:format(jpeg):mode_rgb():quality(40)/discogs-images/R-2847729-1326547597.jpeg.jpg)
Free gift from Scion A/V. Three reinterpretation of Detroit’s garage / punk band The Dirtbombs, comming from Omar-S, Kyle Hall and Octomorph.
:format(jpeg):mode_rgb():quality(40)/discogs-images/R-2847729-1326547597.jpeg.jpg)
Free gift from Scion A/V. Three reinterpretation of Detroit’s garage / punk band The Dirtbombs, comming from Omar-S, Kyle Hall and Octomorph.

Up next on Objektivity, Dennis Ferrer recorded this track last year with Philadelphia singer Dawn Hulton – remixed by Detroit’s Kyle Hall on the B side.

NSNT stands for New School N1994 Techno and comes from Kyle Hall and his buddy Manuel Gonzalez. Cool fresh sounding tracks that builds on the tradition of Detroit techno, with a Wild Oats twist.

The first day of the festival and the most intense and interesting for us. So what’s on the menu for the start of the festival.
Beach Bar:
Lakuti 20-22
Tama Sumo 22-00
Patrice Scott 00-02
Need2Soul Club:
Kyle Hall 00-02
Juan Atkins 02-04
Keith Worthy 04-06

Another unlikely yet highly successful remix excursion for Delphic, picking up an uber-limited one-sided rerub from Detroit’s Kyle Hall. There’s practically no trace of the original to be heard, just a damn fine exhibition of Motor City techniques, shaking slightly broken drums under filtered and flanged keys, locking into a sweetly sensual loop of house magic.

New Kyle Hall on his own label. Two crazy jackin Detroit house cuts as only Kyle can deliver…

New London-based imprint Glass Table launches this summer with “Hush”. Some futuristic Detroit funk by Jimmy Edgar. Comes with another exciting Kyle Hall remix!

Moods & Grooves has an exciting release from Kyle, with some fresh early works! Three phat grooving track track each with its own exquisite quality and soulfulness.




// <![CDATA[
/* Override the updatePreview method inside the color picker to update all of our custom elements */
Refresh.Web.ColorPicker.prototype.updatePreview = function() {
try {
// update the preview color box as usual
this._preview.style.backgroundColor = ‘#’ + this._cvp.color.hex;
// Also update our preview display
$(’embed-header’).style.backgroundColor = ‘#’ + this._cvp.color.hex;
$(’embed-meta’).style.backgroundColor = ‘#’ + this._cvp.color.hex;
$(’embed-tracks-header’).style.backgroundColor = ‘#’ + this._cvp.color.hex;
$(’embed-tracks’).style.backgroundColor = ‘#’ + this._cvp.color.hex;
$(’embed-track-1′).style.backgroundColor = ‘#’ + this._cvp.color.hex;
try { // may have smaller number of tracks
$(’embed-track-2′).style.backgroundColor = ‘#’ + this._cvp.color.hex;
$(’embed-track-3′).style.backgroundColor = ‘#’ + this._cvp.color.hex;
$(’embed-track-4′).style.backgroundColor = ‘#’ + this._cvp.color.hex;
$(’embed-track-5′).style.backgroundColor = ‘#’ + this._cvp.color.hex;
} catch(e) {}
$(’embed-read-review’).style.backgroundColor = ‘#’ + this._cvp.color.hex;
// height of embed = (header = 257px) + (29px * number of tracks) + (footer = 66px)
embed_height = 257 + (29 * 3) + 66;
// and update our HTML snippet
$(’embed-code’).value = ‘
Read full review of The Water Is Fine EP – KYLE HALL on Boomkat.com ©‘;
} catch (e) { alert(e); }
};
var cp1 = null;
var modal = null;
document.observe(‘dom:loaded’,function(){
modal = new Control.Modal($(‘modal’),{
overlayOpacity: 0.75,
className: ‘modal’,
fade: true
});
modal.observe(‘afterOpen’, function(){
if( !cp1 ) {
cp1 = new Refresh.Web.ColorPicker(‘cp1’, {startHex: ‘DD6C94′, startMode:’s’});
} else {
// when opening for the 2nd+ time, ensure we re-show the pointers
$(‘rangearrows-img’).show();
$(‘mappoint-img’).show();
}
});
modal.observe(‘afterClose’, function(){
// after close, remove the js-inserted images as well
$(‘rangearrows-img’).hide();
$(‘mappoint-img’).hide();
});
});
// ]]>
Scrolling back a few years, Mood & Grooves present one of the very earliest (and digital only) Kyle Hall releases for the first time ‘pon wax. ‘The Water Is Fine’ was produced roughly around the same time as his FXHE debut so what you’re hearing is a lovely snapshot of a producer in near-embryonic form. ‘Create Your Existence’ makes a cautious start, taking its time to warm up with silken chords before dropping a thick house beat and sparkling keys. ‘Tomorrow Is The Day’ is nothing short of a stunning house track, the sort of gear you’d expect to hear from Shake in his prime (when in fact this guy was 17 when he wrote it!), and finally ‘One Ribbon’ sails home on a kinked shuffle of raw percussion and head-melting interstellar jazz keys. Lovely.

Just 18 years old and hailing from Detroit, Kyle Hall has been getting a lot of attention after releasing several EPs on his own Wild Oats label, plus a one-sided single for Omar S’ FHXE imprint. However, this is his first full release for another label. Both tracks inhabit an interzone between live and mechanical music, full of details and fills that lend a playful, hands-on feel.