicey Sichuan flavours, straight from the Dragon Temple.
Julio J, aka Californian-born Julian Smith, resurfaces with ‘Rhythm Vault I’ on his SFR imprint, showcasing his ability to evolve through multiple aliases. Known initially as Don Froth and later as Jane In Palma, this EP marks a return to form with a modern, tightly wound house sound. The four tracks offer a blend of broken beat and UKG influences, while inventive percussion and razor-sharp production give each track a distinct, spacious feel. The echo-heavy dubs feel built for the dancefloor, with cavernous reverberations creating a dynamite soundscape perfect for peak-time sets.
Detroit house maverick and FXHE boss man Omar S is back with a new EP named seemingly in honour of himself. And why not? Few house producers can touch him even 20-plus years into his career. The title cut ‘O Maarr’ is dry, paired back but immediately catchy with a loved-up vocal loop and knackered kicks that bump along nicely. The second track ‘Glass’ is for lovers of lo-fi sounds of the sort that this man has made his signature. Searching synths circle the dusty analogue drums and coarse claps add some raw texture. ‘Bug Off’ is another archetypal Omar S cut – pensive chords that are whimsical and inwardly reflective over chunky beats and bass with brighter chords bursting out of the mix to bring a hint of optimism.
Chicago underground legend Mark Grusane presents ”Take Me” on his own Disctechno imprint, a proper 12” single featuring vocals from DJ Saucy Lady, the Beantown Disco Queen. The lead single uses a driving bassline, infectious synth fills and filtered arps and pads to build up an electrified disco heater with sweat-soaked NRG. Saucy Lady’s seductive, dubbed out vocals bounce off the walls with a repeating mantra of ”just take me” and spoken words from a creature of the night, backed by her harmonizing ooh’s and aah’s. This combination sounds something like Bobby O locked in a Chicago basement during a heatwave with nothing but a fog machine and broken A/C for company. On the B-Side, disco wizard Rahaan reworks the lead single with a ”Psychedelic Dub” that layers the sounds of machine funk synth sweeps and disorienting tweaks for a mesmerizing take on the lead single. On either side of the record are also the Dub Instrumental and Accappella versions – versatile tools for freaking out any dancefloor.
Three groove heavyweights unite on this new Frappe release. Jamie 326, Young Pulse and Danou P are the Mystic Freaks, taking us on a cosmic Disco House flight. These 3 tracks are sweaty, made for dancing numbers. They are sexy, dirty and relentless, dripping with funk and disco influences. The very essence of House Music. You’ll hear disco drums, over housy drum machines, eiry sound effects surrounding groovy keybords and vocals franctically whispering at the dancer’s ears.
GAEG is the production pair of Tokyo’s Monkey Timers and Okayama’s Keita Sano and now they present a heavyweight release on Sound of Vast. The EP opens with ‘Jack’ with its powerful bassline, sharp synths and ACID voices from Ron Hardy’s Jackmaster Hater tapes. ‘Yamato’ follows with percussion inspired by Curt Cress’ 80s jazz-rock drumming, while ‘Central’ reimagines The S.O.S. Band’s funky bassline with roaring guitars and cosmic synths. Blending disco, krautrock and Chicago house influences, the EP showcases Monkey Timers’ club music expertise alongside Keita Sano’s experimental, leftfield production style.
Phonogramme brings back a pivotal moment in its history with a fresh repress of DJ Steaw’s ‘Holding On’. Originally released in 2012, the track marked both the label’s debut and DJ Steaw’s emergence as a serious producer. Fast forward to today, and the record has been revived with an added twist: a remix by none other than Ron Trent. Trent’s take manages to build on the original’s deep house foundations, injecting it with his signature Chicago warmth and effortless groove. Alongside this standout remix, Steaw contributes two more tracks that capture his enduring talent for crafting timeless house music. It’s a testament to both DJ Steaw’s vision and Phonogramme’s place within the scene that ‘Holding On’ remains as compelling today as it did when it first dropped.
Phonogramme Records announce the upcoming release of Taelue’s highly anticipated EP, “Dark Worlds”. This exclusive, limited edition marbled vinyl EP is a five-track masterpiece that showcases Taelue’s exceptional talent and deep connection to the roots of house music, offering listeners a journey through rich, immersive soundscapes and infectious rhythms. “Dark Worlds” is a masterful collection that highlights Taelue’s signature style, blending deep house grooves with soulful undertones. Each track on the EP stands as a testament to his skillful production and unique artistic vision. Among the standout tracks is a stunning remix by the renowned artist Abacus, adding a fresh and dynamic layer to the EP.
Paris-based record label Phonogramme proudly announces its milestone 50th release, a spectacular Various EP featuring 4 exclusive and unreleased tracks from legendary artists Abacus, Fred P, Byron The Aquarius, and Felipe Gordon.
Zopelar makes his debut on the Clone Royal Oak series with a 4 track EP, delivering some of his unique blend of house grooves firmly rooted in the 90’s Chicago, New York and Detroit house traditions. Pedro Zopelar is a musical wizard from Sao Paulo and is twisting the classic sounds and production methods into a fresh sonic Brazilian Caipirinha cocktail.
The Hipodrome Of Music 