
Better late than never: Special X-mas edition from the L.I.E.S. camp, Delroy Edwards comes in hitting hard with this 2 track piece of vinyl

Better late than never: Special X-mas edition from the L.I.E.S. camp, Delroy Edwards comes in hitting hard with this 2 track piece of vinyl

Debut release for Steve Summers’ Confused House label. The first in an ongoing series of collaborations focusing on live improvised hardware based jams comes to us from Bookworms and Steve Summers. Three raw whirlpool techno / house tracks.

Filippo Naughty Moscatello with an other release on Save The Black Beauty with the FNM project. Rubini comes this timw with the remix.

An exquisite collection of cuts by Orgue Electronique, Crystal Maze, ESHU and Ohrwert cover the ninth Field EP.

Echovolt notch up their 8th release with a fine offering by R-A-G and Crystal Maze member, G-String. G-String delivers two delicately rough dance music delights, effortlessly marrying tripped out emotive ambience to the essence of jack. The 12” is topped off with a wonderfully blurred out remix of ‘Ghoul’ by D’Marc Cantu!

February 2013 sees the release of ‘Treat Me Right’, a new album from Trus’me. Its his first album in 3 years and to a certain extent marks a change in direction from the predecessors. Here’s what the man himself has to say as way of an introduction to the new album. “Since ‘In The Red’ I found myself traveling as far as Japan and South America and experiencing new scenes and people that has influenced my sound both in the studio and behind the decks. Traveling so much has forced me to change my way of making music, I would say now I have a more ‘anoligital’ approach to my production techniques. The final production stage will always remain an analogue process but the creative process has become more digital. You can’t take all those lovely synths and machines on the road with you. With ‘Working Nights’ I wanted to create a cohesive hour of music from start to finish, whereas ‘In The Red’ was a way to push myself and learn new engineering and production techniques, working with live musicians such as Amp Fiddler and Dam Funk. ‘Treat Me Right’ saw me move into the realm of synths, drum machines to create the sounds of the scene I had been submerged in over the last 4-5 years. Working on new music while on the road is hard, and fragmented sessions all came together once I was stationary in Manchester. I stayed away from the impulse of my love of sampling and musicianship and trapped myself in a room, so that the final outcome would be a true representation on the sound they call analogue.”

The no. 10 materializing as an Ike Release 12″ called Chasing Quasars EP on Machining Dreams. The five track project goes backward while looking forward as Ike presents a classic sound using contemporary principles. The sound of this vinyl is quite unique as it maintains its hard edginess yet very emotive and analog. Hakim Murphy comes with the remixe.

Long standing Tsuba artist Spencer Parker makes his Limited debut complete with the first ever remix from ItaloJohnson. The original mix has a deep detroit house flavour and the remix is a pure bomb as you would expect from ItaloJohnson.

Tornado Wallace with a new EP on ESP Institute. Tree killer tunes from starting with “BIT 1”, a hypnotic groove with a deep bass and slow arpeggiated synths. “Cloud Country” follows with a space-like electro vibe while the title track on the flip opts for a sweet atmospheric feel and more outer space attitude.

Pharaohs is a live band from Los Angeles including blossoming producers Suzanne Kraft, Ale Cohen and surfer/synth-geek, Sam Cooper. Side A leads with “Ahumbo” (named after Sam’s dream beach in Zanzibar), blending a dry and simplistic rhythm section with swelling synth chords, a cheeky vocal and a vibrant surf guitar. The title track “Island Time,” a bouncy jungle vibe with chant about tropical fruits, a reminder that its always Summer somewhere. Side B doles out “If It Ever Feels Right,” a percussive House jam that is literally a JAM.

Bohemian Groove are taking their inspiration from the infamous Bohemian Club, a conclave of powerful men who met annually at the Bohemian Grove campground in California to plan world-changing developments including the Manhattan Project. The three puppetmasters of the Groove make machine-based body music connecting the dots between house, techno, and something altogether uncategorizable. Now they are unleashing their first standalone dance manifesto in the form of the “High Jinks” / “Low Jinks” EP, with remixes by Gilb’r and Photonz.

The 7th release on Aniara marks the debut of Henrik Bergqvist from Stockholm, Sweden. Two tracks of no frills, hands-on house, made with unbridled love for music, machines and the simple joy of dancing your ass off. A-side “Go For What Hurts” is all about the strings and the slamming beat, propelling you into the early morning vibe, while the B-side “Spin” has what can only be called a truly irresistible groove.

The latest transmission from Underground Quality HQ sees label boss Jus Ed at the helm on a swiftly delivered riposte to Dope Jams, having been included in the latest end of year diss list from the New York record store. That the Dum Jams 12” should arrive so soon after Dope Jams announced plans to close their store after seven years of selling records (and pissing people off) is ironic, but makes us wonder who really won here. There’s a certain degree of cultural novelty inherent in the lead “Detox mix” which is thankfully balanced out by the tougher B Side “Techno Fuck” version.

The title track kicks off and instantly you know youʼre in for a joyous ride with the rawest house-not-house beats, p-funk bass and echoing stabs. Next up Fabrizio Mammarella gets stuck into Pathfinder reworking the original into a slightly straighter, bass-heavy monster of a track which keeps the dubbed out chords but totally wreaks havoc on the bottom end when the bassline drops. Flipping over weʼre treated to the slower paced Backbeat which builds around floating chords, chopped vocals and a boogie-inspired bassline. Finally, Abregon completely defies categorization but manages to successfully fuse elements of jazz, fusion, hi life and house into a brilliantly quirky track.

Jimpster’s These Times proved to be a successful release, garnering love and support from right across the board. Here Freerange present two remixes by Dixon and Manuel Tur. Here we’re very proud to present the fruits of his labour, as well as a stunning remix from Manuel Tur. Dixon keeps the original vibe intact but reduces the groove perfectly and extends the arrangement for a deep, epic vocal version aimed squarely at the dancefloor. Manuel goes into the abyss with a darker, hypnotic feeling, pushing Jinadu’s vocals to the fore and working up a stripped back groove punctuated with ring modulated chime FX.