Audiotech is one of the many visionary aliases of Juan Atkins, the Detroit pioneer widely recognized as one of the originators of techno. Originally released in 1987 on Express Records, “I’m Your Audio Tech” captures a crucial moment in the evolution of electronic music – when raw machine funk and futuristic minimalism merged to form the Detroit sound.
A well-timed remastered version of this killer jacking electro cut from Aaron Carl on the legendary Metroplex label, featuring none other than Juan “The Man” Atkins. The release includes four versions. Dirty, essential Detroit electro.
Techno godfather Juan Atkins reaches deep into the Metroplex archive for a momentous 50th release, newly disclosing a ’93 EP as the work of fellow Motor City maestros Mike Huckaby, Anthony Shakir, and Marty Bonds’ Reel By Real. The Future Sound EP is a great example of Juan Atkins’ curation for Metroplex Records.
Model 500’s “Deep Space,” released in 1995, is a landmark album in electronic and techno music, crafted by Detroit pioneer Juan Atkins. This work seamlessly combines atmospheric textures with pulsating beats, reflecting the innovative spirit of the Detroit techno scene. With tracks like “The Chase” and “No UFOs,” “Deep Space” captivates listeners through its hypnotic melodies and complex rhythms, creating an immersive experience that feels both expansive and futuristic. The album is revered for its groundbreaking sound and continues to inspire artists and fans alike in the electronic music landscape. This new pressing has been carefully remastered and re-cut from original sources to achieve The best sonic experience possible.
Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds. Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.”
Another one of Model 500’s classics, carefully remastered and recut. Two masterpieces of true Detroit Techno History.
New mastering and new cutting of one of Metroplex’ (and Detroit Techno in general) keystone releases. Three essential tracks by three masterminds in electronic music. Detroit Techno master Juan Atkins (Model 500) and Berlin’s Moritz von Oswald together with Thomas Fehlman are responsible for this absolute classic.
The techno masterpiece by Juan Atkins & Orlando Voorn gets a remix treatment including mixes by Steve Rachmad and DJ S2 aka Santiago Salazar, former member of Underground Resistance and co-founder of the Historia y Violencia label together with Silent Servant. The original version of Game One was released on Metroplex back in 1994. The Steve Rachmad mix and Salazar remake have both been carefully restored from the original tapes and then remastered. Santiago made an alternative mix in the same session which is exclusive to this release and previously unreleased.
Juan Atkin’s masterpiece compilation, the blueprint of Techno albums…. the 1993 Model 500 ‘Classics’ compilation with some of Juan Atkins’ biggest early Metroplex milestones, with some of them in exclusive remixed versions. 3 decades later Metroplex is re-releasing this collection of hugely influential tracks for a new generation to play from fresh and clean vinyl!. Just like the recent 12″ reissue series, this album has been fully remastered with all the care and attention to detail you can imagine. Tracks like ,,No UFOs”, ,,The Chase”, ,,Techno Music”, ,,Night Drive (Time, Space, Transmat)” or ,,Off To Battle” are basically techno ground zero, with the electro influence of mid-80s to late-80s Juan Atkins productions still omnipresent. 30 years on since its original release on R&S records, ‘Classics’ is still as gritty and timeless a statement as ever.
Metroplex continues its run of reissues with two more seminal releases from the label’s golden back catalog. First off is Catalog number M003, aka late 80’s Metroplex electro staple Channel One, a Juan Atkins joint with Doug Craig (Carl Craig’s cousin) on vocals. Futuristic and playful techno from the late 80s which soundwise evolves from Cybotron and the obvious Kraftwerk influences. Juan Atkins said about the release in a 2005 interview that “it was more fun than politically driven, just about the colors and combination spread from colors”. An important release in the history of Techno from both a cultural and creative perspective. Channel One’s technicolor has been carefully remastered from the original tapes.
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of ”Meta”. Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded directly into the alleys of your mind.
Metroplex continues its run of reissues with more seminal releases from the label’s essential back catalog. The long-awaited reissue of M024: Model 500’s eternal techno meditation “Starlight”, a mid-90s collaboration with dub techno maestro Moritz von Oswald of Basic Channel, Maurizio, and Rhythm & Sound fame. Remastered from original tapes and sounding super fresh.
Legendary and genre-defining Detroit label Metroplex Records is rereleasing a run of carefully selected releases from its classic-studded catalogue. The remastering and recut was done with uttermost care, using the newest mastering and audio-restoration technologies. These Techno and Electro benchmarks, taken from original sources, have never sounded better. This is the second release Model 500’s ,,Night Drive (Through Babylon)” (M002). Rediscover these futurist transmissions from techno’s ground zero and the absolute classic Detroit Techno EP’s that started the genre.
Watch this space for more.
Legendary and genre-defining Detroit label Metroplex Records is rereleasing a run of carefully selected releases from its classic-studded catalogue. The remastering and recut was done with uttermost care, using the newest mastering and audio-restoration technologies. These Techno and Electro benchmarks, taken from original sources, have never sounded better. The first release is Model 500’s “No Ufo’s” (M001). Rediscover these futurist transmissions from techno’s ground zero and the absolute classic Detroit Techno EP’s that started the genre.
Since 1991, Tresor has provided a home for artists to germinate their ideas for advanced new sounds and broadcast them to the world. The pioneers that first traversed the Detroit-Berlin connection and were at the forefront of a new cultural movement gave to Tresor its original and continuing mission: community, resistance and reshaping the world to come. The Tresor 30 compilation represents a major land- mark in this continuing history of electronic music. This unique collection of music profiles some of the artists that gave the previous three decades of Tresor its sound and foundation, but it also casts its gaze forward. Writing new postcards from the future, this collection brings new artists who main- tain a connection to that original mission to the fore, charting ways in which this ethos can contin- ue to build bridges and break walls in the next 30 years. Bringing together 52 essential tracks – both clas- sics and exclusive commissions – each of the 12 records in this box-set charts a unique line of flight from those artists that helped define the shape of this new music to those who continue to pattern its landscape further.
From ”Tomorrow” and back to plus thirty years, more precisely in 1987, a teenager named Thomas Barnett released the track ”I Can Feel It” mixed by Juan Atkins, one of the first mix by who became the main DJ and producer from Thomas’s hometown, Detroit. Today ”I Can Feel It” is a very hard to find record that finally will be available for an official reissue via Omaggio.
For the 5th release of the label, Partout welcomes legend Juan Atkins starting the Detroit series and providing a reissue of tracks from 1993′ to 2011′.
Two Detroit techno classics from Metroplex Records, by Juan Atkins and Martin Bonds. Re-mastered and repressed by the the music preservation society. Essential Detroit techno.
The Hipodrome Of Music 